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Eastman High Speed 250D 5297/7297 Neg. Film | 18 Titles

Eastman High Speed 250D 5297/7297 Neg. Film 2.50/5 2 Votes

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Forrest Gump (1994)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Robin Wright, Gary Sinise, Sally Field

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Terminator 2: Judgment Day (1991)

Motion Picture | 2D | Film Project | Color | 137 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Starring | Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Born on the Fourth of July (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing

Starring | Tom Cruise, Bryan Larkin, Raymond J. Barry, Caroline Kava

Cameras | Panavision Cameras, Panavision Panaflex Camera

Lenses | Panavision Lenses

American Pastime (2007)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 105 Minutes

Directed by | Desmond Nakano | Cinematography by | Matthew Williams | Editing by | Mark Yoshikawa

Starring | Aaron Yoo, Olesya Rulin, Carlton Bluford, Sami Roe

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Titus (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 162 Minutes

Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot

Starring | Anthony Hopkins, Jessica Lange, Osheen Jones, Dario D'Ambrosi

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

Who Framed Roger Rabbit (1988)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Who Framed Roger Rabbit | ShotOnWhat?

Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt

Starring | Bob Hoskins, Christopher Lloyd, Joanna Cassidy, Charles Fleischer

Cameras | Panavision Panaflex Camera, VistaVision Cameras

Lenses | Panavision Lenses

Where the Hell’s That Gold?!!? (1988)

Television Movie | 2D | Color | 1.33:1 (4x3) | 91 Minutes

Where the Hell’s That Gold?!!? | ShotOnWhat?

Directed by | Burt Kennedy | Cinematography by | John Elsenbach | Editing by | Warner E. Leighton

Starring | Willie Nelson, Delta Burke, Jack Elam, Alfonso Arau

Cameras | Panavision Cameras

Fresh (1994)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Fresh | ShotOnWhat?

Directed by | Boaz Yakin | Cinematography by | Adam Holender | Editing by | Dorian Harris

Starring | Sean Nelson, Giancarlo Esposito, Samuel L. Jackson, N'Bushe Wright

Cameras | Moviecam Compact Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Anamorphic Lenses

A Far Off Place (1993)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Mikael Salomon | Cinematography by | Juan Ruiz Anchía | Editing by | Ray Lovejoy

Starring | Reese Witherspoon, Ethan Embry, Jack Thompson, Sarel Bok

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

Black Rain (1989)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 125 Minutes

Directed by | Ridley Scott | Cinematography by | Jan de Bont | Editing by | Tom Rolf

Starring | Michael Douglas, Andy Garcia, Ken Takakura, Kate Capshaw

Cameras | Beaulieu Cameras, Panavision Cameras

Lenses | Panavision Lenses

Coming to America (1988)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | John Landis | Cinematography by | Woody Omens | Editing by | Malcolm Campbell, George Folsey Jr.

Starring | Eddie Murphy, Paul Bates, Garcelle Beauvais, Feather

Cameras | Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Three Fugitives (1989)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Francis Veber | Cinematography by | Haskell Wexler | Editing by | Bruce Green

Starring | Nick Nolte, Martin Short, Sarah Rowland Doroff, James Earl Jones

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux HP Zoom Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Ridicule (1996)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Patrice Leconte | Cinematography by | Thierry Arbogast | Editing by | Joëlle Hache

Starring | Charles Berling, Jean Rochefort, Fanny Ardant, Judith Godrèche

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Solar Crisis (1990)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Richard C. Sarafian, Alan Smithee | Cinematography by | Russell Carpenter | Editing by | Richard Trevor

Starring | Tim Matheson, Charlton Heston, Peter Boyle, Annabel Schofield

Cameras | Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses

Crazy People (1990)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Tony Bill, Barry L. Young | Cinematography by | Victor J. Kemper | Editing by | Mia Goldman

Starring | Dudley Moore, Daryl Hannah, Paul Reiser, J.T. Walsh

Cameras | ARRI ARRIFLEX Series Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Ultra Speed MKII Lenses

Far and Away (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Mikael Salomon | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Cruise, Nicole Kidman, Thomas Gibson, Robert Prosky

Cameras | ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision 65mm Prime Lenses, Zeiss Lenses

Consenting Adults (1992)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Sam O'Steen

Starring | Kevin Kline, Mary Elizabeth Mastrantonio, Kevin Spacey, Rebecca Miller

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Mo’ Better Blues (1990)

Motion Picture | 2D | Color | 1.85:1 | 130 Minutes

Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard

Starring | Denzel Washington, Spike Lee, Wesley Snipes, Giancarlo Esposito

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Super Speed Lenses

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