First Assistant Camera: "b" Camera, Spain Unit
The Hustle (2019)
Directed by: Chris Addison
Cinematography by: Michael Coulter
Edited by: Anthony Boys
First Assistant Camera: "c" Camera, Dailies
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Focus Puller: "c" Camera, Second Unit, UK
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
First Assistant Camera: "a" Camera, Additional Photography
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
A Camera First Assistant Camera: Wolf
'Game of Thrones' The Dragon and the Wolf (2017)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
A Camera First Assistant Camera: Wolf
'Game of Thrones' Beyond the Wall (2017)
Directed by: Alan Taylor
Cinematography by: Jonathan Freeman
Edited by: Tim Porter
A Camera First Assistant Camera: Wolf
'Game of Thrones' Eastwatch (2017)
Directed by: Matt Shakman
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
A Camera First Assistant Camera: Wolf
'Game of Thrones' The Spoils of War (2017)
Directed by: Matt Shakman
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
A Camera First Assistant Camera: Wolf
'Game of Thrones' The Queen's Justice (2017)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Jesse Parker
A Camera First Assistant Camera: Wolf
'Game of Thrones' Dragonstone (2017)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
First Assistant Camera: Dailies
'The Crown' A Company of Men (2017)
Directed by: Philip Martin
Cinematography by: Stuart Howell
Edited by: Celia Haining
A Camera First Assistant Camera: Wolf
'Game of Thrones' Stormborn (2017)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Tim Porter
First Assistant Camera: "a" Camera, Visual Effects Unit
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Daily Focus Puller
Vampire Academy (2014)
Directed by: Mark Waters
Cinematography by: Tony Pierce-Roberts
Edited by: Chris Gill
Cameras: ARRI ALEXA Camera
First Assistant Camera: "a" Camera, Additional Photography
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Focus Puller: "b" Camera
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Daily Focus Puller
Dracula Untold (2014)
Directed by: Gary Shore
Cinematography by: John Schwartzman
Edited by: Richard Pearson
Focus Puller: Dailies
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Focus Puller: Dailies
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
A Camera First Assistant Camera: Wolf - 7 Episodes, 2017
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
First Assistant Camera
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
First Assistant Camera: "b" Camera, Main Unit
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Focus Puller: Second Unit
Cemetery Junction (2010)
Cinematography by: Remi Adefarasin
Edited by: Valerio Bonelli
First Assistant Camera: "b" Camera: UK Unit
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Focus Puller: Dailies
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
First Assistant Camera: "d" Camera, Main Unit
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Focus Puller: Second Unit
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Focus Puller
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Focus Puller: Dailies
St Trinian's 2: The Legend of Fritton's Gold (2009)
Cinematography by: David Higgs
Edited by: Emma E. Hickox
Focus Puller: "a" Camera
The Other Man (2008)
Directed by: Richard Eyre
Cinematography by: Haris Zambarloukos
Edited by: Tariq Anwar
Focus Puller
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
First Assistant Camera: "a" Camera, UK Unit
Mr. Bean's Holiday (2007)
Directed by: Steve Bendelack
Cinematography by: Baz Irvine
Edited by: Tony Cranstoun
First Assistant Camera: "b" Camera, Main Unit / Steadicam Focus Puller
Pars vite et reviens tard (2007)
Directed by: Régis Wargnier
Cinematography by: Laurent Dailland
Edited by: Yann Malcor
Focus Puller
Goal II: Living the Dream (2007)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Niven Howie
First Assistant Camera
Atonement (2007)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Editing System: Avid Editing System
First Assistant Camera: "a" Camera, Main Unit
St. Trinian's (2007)
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Lenses: Cooke S4 Lenses
First Assistant Camera: "b" Camera, Main Unit
Sleuth (2007)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Neil Farrell
Focus Puller
Death Defying Acts (2007)
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman
First Assistant Camera: "b" Camera
Starter for 10 (2006)
Directed by: Tom Vaughan
Cinematography by: Ashley Rowe
First Assistant Camera: "b" Camera
Notes on a Scandal (2006)
Directed by: Richard Eyre
Cinematography by: Chris Menges
Lenses: Cooke S4 Lenses
Focus Puller
Penelope (2006)
Directed by: Mark Palansky
Cinematography by: Michel Amathieu
Edited by: Jon Gregory
First Assistant Camera: "a" Camera
Running Scared (2006)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
First Assistant Camera: "a" Camera, Main Unit
Keeping Mum (2005)
Directed by: Niall Johnson
Cinematography by: Gavin Finney
Edited by: Robin Sales
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Focus Puller: Model Unit
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
B-cam Focus Puller: Second Unit
The Descent (2005)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Jon Harris
First Assistant Camera
All the Invisible Children (2005)
Directed by: Mehdi Charef, Emir Kusturica, Spike Lee, Kátia Lund, Jordan Scott, Ridley Scott, Stefano Veneruso, John Woo
Cinematography by: Philippe Brelot, Cliff Charles, Changwei Gu, Toca Seabra, Vittorio Storaro, Jim Whitaker, Nianping Zeng, Michel Amathieu
First Assistant Camera: "a" Camera
De-Lovely (2004)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Julie Monroe
Daily Focus Puller
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Focus Puller: Second Camera
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
First Assistant Camera
Nicholas Nickleby (2002)
Directed by: Douglas McGrath
Cinematography by: Dick Pope
Edited by: Lesley Walker
Focus Puller: "b" Camera
The Mummy Returns (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Camera Focus Puller: UK
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Camera Focus
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Second Assistant Camera: "a" Camera, Main Unit
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Clapper Loader
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Second Assistant Camera: "b" Camera, Main Unit
Judge Dredd (1995)
Directed by: Danny Cannon
Cinematography by: Adrian Biddle
Daily Clapper Loader
Princess Caraboo (1994)
Directed by: Michael Austin
Cinematography by: Freddie Francis
Edited by: George Akers
Clapper Loader
AC/DC: Live at Donington (1992)
Directed by: David Mallet
Cinematography by: Peter Sinclair
Edited by: Dave Gardener
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Clapper Loader
Air America (1990)
Directed by: Roger Spottiswoode
Cinematography by: Roger Deakins
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
