Head Of Systems: Automatik VFX
Kinds of Kindness (2024)
Directed by: Yorgos Lanthimos
Cinematography by: Robbie Ryan
Edited by: Yorgos Mavropsaridis
Technical Support: Milk VFX , Technical Support: Milk Visual Effects
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Technical Support: Milk Visual Effects
Come Away (2020)
Directed by: Brenda Chapman
Cinematography by: Jules O'Loughlin
Edited by: Dody Dorn
Technical Support: Milk Visual Effects - 1 Episode, 2018
Altered Carbon (2018)
Directed by: Uta Briesewitz, Alex Graves, Peter Hoar, Nick Hurran, M.J. Bassett, Ciaran Donnelly, Jeremy Webb, Andy Goddard, Miguel Sapochnik
Edited by: Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Technical Support: Milk Visual Effects
'Altered Carbon' Nora Inu (2018)
Directed by: Andy Goddard
Cinematography by: Neville Kidd
Edited by: Amy M. Fleming
Technical Support: Milk Visual Effects
Annihilation (2018)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Barney Pilling
Technical Support: Milk Visual Effects
'Sherlock' The Six Thatchers (2017)
Directed by: Rachel Talalay
Cinematography by: Stuart Biddlecombe
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Sherlock' The Lying Detective (2017)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Yan Miles
Technical Support: Milk Visual Effects
'Sherlock' The Final Problem (2017)
Directed by: Benjamin Caron
Cinematography by: David Luther
Edited by: Yan Miles
Technical Support: Milk Visual Effects
'Doctor Who' Twice Upon a Time (2017)
Directed by: Rachel Talalay
Cinematography by: Richard Stoddard
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' World Enough and Time (2017)
Directed by: Rachel Talalay
Cinematography by: Ashley Rowe
Edited by: William Oswald
Technical Support: Milk VFX
'Doctor Who' The Doctor Falls (2017)
Directed by: Rachel Talalay
Cinematography by: Ashley Rowe
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' Empress of Mars (2017)
Directed by: Wayne Yip
Cinematography by: Stuart Biddlecombe
Edited by: Edel McDonnell
Technical Support: Milk Visual Effects
'Doctor Who' The Eaters of Light (2017)
Directed by: Charlie Palmer
Cinematography by: Mark Waters
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' The Lie of the Land (2017)
Directed by: Wayne Yip
Cinematography by: Stuart Biddlecombe
Edited by: Edel McDonnell
Technical Support: Milk Visual Effects
'Doctor Who' The Pyramid at the End of the World (2017)
Directed by: Daniel Nettheim
Cinematography by: Ashley Rowe
Edited by: Xavier Russell
Technical Support: Milk Visual Effects
'Doctor Who' Oxygen (2017)
Directed by: Charlie Palmer
Cinematography by: Mark Waters
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' Extremis (2017)
Directed by: Daniel Nettheim
Cinematography by: Ashley Rowe
Edited by: Xavier Russell
Technical Support: Milk Visual Effects
'Doctor Who' Knock Knock (2017)
Directed by: Bill Anderson
Cinematography by: Damian Bromley
Edited by: Adam Trotman
Technical Support: Milk Visual Effects
'Doctor Who' Thin Ice (2017)
Directed by: Bill Anderson
Cinematography by: Damian Bromley
Edited by: Adam Trotman
Technical Support: Milk Visual Effects
'Doctor Who' Smile (2017)
Directed by: Lawrence Gough
Cinematography by: Ashley Rowe
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' The Pilot (2017)
Directed by: Lawrence Gough
Cinematography by: Ashley Rowe
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Sherlock' The Abominable Bride (2016)
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Andrew McClelland
Technical Support: Milk Visual Effects
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Technical Support: Milk Visual Effects
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Technical Support: Milk Visual Effects
Free Fire (2016)
Directed by: Ben Wheatley
Cinematography by: Laurie Rose
Technical Support: Milk Visual Effects
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Technical Support: Milk Visual Effects
'Doctor Who' Hell Bent (2015)
Directed by: Rachel Talalay
Cinematography by: Stuart Biddlecombe
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' Heaven Sent (2015)
Directed by: Rachel Talalay
Cinematography by: Stuart Biddlecombe
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' Face the Raven (2015)
Directed by: Justin Molotnikov
Cinematography by: Mike Spragg
Edited by: Mike Jones
Technical Support: Milk Visual Effects
'Doctor Who' Sleep No More (2015)
Directed by: Justin Molotnikov
Cinematography by: Mark Waters
Edited by: Mike Jones
Technical Support: Milk
'Doctor Who' The Zygon Inversion (2015)
Directed by: Daniel Nettheim
Cinematography by: Mark Waters
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' The Zygon Invasion (2015)
Directed by: Daniel Nettheim
Cinematography by: Mark Waters
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' The Woman Who Lived (2015)
Directed by: Edward Bazalgette
Cinematography by: Richard Stoddard
Edited by: Adam Green
Technical Support: Milk Visual Effects
'Doctor Who' The Girl Who Died (2015)
Directed by: Edward Bazalgette
Cinematography by: Richard Stoddard
Edited by: Adam Green
Technical Support: Milk Visual Effects
'Doctor Who' Before the Flood (2015)
Directed by: Daniel O'Hara
Cinematography by: Richard Stoddard
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' Under the Lake (2015)
Directed by: Daniel O'Hara
Cinematography by: Richard Stoddard
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' The Witch's Familiar (2015)
Directed by: Hettie Macdonald
Cinematography by: Ali Asad
Edited by: Selina Macarthur
Technical Support: Milk Visual Effects
'Doctor Who' The Magician's Apprentice (2015)
Directed by: Hettie Macdonald
Cinematography by: Ali Asad
Edited by: Selina Macarthur
Technical Support: Cinesite
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Technical Support: Cinesite
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Technical Support: Cinesite
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Technical Support: Cinesite
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Technical Support: Cinesite
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Technical Support: Milk Visual Effects
Dracula Untold (2014)
Directed by: Gary Shore
Cinematography by: John Schwartzman
Edited by: Richard Pearson
Technical Support: Milk Visual Effects
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Technical Support: Milk Visual Effects
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Technical Support: Milk Visual Effects
'Sherlock' His Last Vow (2014)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Yan Miles
Technical Support: Milk Visual Effects
'Sherlock' The Empty Hearse (2014)
Directed by: Jeremy Lovering
Cinematography by: Steve Lawes
Edited by: Charlie Phillips
Technical Support: Milk Visual Effects
'Sherlock' The Sign of Three (2014)
Directed by: Colm McCarthy
Cinematography by: Steve Lawes
Edited by: Mark Davis
Technical Support: Milk Visual Effects
'Doctor Who' Last Christmas (2014)
Directed by: Paul Wilmshurst
Cinematography by: Neville Kidd
Edited by: Adam Trotman
Technical Support: Milk Visual Effects
'Doctor Who' Death in Heaven (2014)
Directed by: Rachel Talalay
Cinematography by: Rory Taylor
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' In the Forest of the Night (2014)
Directed by: Sheree Folkson
Cinematography by: Mark Garrett
Edited by: Lucien Clayton
Technical Support: Milk Visual Effects
'Doctor Who' Dark Water (2014)
Directed by: Rachel Talalay
Cinematography by: Rory Taylor
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' Mummy on the Orient Express (2014)
Directed by: Paul Wilmshurst
Cinematography by: Ashley Rowe
Edited by: John Richards
Technical Support: Milk Visual Effects
'Doctor Who' Kill the Moon (2014)
Directed by: Paul Wilmshurst
Cinematography by: Ashley Rowe
Edited by: John Richards
Technical Support: Milk Visual Effects
'Doctor Who' The Caretaker (2014)
Directed by: Paul Murphy
Cinematography by: Mark Waters
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' Time Heist (2014)
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Selina Macarthur
Technical Support: Milk Visual Effects
'Doctor Who' Listen (2014)
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Selina Macarthur
Technical Support: Milk Visual Effects
'Doctor Who' Robot of Sherwood (2014)
Directed by: Paul Murphy
Cinematography by: Mark Waters
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' Into the Dalek (2014)
Directed by: Ben Wheatley
Cinematography by: G. Magni Ágústsson
Edited by: William Oswald
Technical Support: Milk Visual Effects
'Doctor Who' Deep Breath (2014)
Directed by: Ben Wheatley
Cinematography by: G. Magni Ágústsson
Edited by: William Oswald
Technical Support: Cinesite
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Technical Support: Milk Visual Effects
'Doctor Who' The Day of the Doctor (2013)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Liana Del Giudice
Technical Support: Milk Visual Effects
'Doctor Who' The Time of the Doctor (2013)
Directed by: Jamie Payne
Cinematography by: Neville Kidd
Edited by: St. John O'Rorke
Technical Services: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Technical Support: Cinesite
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Production Support: Cinesite
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Production Support: Cinesite
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Production Support: Cinesite
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Production Support: Cinesite
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Production Support: Cinesite
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Production Support: Cinesite
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Production Support: Cinesite
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Technical Assistant: Cinesite
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Production Support: Cinesite
The Nutcracker in 3D (2010)
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Technical Support: Milk Visual Effects - 8 Episodes, 2013-2017
Sherlock (2010)
Directed by: Paul McGuigan, Nick Hurran, Coky Giedroyc, Euros Lyn, Toby Haynes, Jeremy Lovering, Colm McCarthy, Douglas Mackinnon, Benjamin Caron, Rachel Talalay
Cinematography by: Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther
Edited by: Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses: Cooke S4 Lenses, Zeiss Super Speed Lenses
Production Support: Cinesite
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Production Support: Cinesite
Moon (2009)
Directed by: Duncan Jones
Cinematography by: Gary Shaw
Edited by: Nicolas Gaster
Production Support: Cinesite
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Technical Support: Cinesite
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Technical Support: Cinesite
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Production Support: Cinesite
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Technical Support: Cinesite
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Technical Support: Cinesite
Arn: Tempelriddaren (2007)
Directed by: Peter Flinth
Cinematography by: Eric Kress
Technical Support: Cinesite
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Production Support: Cinesite
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Technical Support: Cinesite
Alex Rider: Operation Stormbreaker (2006)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Andrew MacRitchie
Cameras: ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, ARRI / Zeiss Lenses
Technical Support: Cinesite
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Production Support: Cinesite
The Omen (2006)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: Panavision Cameras
Production Support: Cinesite
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Production Support: Cinesite
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Production Support: Cinesite
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Production Support: Cinesite
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Production Support: Cinesite
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Technical Support: Milk Visual Effects / Technical Support: Milk / Technical Support: Milk VFX - 39 Episodes, 2013-2017
Doctor Who (2005)
Directed by: Graeme Harper, Euros Lyn, Douglas Mackinnon, James Strong, Rachel Talalay, Charlie Palmer, James Hawes, Joe Ahearne, Toby Haynes, Nick Hurran, Saul Metzstein, Jamie Magnus Stone, Hettie Macdonald, Richard Clark, Julian Simpson, Daniel Nettheim, Edward Bazalgette, Jamie Childs, Keith Boak, Colin Teague, Adam Smith, Paul Wilmshurst, Lawrence Gough, Wayne Yip, Alice Troughton, Jonny Campbell, Andrew Gunn, Catherine Morshead, Ashley Way, Farren Blackburn, Steve Hughes, Jeremy Webb, Jamie Payne, Stephen Woolfenden, Paul Murphy, Ben Wheatley, Justin Molotnikov, Daniel O'Hara, Bill Anderson, Sallie Aprahamian, Jennifer Perrott, Mark Tonderai, Lee Haven Jones, Nida Manzoor, Emma Sullivan, Brian Grant, Dan Zeff, Andy Goddard, Peter Hoar, Richard Senior, Neill Gorton, John Hayes, Mat King, Colm McCarthy, Sheree Folkson
Cinematography by: Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg
Edited by: William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Editing System: Apple Final Cut Pro 7
Technical Services
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Production Support: Cinesite
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Technical Services
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Senior Technical Support: Cinesite
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Technical Services: Cinesite
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
System Administration: Cinesite
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Technical Services
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Production Support: Cinesite Europe
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Technical Support: Cinesite
Feardotcom (2002)
Directed by: William Malone
Cinematography by: Christian Sebaldt
Edited by: Alan Strachan
Production Support: Cinesite
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Technical Services: Cinesite
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Technical Services: Cinesite
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Technical Services: Cinesite
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Technical Services: Cinesite Digital Studios
Entrapment (1999)
Directed by: Jon Amiel
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Technical Support: Cinesite
Animal Farm (1999)
Directed by: John Stephenson
Cinematography by: Mike Brewster
Edited by: Colin Green
Technical Services: Cinesite
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Senior Systems Administrator: SGI Systems, Cinesite
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Technical Support: Cinesite
The Avengers (1998)
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Computer Systems: Cinesite
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Technical Support: Cinesite
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
