Stuart Howell

39 Titles

Is this you? Add a Profile

Camera Operator: \"a\" Camera, Second Unit

The Legend of Tarzan (2016)

Motion Picture

| USA

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summicron-C Series Lenses

Camera Operator: \"a\" Camera

London Has Fallen (2016)

Motion Picture

| UK, USA, Bulgaria

Directed by: Babak Najafi

Cinematography by: Ed Wild

Edited by: Michael J. Duthie, Paul Martin Smith

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Cinematographer: Second Unit / Steadicam Operator

Ex Machina (2015)

Motion Picture

| UK

Directed by: Alex Garland

Cinematography by: Rob Hardy

Edited by: Mark Day

Cameras: GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Editing System: Avid Editing System

Camera Operator: \"a\" Camera

Kingsman: The Secret Service (2014)

Motion Picture

| UK, USA

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production Camera 4K, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Camera Operator: \"a\" Camera / Steadicam Operator

Under the Skin (2013)

Motion Picture

| UK, USA, Switzerland

Directed by: Jonathan Glazer

Cinematography by: Daniel Landin

Edited by: Paul Watts

Cameras: ARRI ALEXA Plus Camera, one-cam Camera

Lenses: Kowa Lenses, Schneider Cinegon Lenses, Schneider Xenon FF Prime Lenses, Schneider Xenoplan Lenses, Zeiss Super Speed Lenses

Steadicam Operator: Second Unit / Camera Operator: Second Unit

Jack the Giant Slayer (2013)

Motion Picture

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Camera Operator \"b\" Camera: Nürburgring Pre-shoot

Rush (2013)

Motion Picture

| UK, Germany, USA

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Camera Operator

Collision (2013)

Motion Picture

| France

Directed by: David Marconi

Cinematography by: Thomas Hardmeier

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Leica Summilux-C Series Lenses, Zeiss Compact Prime Lenses

Camera Operator / Steadicam Operator

Furious 6 (2013)

Motion Picture

| USA

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Steadicam Operator / Camera Operator: \"a\" Camera

Bel Ami (2012)

Motion Picture

| UK, Italy

Directed by: Declan Donnellan, Nick Ormerod

Cinematography by: Stefano Falivene

Edited by: Gavin Buckley, Masahiro Hirakubo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Camera Operator: \"b\" Camera / Steadicam Operator

Red Tails (2012)

Motion Picture

| USA

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Camera Operator / Cinematographer: Second Unit

360 (2011)

Motion Picture

| UK, Austria, France, Brazil, USA

Directed by: Fernando Meirelles

Cinematography by: Adriano Goldman

Edited by: Daniel Rezende

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Director Of Photography: Additional Photography

Jane Eyre (2011)

Motion Picture

| UK, USA

Directed by: Cary Joji Fukunaga

Cinematography by: Adriano Goldman

Edited by: Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Camera Operator: \"a\" Camera And Steadicam

Monte Carlo (2011)

Motion Picture

| Hungary, USA

Directed by: Thomas Bezucha

Cinematography by: Jonathan Brown

Edited by: Jeffrey Ford

Camera Operator: Ehancement Photography

Clash of the Titans (2010)

Motion Picture

| USA

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Camera Operator: UK Unit

Get Him to the Greek (2010)

Motion Picture

| USA

Directed by: Nicholas Stoller

Cinematography by: Robert D. Yeoman

Edited by: William Kerr, Michael L. Sale

Cameras: Panavision Cameras

Steadicam Operator / Camera Operator: \"a\" Camera

Push (2009)

Motion Picture

| USA, Canada

Directed by: Paul McGuigan

Cinematography by: Peter Sova

Edited by: Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Camera, Bolex H16 RX5 Camera, Bolex H16 SB Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Steadicam Operator: Sicily

The Heir Apparent: Largo Winch (2008)

Motion Picture

| France, Belgium

Directed by: Jérôme Salle

Cinematography by: Denis Rouden

Edited by: Richard Marizy

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Cooke S4 Lenses

Camera Operator

The Bank Job (2008)

Motion Picture

| UK, USA, Australia

Directed by: Roger Donaldson

Cinematography by: Michael Coulter

Edited by: John Gilbert

Steadicam Operator / Camera Operator: \"b\" Camera, UK Additional Second Unit

The Bourne Ultimatum (2007)

Motion Picture

| USA, Germany

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Steadicam Operator / Camera Operator: \"a\" Camera

Pars vite et reviens tard (2007)

Motion Picture

| France

Directed by: Régis Wargnier

Cinematography by: Laurent Dailland

Edited by: Yann Malcor

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Steadicam Operator / Camera Operator: \"a\" Camera

Penelope (2006)

Motion Picture

| UK, USA

Directed by: Mark Palansky

Cinematography by: Michel Amathieu

Edited by: Jon Gregory

Steadicam Operator / Camera Operator

The Last King of Scotland (2006)

Motion Picture

| UK, Germany

Directed by: Kevin Macdonald

Cinematography by: Anthony Dod Mantle

Edited by: Justine Wright

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, Panavision Cameras

Lenses: Panavision Lenses

Camera Operator

Zidane, un portrait du 21e siècle (2006)

Motion Picture

| France, Iceland

Directed by: Douglas Gordon, Philippe Parreno

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Steadicam Operator / Camera Operator: \"b\" Camera

Eragon (2006)

Motion Picture

| USA, UK, Hungary

Directed by: Stefen Fangmeier

Cinematography by: Hugh Johnson

Edited by: Roger Barton, Masahiro Hirakubo, Chris Lebenzon

Camera Operator: Second Unit / Steadicam Operator: Second Unit

Keeping Mum (2005)

Motion Picture

| UK, USA, Isle Of Man

Directed by: Niall Johnson

Cinematography by: Gavin Finney

Edited by: Robin Sales

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Steadicam Operator / Camera Operator

Man to Man (2005)

Motion Picture

| France, South Africa, UK

Directed by: Régis Wargnier

Cinematography by: Laurent Dailland

Edited by: Yann Malcor

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Camera Operator: Second Unit

Doom (2005)

Motion Picture

| UK, Czech Republic, Germany, USA

Directed by: Andrzej Bartkowiak

Cinematography by: Tony Pierce-Roberts

Edited by: Derek Brechin

Steadicam Operator / Camera Operator: \"b\" Camera

Gladiatress (2004)

Motion Picture

| UK

Directed by: Brian Grant

Cinematography by: Witold Stok

Edited by: Fiona Colbeck

Steadicam Operator: UK

Being Julia (2004)

Motion Picture

| Canada, USA, Hungary, UK

Directed by: István Szabó

Cinematography by: Lajos Koltai

Edited by: Susan Shipton

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Varotal Lenses

Camera Operator: \"a\" Camera, Steadicam Operator (uncredited)

De-Lovely (2004)

Motion Picture

| USA, UK

Directed by: Irwin Winkler

Cinematography by: Tony Pierce-Roberts

Edited by: Julie Monroe

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Steadicam Operator / Camera Operator: \"a\" Camera

Underworld (2003)

Motion Picture

| UK, Germany, Hungary, USA

Directed by: Len Wiseman

Cinematography by: Tony Pierce-Roberts

Edited by: Martin Hunter

Steadicam Operator / Camera Operator

The Sleeping Dictionary (2003)

Motion Picture

| USA, Malaysia, Germany

Directed by: Guy Jenkin

Cinematography by: Martin Fuhrer

Edited by: Lesley Walker

Camera Operator, Steadicam Operator (uncredited)

Nicholas Nickleby (2002)

Motion Picture

| UK, USA

Directed by: Douglas McGrath

Cinematography by: Dick Pope

Edited by: Lesley Walker

Additional Steadicam Operator (uncredited)

Snatch. (2000)

Motion Picture

| UK, USA

Directed by: Guy Ritchie

Cinematography by: Tim Maurice-Jones

Edited by: Jon Harris

Additional Steadicam Operator

There's Only One Jimmy Grimble (2000)

Motion Picture

| UK, France

Directed by: John Hay

Cinematography by: John de Borman

Edited by: Oral Norrie Ottey

Steadicam Operator

G:MT Greenwich Mean Time (1999)

Motion Picture

| UK

Directed by: John Strickland

Cinematography by: Alan Almond

Edited by: Patrick Moore

Steadicam Operator

Plunkett & Macleane (1999)

Motion Picture

| UK

Directed by: Jake Scott

Cinematography by: John Mathieson

Edited by: Oral Norrie Ottey

Steadicam Operator (uncredited)

A Merry War (1997)

Motion Picture

| UK

Directed by: Robert Bierman

Cinematography by: Giles Nuttgens

Edited by: Bill Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

20204.20

Stuart Howell

You need to login or create an account to link to credits

Login

Don’t have an account yet?

Camera Operator: \"a\" Camera, Second Unit

Camera Operator: \"a\" Camera

Cinematographer: Second Unit / Steadicam Operator

Camera Operator: \"a\" Camera

Camera Operator: \"a\" Camera / Steadicam Operator

Steadicam Operator: Second Unit / Camera Operator: Second Unit

Camera Operator \"b\" Camera: Nürburgring Pre-shoot

Camera Operator

Camera Operator / Steadicam Operator

Steadicam Operator / Camera Operator: \"a\" Camera

Camera Operator: \"b\" Camera / Steadicam Operator

Camera Operator / Cinematographer: Second Unit

Director Of Photography: Additional Photography

Camera Operator: \"a\" Camera And Steadicam

Camera Operator: Ehancement Photography

Camera Operator: UK Unit

Steadicam Operator / Camera Operator: \"a\" Camera

Steadicam Operator: Sicily

Camera Operator

Steadicam Operator / Camera Operator: \"b\" Camera, UK Additional Second Unit

Steadicam Operator / Camera Operator: \"a\" Camera

Steadicam Operator / Camera Operator: \"a\" Camera

Steadicam Operator / Camera Operator

Camera Operator

Steadicam Operator / Camera Operator: \"b\" Camera

Camera Operator: Second Unit / Steadicam Operator: Second Unit

Steadicam Operator / Camera Operator

Camera Operator: Second Unit

Steadicam Operator / Camera Operator: \"b\" Camera

Steadicam Operator: UK

Camera Operator: \"a\" Camera, Steadicam Operator (uncredited)

Steadicam Operator / Camera Operator: \"a\" Camera

Steadicam Operator / Camera Operator

Camera Operator, Steadicam Operator (uncredited)

Additional Steadicam Operator (uncredited)

Additional Steadicam Operator

Steadicam Operator

Steadicam Operator

Steadicam Operator (uncredited)

ShotOnWhat is Broken.