Visual Effects Supervisor
Nyad (2023)
Cinematography by: Claudio Miranda
Edited by: Christopher Tellefsen
Lenses: Fujinon Lenses, Zeiss Master Prime Lenses
Visual Effects Supervisor
Geostorm (2017)
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Visual Effects Consultant
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
Detention (2011)
Directed by: Joseph Kahn
Cinematography by: Christopher Probst
Edited by: David Blackburn
Visual Effects Supervisor
Case 39 (2009)
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Visual Effects Supervisor
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor
Street Kings (2008)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Visual Effects Supervisor
Disaster Movie (2008)
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Visual Effects Supervisor
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Visual Effects Consultant
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor: Hydraulx
Venom (2005)
Directed by: Jim Gillespie
Cinematography by: Steve Mason
Edited by: Paul Martin Smith
Visual Effects Supervisor: Hydraulx
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Compositor: MPC
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Visual Effects Supervisor
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Visual Effects Supervisor
Kung Pow: Enter the Fist (2002)
Directed by: Steve Oedekerk
Cinematography by: John J. Connor
Edited by: Paul Marshal
Visual Effects Supervisor
The Insider (1999)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Visual Effects Supervisor
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Supervisor
Gattaca (1997)
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Visual Effects Supervisor
Matilda (1996)
Directed by: Danny DeVito
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Platinum Camera
Post Effects Supervision / Post Production Visual Effects Supervisor
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Visual Effects Supervisor
French Kiss (1995)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Camera
Coordinator: Visual Effects Unit, Visual Effects Editor
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Visual Effects Producer
Frankenstein (1994)
Directed by: Kenneth Branagh
Cinematography by: Roger Pratt
Edited by: Andrew Marcus
Visual Effects Coordinator
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
