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Eastman EXR 500T 5298/7298 Neg. Film | 67 Titles

Eastman EXR 500T 5298/7298 Neg. Film 3.20/5 10 Votes

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Breaking the Waves (1996)

Motion Picture | 2D | Color | 2.39:1 | 159 Minutes

Directed by | Lars von Trier | Cinematography by | Robby Müller | Editing by | Anders Refn

Starring | Emily Watson, Stellan Skarsgård, Katrin Cartlidge, Jean-Marc Barr

Cameras | Moviecam Compact Camera

Lenses | Zeiss Lenses

A Slipping-Down Life (1999)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Toni Kalem | Cinematography by | Michael F. Barrow | Editing by | Hughes Winborne

Starring | Lili Taylor, Guy Pearce, Irma P. Hall, Tom Bower

Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera

Ridicule (1996)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Patrice Leconte | Cinematography by | Thierry Arbogast | Editing by | Joëlle Hache

Starring | Charles Berling, Jean Rochefort, Fanny Ardant, Judith Godrèche

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Assassins (1995)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 132 Minutes

Directed by | Richard Donner | Cinematography by | Vilmos Zsigmond | Editing by | Lawrence Jordan, Richard Marks

Starring | Sylvester Stallone, Antonio Banderas, Julianne Moore, Anatoli Davydov

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Roseanna’s Grave (1997)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Paul Weiland | Cinematography by | Henry Braham | Editing by | Martin Walsh

Starring | Jean Reno, Mercedes Ruehl, Polly Walker, Mark Frankel

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

Ransom (1996)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 121 Minutes

Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill

Starring | Mel Gibson, Gary Sinise, Rene Russo, Brawley Nolte

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Saint (1997)

Motion Picture | 2D | Color | 116 Minutes

Directed by | Phillip Noyce | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Val Kilmer, Elisabeth Shue, Rade Serbedzija, Valeriy Nikolaev

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

DragonHeart (1996)

Motion Picture | Color | 2.39:1 | 103 Minutes

Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson

Starring | Dennis Quaid, Sean Connery, Dina Meyer, Pete Postlethwaite

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Steal Big Steal Little (1995)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Andrew Davis | Cinematography by | Frank Tidy | Editing by | Don Brochu, Tina Hirsch

Starring | Andy Garcia, Alan Arkin, Rachel Ticotin, Joe Pantoliano

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision Primo Primes Spherical Lenses

In Love and War (1996)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Richard Attenborough | Cinematography by | Roger Pratt | Editing by | Lesley Walker

Starring | Sandra Bullock, Chris O'Donnell, Mackenzie Astin, Margot Steinberg

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Fly Away Home (1996)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Carroll Ballard | Cinematography by | Caleb Deschanel | Editing by | Nicholas C. Smith

Starring | Jeff Daniels, Anna Paquin, Dana Delany, Terry Kinney

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Cyclo (1995)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Anh Hung Tran | Cinematography by | Benoît Delhomme | Editing by | Nicole Dedieu, Claude Ronzeau

Starring | Le Van Loc, Tony Chiu-Wai Leung, Nu Yên-Khê Tran, Nhu Quynh Nguyen

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Angela’s Ashes (1999)

Motion Picture | 2D | Color | 1.85:1 | 145 Minutes

Directed by | Alan Parker | Cinematography by | Chris Connier, Michael Seresin | Editing by | Gerry Hambling

Starring | Emily Watson, Robert Carlyle, Joe Breen, Ciaran Owens

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses

French Kiss (1995)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 111 Minutes

Directed by | Lawrence Kasdan | Cinematography by | Owen Roizman | Editing by | Joe Hutshing

Starring | Meg Ryan, Kevin Kline, Timothy Hutton, Jean Reno

Cameras | Panavision Panaflex Camera

Lenses | Panavision E Series Anamorphic Lenses

Kiss the Girls (1997)

Motion Picture | 2D | Color | 2.35:1 | 115 Minutes

Kiss the Girls | ShotOnWhat?

Directed by | Gary Fleder | Cinematography by | Aaron Schneider | Editing by | Armen Minasian, Harvey Rosenstock, William Steinkamp

Starring | Morgan Freeman, Ashley Judd, Cary Elwes, Alex McArthur

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Waterworld (1995)

Motion Picture | 2D | Color | 1.85:1 | 135 Minutes

Directed by | Kevin Reynolds | Cinematography by | Dean Semler | Editing by | Peter Boyle

Starring | Kevin Costner, Jeanne Tripplehorn, Dennis Hopper, Tina Majorino

Cameras | Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses | Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Twister (1996)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Twister | ShotOnWhat?

Directed by | Jan de Bont | Cinematography by | Jack N. Green | Editing by | Michael Kahn

Starring | Helen Hunt, Bill Paxton, Cary Elwes, Jami Gertz

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Two Soldiers (2003)

Short Film | 2D | Color | 1.85:1 | 40 Minutes

Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Kelly Matsumoto, Aaron Schneider

Starring | Jonathan Furr, Ben Allison, Ron Perlman, David Andrews

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

Phenomenon (1996)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Jon Turteltaub | Cinematography by | Phedon Papamichael | Editing by | Bruce Green

Starring | John Travolta, Kyra Sedgwick, Forest Whitaker, Robert Duvall

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Box of Moon Light (1996)

Motion Picture | 2D | Color | 1.66:1 | 112 Minutes

Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo

Starring | John Turturro, Sam Rockwell, Catherine Keener, Lisa Blount

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

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