Digital Intermediate Restoration
Boyhood (2014)
Directed by: Richard Linklater
Edited by: Sandra Adair
Editing System: Avid Editing System
Digital Compositor / Film Recording
Born to Be Wild (2011)
Directed by: David Lickley
Cinematography by: David Douglas
Edited by: Beth Spiegel
Digital Compositor / Film Recording
Hubble 3D (2010)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Digital Compositor / Film Recording
Under the Sea 3D (2009)
Directed by: Howard Hall
Cinematography by: Howard Hall
Edited by: Toni Myers
Cameras: IMAX Cameras
Film Recording
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Film Recording
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Film Recording
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Film Recording
Journey to Mecca (2009)
Directed by: Bruce Neibaur
Cinematography by: Matthew Williams
Edited by: Jean-Marie Drot
Cameras: IMAX MSM 9802 Camera
Digital Compositor / Film Recording
Grand Canyon Adventure: River at Risk (2008)
Directed by: Greg MacGillivray
Edited by: Stephen Judson
Film Recording
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Film Recording
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Film Recording
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Digital Compositor / Film Recording
Shine a Light (2008)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Digital Compositor / Digital Special Effects: DKP / Film Recording
The Alps (2007)
Directed by: Stephen Judson
Cinematography by: Brad Ohlund
Edited by: Stephen Judson
Film Recording
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Film Recording
Beowulf (2007)
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Film Recording
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Film Recording
I Am Legend (2007)
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Film Recording
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Film Recording
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Digital Compositor / Film Recording
Deep Sea (2006)
Directed by: Howard Hall
Cinematography by: Howard Hall
Film Recording
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Film Recording
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Film Recording
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Film Recording
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Film Recording
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Film Recording
NASCAR: The IMAX Experience (2004)
Directed by: Simon Wincer
Cinematography by: James Neihouse
Edited by: Terry Blythe
Film Recording
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Digital Scanning: The IMAX Experience / Film Recording: The IMAX Experience
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Scanning: The IMAX Experience / Film Recording: The IMAX Experience
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Scanning / Film Recording
Coral Reef Adventure (2003)
Directed by: Greg MacGillivray
Cinematography by: Brad Ohlund
Edited by: Stephen Judson
Digital Scanning / Film Recording
Volcanoes of the Deep Sea (2003)
Directed by: Stephen Low
Cinematography by: William Reeve
Edited by: James Lahti
Digital Scanning / Film Recording
Space Station 3D (2002)
Directed by: Toni Myers
Cinematography by: James Neihouse
Edited by: Toni Myers
Digital Scanning: The IMAX Experience / Film Recording: The IMAX Experience
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Digital Scanning / Film Recording
China: The Panda Adventure (2001)
Directed by: Robert M. Young
Cinematography by: Reed Smoot
Edited by: Jonathan P. Shaw
Digital Scanning: The IMAX Experience / Film Recording: The IMAX Experience
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
