Score Mixer / Score Recording Engineer
Us (2019)
Directed by: Jordan Peele
Cinematography by: Mike Gioulakis
Edited by: Nicholas Monsour
Scoring Mixer
Get Out (2017)
Directed by: Jordan Peele
Cinematography by: Toby Oliver
Edited by: Gregory Plotkin
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Zoom Lenses
Scoring Mixer
Term Life (2016)
Directed by: Peter Billingsley
Cinematography by: Roberto Schaefer
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Score Mixer / Score Recordist
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Music Scoring Mixer
TimeScapes (2012)
Directed by: Tom Lowe
Cinematography by: Tom Lowe
Edited by: Tom Lowe
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red Epic Camera, Red One MX Camera
Editing System: Adobe Premiere Editing System
Scoring Mixer
The Lincoln Lawyer (2011)
Directed by: Brad Furman
Cinematography by: Lukas Ettlin
Edited by: Jeff McEvoy
Cameras: Red One MX Camera
Score Mixer
Altitude (2010)
Directed by: Kaare Andrews
Cinematography by: Norm Li
Edited by: Chris Bizzocchi
Music Scoring Mixer / Orchestral Recording Engineer
À l'origine (2009)
Directed by: Xavier Giannoli
Cinematography by: Glynn Speeckaert
Edited by: Célia Lafitedupont
Orchestra Scoring Recordist
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Orchestra Scoring Recordist
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Score Mixer
A Shine of Rainbows (2009)
Directed by: Vic Sarin
Cinematography by: Vic Sarin
Edited by: Alison Grace
Music Scoring Mixer
Don McKay (2009)
Directed by: Jake Goldberger
Cinematography by: Phil Parmet
Edited by: Andrew Dickler
Orchestral Recording / Orchestral Scoring Mixer
Bandslam (2009)
Directed by: Todd Graff
Cinematography by: Eric Steelberg
Edited by: John Gilbert
Cameras: Panavision Cameras
Orchestral Recording / Orchestral Scoring Mixer
Espion(s) (2009)
Directed by: Nicolas Saada
Cinematography by: Stéphane Fontaine
Edited by: Juliette Welfling
Cameras: Aaton Cameras, ARRICAM Lite (LT) Camera
Music Scoring Mixer
Hope & Redemption: The Lena Baker Story (2008)
Directed by: Ralph Wilcox
Cinematography by: Shawn Lewallen
Edited by: Hunter M. Via
Additional Score Mixer / Additional Score Recordist
Bigger Stronger Faster* (2008)
Directed by: Chris Bell
Cinematography by: Alexander Buono
Edited by: Brian Singbiel
Additional Music Mixer
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Orchestral Recording Engineer / Orchestral Scoring Mixer
J-ok'el (2007)
Directed by: Benjamin Williams
Cinematography by: Andrew Waruszewski
Edited by: Slater Dixon
Music Mixer: Song "Is That All There Is"
The Nines (2007)
Directed by: John August
Cinematography by: Nancy Schreiber
Edited by: Douglas Crise
Music Scoring Mixer
The Baker (2007)
Directed by: Gareth Lewis
Cinematography by: Sean Bobbitt
Edited by: Alan Strachan
Cameras: ARRI Cameras
Music Recording Engineer
Flourish (2006)
Directed by: Kevin Palys
Cinematography by: Maximilian Gutierrez
Edited by: Peter Samet
Additional Scoring Mixer
Ultraviolet (2006)
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Music Scoring Mixer
Chasing Ghosts (2005)
Cinematography by: Andrew Huebscher
Edited by: Kyle Dean Jackson
Music Scoring Mixer
The Works (2005)
Directed by: Gal Katzir
Cinematography by: Paul Mayne
Edited by: Robi Michael
Orchestra Scoring Recordist
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Music Recordist
Kill Bill: Vol. 2 (2004)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Orchestra Scoring Recordist
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Music Scoring Recordist
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Orchestral Scoring Recordist
Welcome to Mooseport (2004)
Directed by: Donald Petrie
Cinematography by: Victor Hammer
Edited by: Debra Neil-Fisher
Additional Recording Engineer , Scoring Recordist
Lemony Snicket's A Series of Unfortunate Events (2004)
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Orchestral Scoring Recordist
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Score Recordist
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Orchestral Scoring Recordist
Dawn of the Dead (2004)
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Score Recordist
Anchorman: The Legend of Ron Burgundy (2004)
Directed by: Adam McKay
Cinematography by: Thomas E. Ackerman
Edited by: Brent White
Orchestral Scoring Recordist
In Good Company (2004)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Edited by: Myron Kerstein
Orchestral Scoring Recordist
Catch That Kid (2004)
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Orchestral Scoring Recordist
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Score Recordist
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Score Recordist
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Orchestral Scoring Recordist
Miracle (2004)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Score Recordist
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Score Recordist
Dodgeball: A True Underdog Story (2004)
Directed by: Rawson Marshall Thurber
Cinematography by: Jerzy Zielinski
Cameras: Panavision Cameras
Sound Recordist
The Phantom of the Opera (2004)
Directed by: Joel Schumacher
Cinematography by: John Mathieson
Edited by: Terry Rawlings
Orchestra Scoring Recordist
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Orchestral Scoring Recordist
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Orchestral Scoring Recordist
Identity (2003)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Orchestral Scoring Recordist
I Am David (2003)
Directed by: Paul Feig
Cinematography by: Roman Osin
Edited by: Steven Weisberg
Orchestral Scoring Recordist
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Orchestral Scoring Recordist
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Orchestral Scoring Recordist
Master and Commander: The Far Side of the World (2003)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Orchestral Scoring Recordist
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Orchestral Scoring Recordist
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Orchestral Scoring Recordist
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Orchestral Scoring Recordist
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Music Scoring Recordist / Orchestral Scoring Recordist
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Orchestral Scoring Recordist
Bringing Down the House (2003)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Gerald B. Greenberg
Orchestral Scoring Recordist
Matchstick Men (2003)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Score Recordist
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Score Recordist
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Orchestral Scoring Recordist
Tears of the Sun (2003)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Orchestral Scoring Recordist
Duplex (2003)
Directed by: Danny DeVito
Cinematography by: Anastas N. Michos
Orchestral Scoring Recordist
Ghosts of the Abyss (2003)
Directed by: James Cameron
Cinematography by: Vince Pace
Orchestral Scoring Recordist
The Lizzie McGuire Movie (2003)
Directed by: Jim Fall
Cinematography by: Jerzy Zielinski
Edited by: Margaret Goodspeed
Cameras: Panavision Cameras
Orchestral Scoring Recordist
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Orchestral Scoring Recordist
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Orchestral Scoring Recordist
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Orchestral Scoring Recordist
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Additional Recording Engineer , Orchestral Scoring Recordist
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Scoring Recordist
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Orchestral Scoring Recordist
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Orchestral Scoring Recordist / Score Recordist
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Orchestral Scoring Recordist
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Orchestral Scoring Recordist
Maid in Manhattan (2002)
Directed by: Wayne Wang
Cinematography by: Karl Walter Lindenlaub
Edited by: Craig McKay
Orchestral Scoring Recordist
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Orchestral Scoring Recordist
Tuck Everlasting (2002)
Directed by: Jay Russell
Cinematography by: James L. Carter
Edited by: Jay Cassidy
Cameras: Panavision Panaflex Gold II Camera
Crewman: Newman Scoring Stage
The Affair of the Necklace (2001)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: David Moritz
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Score Recordist
Antitrust (2001)
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Sound Recording Engineer , Music Recordist
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Orchestral Scoring Recordist
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Orchestral Scoring Recordist
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Orchestral Scoring Recordist
The Last Castle (2001)
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Score Recordist
Someone Like You... (2001)
Directed by: Tony Goldwyn
Cinematography by: Anthony B. Richmond
Edited by: Dana Congdon
Additional Mixing Engineer , Orchestral Scoring Recordist
Joy Ride (2001)
Directed by: John Dahl
Cinematography by: Jeffrey Jur
Music Recordist: The Newman Scoring Stage
Joe Somebody (2001)
Directed by: John Pasquin
Cinematography by: Daryn Okada
Edited by: David Finfer
Orchestral Scoring Recordist
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Orchestral Scoring Recordist
Jurassic Park III (2001)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Assistant Music Recording Engineer
Life as a House (2001)
Directed by: Irwin Winkler
Cinematography by: Vilmos Zsigmond
Edited by: Julie Monroe
Orchestral Scoring Recordist
Serendipity (2001)
Directed by: Peter Chelsom
Cinematography by: John de Borman
Edited by: Christopher Greenbury
Orchestral Scoring Recordist
Ali (2001)
Directed by: Michael Mann
Cinematography by: Emmanuel Lubezki
Orchestral Scoring Recordist
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Sound Recordist
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Orchestral Scoring Recordist
Dude, Where's My Car? (2000)
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Orchestral Scoring Recordist
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Orchestral Scoring Recordist
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Orchestral Scoring Recordist
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Orchestra Scoring Recordist
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Orchestral Scoring Recordist
Duets (2000)
Directed by: Bruce Paltrow
Cinematography by: Paul Sarossy
Edited by: Gerald B. Greenberg
Orchestral Scoring Recordist
Miss Congeniality (2000)
Directed by: Donald Petrie
Cinematography by: László Kovács
Edited by: Billy Weber
Orchestral Scoring Recordist
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Orchestral Scoring Recordist
Men of Honor (2000)
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Orchestral Scoring Recordist
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Orchestral Scoring Recordist
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Recordist
Bedazzled (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
Music Recordist
The Family Man (2000)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Orchestral Scoring Recordist
Meet the Parents (2000)
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Score Recordist
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Orchestral Scoring Recordist
The Mod Squad (1999)
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris
Orchestral Scoring Recordist
The Haunting (1999)
Directed by: Jan de Bont
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael Kahn
Cameras: Panavision Cameras, VistaVision Cameras
Lenses: Panavision Lenses
Orchestral Scoring Recordist
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Music Recording Assistant
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestral Scoring Recordist
The Insider (1999)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Orchestral Scoring Recordist
Galaxy Quest (1999)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestral Scoring Recordist
Anywhere But Here (1999)
Directed by: Wayne Wang
Cinematography by: Roger Deakins
Edited by: Nicholas C. Smith
Orchestral Scoring Recordist
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Orchestral Scoring Recordist
Varsity Blues (1999)
Directed by: Brian Robbins
Cinematography by: Chuck Cohen
Edited by: Ned Bastille
Orchestral Scoring Recordist
The Deep End of the Ocean (1999)
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Orchestral Scoring Recordist
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Orchestral Scoring Recordist
The Hurricane (1999)
Directed by: Norman Jewison
Cinematography by: Roger Deakins
Edited by: Stephen E. Rivkin
Lenses: Cooke S4 Lenses
Orchestral Scoring Recordist
Never Been Kissed (1999)
Directed by: Raja Gosnell
Cinematography by: Alex Nepomniaschy
Orchestral Scoring Recordist
At First Sight (1999)
Directed by: Irwin Winkler
Cinematography by: John Seale
Edited by: Julie Monroe
Assistant Music Engineer
Dudley Do-Right (1999)
Directed by: Hugh Wilson
Cinematography by: Donald E. Thorin
Edited by: Don Brochu
Orchestral Scoring Recordist
The Green Mile (1999)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
Orchestral Scoring Recordist
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Orchestral Scoring Recordist
South Park: Bigger, Longer & Uncut (1999)
Directed by: Trey Parker
Edited by: John Venzon
Orchestral Scoring Recordist
Species II (1998)
Directed by: Peter Medak
Cinematography by: Matthew F. Leonetti
Edited by: Richard Nord
Orchestral Scoring Recordist
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Orchestral Scoring Recordist
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Orchestral Scoring Recordist
Bulworth (1998)
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Orchestral Scoring Recordist
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Orchestral Scoring Recordist
Small Soldiers (1998)
Directed by: Joe Dante
Cinematography by: Jamie Anderson
Orchestral Score Recordist
Doctor Dolittle (1998)
Directed by: Betty Thomas
Cinematography by: Russell Boyd
Edited by: Peter Teschner
Orchestral Scoring Recordist
Psycho (1998)
Directed by: Gus Van Sant
Cinematography by: Christopher Doyle
Edited by: Amy E. Duddleston
Music Recordist: Orchestral Score
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Scoring Stage Crew: Fox Newman
The X Files (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Assistant Sound Engineer, Orchestral Scoring Recordist
Quest for Camelot (1998)
Directed by: Frederik Du Chau
Edited by: Stanford C. Allen
Orchestral Scoring Recordist
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Assistant Engineer / Orchestral Scoring Recordist
The End of Violence (1997)
Directed by: Wim Wenders
Cinematography by: Pascal Rabaud
Edited by: Peter Przygodda
Orchestral Scoring Recordist
Anastasia (1997)
Assistant Score Engineer
Cadence (1990)
Directed by: Martin Sheen
Cinematography by: Richard Leiterman
Edited by: Martin Hunter
