Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 397Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1494 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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Son of Rambow (2007)

Motion Picture | 2D | Color | 96 Minutes

Directed by | Garth Jennings | Cinematography by | Jess Hall | Editing by | Dominic Leung

Starring | Bill Milner, Will Poulter, Jessica Hynes, Anna Wing

Cameras | Panavision Cameras

Lenses | Panavision Lenses

I’m Not There. (2007)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 135 Minutes

Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Jay Rabinowitz

Starring | Christian Bale, Cate Blanchett, Heath Ledger, Ben Whishaw

Cameras | Aaton LTR Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Canon Lenses, Cooke Lenses

Harry Potter and the Deathly Hallows: Part 1 (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 146 Minutes

Directed by | David Yates | Cinematography by | Eduardo Serra | Editing by | Mark Day

Starring | Daniel Radcliffe, Emma Watson, Rupert Grint, Bill Nighy

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

The Avengers (2012)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 143 Minutes

Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek

Starring | Robert Downey Jr., Chris Evans, Scarlett Johansson, Jeremy Renner

Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Panavision Frazier Lenses, Panavision Lenses

Angel-A (2005)

Motion Picture | 2D | Black & White | 2.39:1 | 91 Minutes

Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Christine Lucas Navarro, Frédéric Thoraval

Starring | Rie Rasmussen, Jamel Debbouze, Gilbert Melki, Serge Riaboukine

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Trainspotting (1996)

Motion Picture | 2D | Film Project | Color | 93 Minutes

Directed by | Danny Boyle | Cinematography by | Brian Tufano | Editing by | Masahiro Hirakubo

Starring | Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Kevin McKidd

Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera

The Big Hit (1998)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Kirk Wong | Cinematography by | Danny Nowak | Editing by | Robin Russell, Pietro Scalia

Starring | Mark Wahlberg, Lou Diamond Phillips, Christina Applegate, Avery Brooks

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Donnie Darko (2001)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Richard Kelly | Cinematography by | Steven Poster | Editing by | Sam Bauer, Eric Strand

Starring | Jake Gyllenhaal, Jena Malone, Mary McDonnell, Holmes Osborne

Cameras | Panavision Panaflex Millennium Camera

Heat (1995)

Motion Picture | 2D | Color | 2.39:1 | 170 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Starring | Al Pacino, Robert De Niro, Val Kilmer, Jon Voight

Cameras | Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Source Code (2011)

Motion Picture | 2D | Color | 1.85:1 | 93 Minutes

Source Code | ShotOnWhat?

Directed by | Duncan Jones | Cinematography by | Don Burgess | Editing by | Paul Hirsch

Starring | Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga, Jeffrey Wright

Cameras | Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Lenses | Panavision Primo Anamorphic Lenses

L’immortel (2010)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Richard Berry | Cinematography by | Thomas Hardmeier | Editing by | Camille Delamarre

Starring | Jean Reno, Kad Merad, Jean-Pierre Darroussin, Marina Foïs

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Mystic River (2003)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Clint Eastwood | Cinematography by | Tom Stern | Editing by | Joel Cox

Starring | Sean Penn, Tim Robbins, Kevin Bacon, Emmy Rossum

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Get Him to the Greek (2010)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Get Him to the Greek | ShotOnWhat?

Directed by | Nicholas Stoller | Cinematography by | Robert D. Yeoman | Editing by | William Kerr, Michael L. Sale

Starring | Jonah Hill, Russell Brand, Elisabeth Moss, Rose Byrne

Cameras | Panavision Cameras

The Counterfeiters (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 99 Minutes

Directed by | Stefan Ruzowitzky | Cinematography by | Benedict Neuenfels | Editing by | Britta Nahler

Starring | Karl Markovics, August Diehl, Devid Striesow, Martin Brambach

Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, Moviecam Superlight Camera

Lenses | Canon Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

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