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Eastman Color Negative 50T 5251 Neg. Film | 12 Titles

Eastman Color Negative 50T 5251 Neg. Film 3.90/5 10 Votes

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The Good, the Bad and the Ugly (1966)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 178 Minutes

Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Eugenio Alabiso, Nino Baragli

Starring | Clint Eastwood, Eli Wallach, Lee Van Cleef

Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera

From Russia with Love (1963)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 115 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Robert Shaw, Lotte Lenya

Cameras | Mitchell BNC Camera

Goldfinger (1964)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 110 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Gert Fröbe, Honor Blackman

Cameras | Mitchell BNC Camera

Thunderball (1965)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 130 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Ernest Hosler

Starring | Sean Connery, Claudine Auger, Adolfo Celi

Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses | Panavision B Series Anamorphic Lenses

You Only Live Twice (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 117 Minutes

Directed by | Lewis Gilbert | Cinematography by | Freddie Young | Editing by | Thelma Connell

Starring | Sean Connery, Akiko Wakabayashi, Mie Hama

Cameras | Mitchell BNC Camera

Lenses | Panavision C Series Anamorphic Lenses

Dr. No (1962)

Motion Picture | 2D | Film Project | Color | 1.66:1, 1.85:1 | 110 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Ursula Andress, Bernard Lee, Joseph Wiseman

Cameras | Mitchell BNC Camera

Doctor Zhivago (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 197 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Omar Sharif, Julie Christie, Geraldine Chaplin, Rod Steiger

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Graduate (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 106 Minutes

Directed by | Mike Nichols | Cinematography by | Robert Surtees | Editing by | Sam O'Steen

Starring | Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels

Cameras | ARRIFLEX 35 IIC Camera, Panavision Silent Reflex PSR Camera

Lenses | Angenieux Lenses, Panavision B Series Anamorphic Lenses

West Side Story (1961)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 153 Minutes

Directed by | Jerome Robbins, Robert Wise | Cinematography by | Daniel L. Fapp | Editing by | Thomas Stanford

Starring | Natalie Wood, George Chakiris, Richard Beymer, Russ Tamblyn

Cameras | Mitchell FC 65mm Camera, Super Panavision-70 Camera

My Fair Lady (1964)

Motion Picture | 2D | Film Project | Color | 170 Minutes

Directed by | George Cukor | Cinematography by | Harry Stradling Sr. | Editing by | William H. Ziegler

Starring | Audrey Hepburn, Rex Harrison, Stanley Holloway, Wilfrid Hyde-White

Cameras | Super Panavision-70 Camera

2001: A Space Odyssey (1968)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 149 Minutes

Directed by | Stanley Kubrick | Cinematography by | Geoffrey Unsworth | Editing by | Ray Lovejoy

Starring | Keir Dullea, Gary Lockwood, William Sylvester, Daniel Richter

Cameras | Super Panavision-70 Camera

The Sound of Music (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 172 Minutes

Directed by | Robert Wise | Cinematography by | Ted D. McCord | Editing by | William Reynolds

Starring | Julie Andrews, Christopher Plummer, Eleanor Parker, Richard Haydn

Cameras | Mitchell BNC Camera, Modern Cinema Systems MCS-70

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