Camera Operator: "a" Camera
London Has Fallen (2016)
| UK, Bulgaria, USA
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Camera Operator: "a" Camera, Second Unit
The Legend of Tarzan (2016)
| UK, Canada, USA
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
'a' Camera/steadicam / Cinematographer: Additional Photography / "a" Camera Operator / Steadicam Operator - 10 Episodes, 2016, Cinematographer - 7 Episodes, 2017-2020
The Crown (2016)
| UK, USA
Directed by: Benjamin Caron, Philip Martin, Julian Jarrold, Stephen Daldry, Philippa Lowthorpe, Samuel Donovan, Jessica Hobbs, Christian Schwochow
Edited by: Yan Miles, Pia Di Ciaula, Úna Ní Dhonghaíle, Stuart Gazzard, Kristina Hetherington, Celia Haining, Tim Porter, Simon Brasse, Paulo Pandolpho, Frances Parker, Luke Dunkley, Mark Eckersley, Chris Barwell, Ben Lester, Alex Mackie, Adam Bosman, Daniel Greenway, Peggy Koretzky, Mark Davis, Richard Graham, Morten Højbjerg
Cameras: Sony Cameras, Sony Other Camera
Camera Operator: "a" Camera
Kingsman: The Secret Service (2014)
| UK, USA
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
B Camera Operator / Steadicam Operator, Cinematographer: Second Unit
Ex Machina (2014)
| UK
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Camera Operator / Steadicam Operator
Furious 6 (2013)
| USA, Japan, Spain, UK
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Camera Operator: "a" Camera / Steadicam Operator
Under the Skin (2013)
| Switzerland, UK, USA
Directed by: Jonathan Glazer
Cinematography by: Daniel Landin
Edited by: Paul Watts
Cameras: ARRI ALEXA Plus Camera, one-cam Camera
Camera Operator: Second Unit / Steadicam Operator: Second Unit
Jack the Giant Slayer (2013)
| USA
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Camera Operator "b" Camera: Nürburgring Pre-shoot
Rush (2013)
| UK, Germany, USA
Directed by: Ron Howard
Cinematography by: Anthony Dod Mantle
Camera Operator
Collision (2013)
| France
Directed by: David Marconi
Cinematography by: Thomas Hardmeier
Edited by: Julien Rey
Camera Operator: "a" Camera / Steadicam Operator
Bel Ami (2012)
| UK, Italy
Cinematography by: Stefano Falivene
Camera Operator: "b" Camera / Steadicam Operator
Red Tails (2012)
| USA
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Camera Operator / Cinematographer: Second Unit
360 (2011)
| UK, Austria, France, Brazil, USA, Canada
Directed by: Fernando Meirelles
Cinematography by: Adriano Goldman
Edited by: Daniel Rezende
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus
Director Of Photography: Additional Photography
Jane Eyre (2011)
| UK, USA
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Camera Operator: "a" Camera / Steadicam Operator
Monte Carlo (2011)
| Hungary, USA
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Camera Operator: Ehancement Photography
Clash of the Titans (2010)
| USA, UK, Australia
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Camera Operator: UK Unit
Get Him to the Greek (2010)
| USA
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Camera Operator: "a" Camera / Steadicam Operator
Push (2009)
| USA, Canada
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Nicolas Trembasiewicz
Steadicam Operator: Sicily
The Heir Apparent: Largo Winch (2008)
| France, Belgium
Directed by: Jérôme Salle
Cinematography by: Denis Rouden
Edited by: Richard Marizy
Camera Operator
The Bank Job (2008)
| UK, USA, Australia
Directed by: Roger Donaldson
Cinematography by: Michael Coulter
Edited by: John Gilbert
Camera Operator: "b" Camera, UK Additional Second Unit / Steadicam Operator
The Bourne Ultimatum (2007)
| USA, Germany, France, Spain
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Camera Operator: "a" Camera / Steadicam Operator
Pars vite et reviens tard (2007)
| France
Directed by: Régis Wargnier
Cinematography by: Laurent Dailland
Edited by: Yann Malcor
Camera Operator: "b" Camera / Steadicam Operator
Eragon (2006)
| USA, UK, Hungary
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
Camera Operator: "a" Camera / Steadicam Operator
Penelope (2006)
| UK, USA
Directed by: Mark Palansky
Cinematography by: Michel Amathieu
Edited by: Jon Gregory
Camera Operator / Steadicam Operator
The Last King of Scotland (2006)
| UK, Germany
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Lenses: Panavision Lenses
Camera Operator
Zidane, un portrait du 21e siècle (2006)
| France, Iceland
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Camera Operator: Second Unit / Steadicam Operator: Second Unit
Keeping Mum (2005)
| UK, USA, Isle Of Man
Directed by: Niall Johnson
Cinematography by: Gavin Finney
Edited by: Robin Sales
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator / Steadicam Operator
Man to Man (2005)
| France, South Africa, UK
Directed by: Régis Wargnier
Cinematography by: Laurent Dailland
Edited by: Yann Malcor
Camera Operator: Second Unit
Doom (2005)
| UK, Czech Republic, Germany, USA
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Camera Operator: "a" Camera, Steadicam Operator
De-Lovely (2004)
| UK, USA
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Julie Monroe
Camera Operator: "b" Camera / Steadicam Operator
Gladiatress (2004)
| UK
Directed by: Brian Grant
Cinematography by: Witold Stok
Edited by: Fiona Colbeck
Steadicam Operator: UK
Being Julia (2004)
| Canada, USA, Hungary, UK
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Camera Operator / Steadicam Operator
The Sleeping Dictionary (2003)
| UK, USA, Germany
Directed by: Guy Jenkin
Cinematography by: Martin Fuhrer
Edited by: Lesley Walker
Camera Operator / Steadicam Operator
Underworld (2003)
| USA, UK, Germany, Hungary
Directed by: Len Wiseman
Cinematography by: Tony Pierce-Roberts
Edited by: Martin Hunter
Camera Operator, Steadicam Operator
Nicholas Nickleby (2002)
| UK, USA
Directed by: Douglas McGrath
Cinematography by: Dick Pope
Edited by: Lesley Walker
Additional Steadicam Operator
There's Only One Jimmy Grimble (2000)
| UK, France
Directed by: John Hay
Cinematography by: John de Borman
Edited by: Oral Norrie Ottey
Additional Steadicam Operator
Snatch (2000)
| UK, USA
Directed by: Guy Ritchie
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Steadicam Operator
G:MT Greenwich Mean Time (1999)
| UK
Directed by: John Strickland
Cinematography by: Alan Almond
Edited by: Patrick Moore
Steadicam Operator
Plunkett & Macleane (1999)
| UK
Directed by: Jake Scott
Cinematography by: John Mathieson
Edited by: Oral Norrie Ottey
Steadicam Operator
A Merry War (1997)
| UK
Directed by: Robert Bierman
Cinematography by: Giles Nuttgens
Edited by: Bill Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
