Cole Hauser

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Transcendence | ShotOnWhat?

Colonel Stevens

Transcendence (2014)

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Olympus Has Fallen | ShotOnWhat?

Roma

Olympus Has Fallen (2013)

Directed by: Antoine Fuqua

Cinematography by: Conrad W. Hall

Edited by: John Refoua

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

A Good Day to Die Hard | ShotOnWhat?

Collins

A Good Day to Die Hard (2013)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Assassins Run | ShotOnWhat?

Roman

Assassins Run (2013)

Directed by: Robert Crombie, Sofya Skya

Cinematography by: Bagir Rafiev

Edited by: Daniel Gamburg, Peter Kanan, Kurt Kelly, Danny Saphire

Like Dandelion Dust | ShotOnWhat?

Jack Campbell

Like Dandelion Dust (2009)

Directed by: Jon Gunn

Cinematography by: Reynaldo Villalobos

Edited by: Jon Gunn

Tortured | ShotOnWhat?

Kevin

Tortured (2008)

Direct to Video

Directed by: Nolan Lebovitz

Cinematography by: Steven Bernstein

Edited by: Robert K. Lambert

The Break-Up | ShotOnWhat?

Lupus Grobowski

The Break-Up (2006)

Directed by: Peyton Reed

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental, David Rosenbloom

Paparazzi | ShotOnWhat?

Bo Laramie

Paparazzi (2004)

Directed by: Paul Abascal

Cinematography by: Daryn Okada

Edited by: Robin Russell

2 Fast 2 Furious | ShotOnWhat?

Carter Verone

2 Fast 2 Furious (2003)

Directed by: John Singleton

Cinematography by: Matthew F. Leonetti

Edited by: Bruce Cannon, Dallas Puett

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Tears of the Sun | ShotOnWhat?

James 'Red' Atkins

Tears of the Sun (2003)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hart's War | ShotOnWhat?

Staff Sgt. Vic W. Bedford

Hart's War (2002)

Directed by: Gregory Hoblit

Cinematography by: Alar Kivilo

Edited by: David Rosenbloom

A Shot at Glory | ShotOnWhat?

Kelsey O'Brian

A Shot at Glory (2000)

Directed by: Michael Corrente

Cinematography by: Alex Thomson

Edited by: David Ray

Tigerland | ShotOnWhat?

Staff Sgt. Cota

Tigerland (2000)

Directed by: Joel Schumacher

Cinematography by: Matthew Libatique

Edited by: Mark Stevens

Pitch Black | ShotOnWhat?

William J. Johns

Pitch Black (2000)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Rick Shaine

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Hi-Lo Country | ShotOnWhat?

Little Boy Matson

The Hi-Lo Country (1998)

Directed by: Stephen Frears

Cinematography by: Oliver Stapleton

Edited by: Masahiro Hirakubo

Good Will Hunting | ShotOnWhat?

Billy

Good Will Hunting (1997)

Directed by: Gus Van Sant

Cinematography by: Jean-Yves Escoffier

Edited by: Pietro Scalia

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

All Over Me | ShotOnWhat?

Mark

All Over Me (1997)

Directed by: Alex Sichel

Cinematography by: Joe DeSalvo

Edited by: Sabine Hoffman

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