Mike Prestwood Smith

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Mission: Impossible - Fallout | ShotOnWhat?

Re-recording Mixer

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Mary Poppins Returns | ShotOnWhat?

Re-Recording Mixer

Mary Poppins Returns (2018)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

Murder on the Orient Express | ShotOnWhat?

Re-recording Mixer

Murder on the Orient Express (2017)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Mick Audsley

Cameras: ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses: Panavision Sphero 65 Series Lenses

Snowden | ShotOnWhat?

Re-recording Mixer

Snowden (2016)

Directed by: Oliver Stone

Cinematography by: Anthony Dod Mantle

Edited by: Alex Marquez, Lee Percy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Codex Action Cam

Lenses: Leitz Summicron-C Series Lenses

The 33 | ShotOnWhat?

Re-recording Mixer

The 33 (2015)

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Michael Tronick

Cameras: ARRI ALEXA XT Plus Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Kowa JC10M Series Lenses, Zeiss Ultra Prime Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

Re-recording Mixer

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

The Danish Girl | ShotOnWhat?

Re-recording Mixer

The Danish Girl (2015)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Melanie Oliver

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Kingsman: The Secret Service | ShotOnWhat?

Re-recording Mixer

Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Seventh Son | ShotOnWhat?

Re-recording Mixer

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Divergent | ShotOnWhat?

Re-recording Mixer

Divergent (2014)

Directed by: Neil Burger

Cinematography by: Alwin H. Küchler

Edited by: Richard Francis-Bruce, Nancy Richardson

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses

Into the Woods | ShotOnWhat?

Re-recording Mixer

Into the Woods (2014)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Judge | ShotOnWhat?

Re-recording Mixer

The Judge (2014)

Directed by: David Dobkin

Cinematography by: Janusz Kaminski

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

August: Osage County | ShotOnWhat?

Re-recording Mixer

August: Osage County (2013)

Directed by: John Wells

Cinematography by: Adriano Goldman

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Captain Phillips | ShotOnWhat?

Re-recording Mixer

Captain Phillips (2013)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses

Iron Man Three | ShotOnWhat?

Savages | ShotOnWhat?

Re-recording Mixer

Savages (2012)

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games | ShotOnWhat?

Re-recording Mixer

The Hunger Games (2012)

Directed by: Gary Ross

Cinematography by: Tom Stern

Edited by: Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Green Lantern | ShotOnWhat?

Re-recording Mixer

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Abduction | ShotOnWhat?

Re-recording Mixer

Abduction (2011)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Footloose | ShotOnWhat?

Re-recording Mixer

Footloose (2011)

Directed by: Craig Brewer

Cinematography by: Amy Vincent

Edited by: Billy Fox

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Jess + Moss | ShotOnWhat?

Re-recording Mixer

Jess + Moss (2011)

Directed by: Clay Jeter

Cinematography by: Will Basanta

Edited by: Isaac Hagy

Ironclad | ShotOnWhat?

Re-recording Mixer

Ironclad (2011)

Directed by: Jonathan English

Cinematography by: David Eggby

Edited by: Peter Amundson, Gavin Buckley

Cameras: Panavision Genesis Camera

Lenses: Panavision Lenses

The Darkest Hour | ShotOnWhat?

Re-recording Mixer

The Darkest Hour (2011)

Directed by: Chris Gorak

Cinematography by: Scott Kevan

Edited by: Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Clash of the Titans | ShotOnWhat?

Re-recording Mixer

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Green Zone | ShotOnWhat?

Re-recording Mixer

Green Zone (2010)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Tamara Drewe | ShotOnWhat?

Re-recording Mixer

Tamara Drewe (2010)

Directed by: Stephen Frears

Cinematography by: Ben Davis

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Nine | ShotOnWhat?

Re-recording Mixer

Nine (2009)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Claire Simpson, Wyatt Smith

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Pirate Radio | ShotOnWhat?

Re-recording Mixer

Pirate Radio (2009)

Directed by: Richard Curtis

Cinematography by: Danny Cohen

Edited by: Emma E. Hickox

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Invention of Lying | ShotOnWhat?

Re-recording Mixer

The Invention of Lying (2009)

Directed by: Ricky Gervais, Matthew Robinson

Cinematography by: Tim Suhrstedt

Edited by: Chris Gill

Hellboy II: The Golden Army | ShotOnWhat?

Re-Recording Mixer

Hellboy II: The Golden Army (2008)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Bernat Vilaplana

Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera

Lenses: Zeiss Ultra Prime Lenses

Brideshead Revisited | ShotOnWhat?

Re-recording Mixer

Brideshead Revisited (2008)

Directed by: Julian Jarrold

Cinematography by: Jess Hall

Edited by: Chris Gill

Cameras: Panavision Cameras

Vantage Point | ShotOnWhat?

Re-recording Mixer

Vantage Point (2008)

Directed by: Pete Travis

Cinematography by: Amir Mokri

Edited by: Stuart Baird

Last Chance Harvey | ShotOnWhat?

Re-recording Mixer

Last Chance Harvey (2008)

Directed by: Joel Hopkins

Cinematography by: John de Borman

Edited by: Robin Sales

Quantum of Solace | ShotOnWhat?

Re-recording Mixer

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Love in the Time of Cholera | ShotOnWhat?

Re-recording Mixer

Love in the Time of Cholera (2007)

Directed by: Mike Newell

Cinematography by: Affonso Beato

Edited by: Mick Audsley

Harry Potter and the Order of the Phoenix | ShotOnWhat?

Re-recording Mixer

Harry Potter and the Order of the Phoenix (2007)

Directed by: David Yates

Cinematography by: Slawomir Idziak

Edited by: Mark Day

Cameras: ARRI Cameras

Hannibal Rising | ShotOnWhat?

Re-recording Mixer

Hannibal Rising (2007)

Directed by: Peter Webber

Cinematography by: Ben Davis

Edited by: Valerio Bonelli, Pietro Scalia

The Golden Compass | ShotOnWhat?

Re-recording Mixer

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Breaking and Entering | ShotOnWhat?

Re-recording Mixer

Breaking and Entering (2006)

Directed by: Anthony Minghella

Cinematography by: Benoît Delhomme

Edited by: Lisa Gunning

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Zeiss Ultra Prime Lenses

Opal Dream | ShotOnWhat?

Re-recording Mixer

Opal Dream (2006)

Directed by: Peter Cattaneo

Cinematography by: Robert Humphreys

Edited by: Jim Clark, Nicolas Gaster

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera

United 93 | ShotOnWhat?

Re-recording Mixer

United 93 (2006)

Directed by: Paul Greengrass

Cinematography by: Barry Ackroyd

Edited by: Clare Douglas, Richard Pearson, Christopher Rouse

Cameras: Aaton A-Minima Camera, ARRICAM Lite (LT) Camera

Lenses: Cooke S4 Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

Notes on a Scandal | ShotOnWhat?

Re-recording Mixer

Notes on a Scandal (2006)

Directed by: Richard Eyre

Cinematography by: Chris Menges

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Casino Royale | ShotOnWhat?

Re-recording Mixer

Casino Royale (2006)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Flyboys | ShotOnWhat?

Re-recording Mixer

Flyboys (2006)

Directed by: Tony Bill

Cinematography by: Henry Braham

Edited by: Chris Blunden, Ron Rosen

Harry Potter and the Goblet of Fire | ShotOnWhat?

Re-recording Mixer

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Corpse Bride | ShotOnWhat?

Re-recording Mixer

Corpse Bride (2005)

Directed by: Tim Burton, Mike Johnson

Cinematography by: Pete Kozachik

Edited by: Chris Lebenzon, Jonathan Lucas

Cameras: ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

The Brothers Grimm | ShotOnWhat?

Re-recording Mixer

The Brothers Grimm (2005)

Directed by: Terry Gilliam

Cinematography by: Newton Thomas Sigel

Edited by: Lesley Walker

The Constant Gardener | ShotOnWhat?

Re-recording Mixer

The Constant Gardener (2005)

Directed by: Fernando Meirelles

Cinematography by: César Charlone

Edited by: Claire Simpson

Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux HR Zoom Lenses

Harry Potter and the Prisoner of Azkaban | ShotOnWhat?

Re-recording Mixer

Harry Potter and the Prisoner of Azkaban (2004)

Directed by: Alfonso Cuarón

Cinematography by: Michael Seresin

Edited by: Steven Weisberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Alfie | ShotOnWhat?

Re-recording Mixer

Alfie (2004)

Directed by: Charles Shyer

Cinematography by: Ashley Rowe

Edited by: Padraic McKinley

Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera

Two Brothers | ShotOnWhat?

Re-recording Mixer

Two Brothers (2004)

Directed by: Jean-Jacques Annaud

Cinematography by: Jean-Marie Dreujou

Edited by: Noëlle Boisson

Cameras: ARRIFLEX 435 Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Classic Spherical Lenses

Suzie Gold | ShotOnWhat?

Re-recording Mixer

Suzie Gold (2004)

Directed by: Ric Cantor

Cinematography by: Daf Hobson

Edited by: Michael Ellis

Cold Mountain | ShotOnWhat?

Re-recording Mixer

Cold Mountain (2003)

Directed by: Anthony Minghella

Cinematography by: John Seale

Edited by: Walter Murch

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Hope Springs | ShotOnWhat?

Re-recording Mixer

Hope Springs (2003)

Directed by: Mark Herman

Cinematography by: Ashley Rowe

Edited by: Michael Ellis

The Dreamers | ShotOnWhat?

Re-recording Mixer

The Dreamers (2003)

Directed by: Bernardo Bertolucci

Cinematography by: Fabio Cianchetti

Edited by: Jacopo Quadri

Dirty Pretty Things | ShotOnWhat?

Re-recording Mixer

Dirty Pretty Things (2002)

Directed by: Stephen Frears

Cinematography by: Chris Menges

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Editing System: Lightworks Editing System

Buffalo Soldiers | ShotOnWhat?

Additional Sound Re-recording Mixer

Buffalo Soldiers (2001)

Directed by: Gregor Jordan

Cinematography by: Oliver Stapleton

Edited by: Lee Smith

Cameras: Panavision Cameras

Chicken Run | ShotOnWhat?

Additional Sound Re-recording Mixer

Chicken Run (2000)

Directed by: Peter Lord, Nick Park

Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith

Edited by: Robert Francis, Tamsin Parry, Mark Solomon

Billy Elliot | ShotOnWhat?

Re-recording Mixer

Billy Elliot (2000)

Directed by: Stephen Daldry

Cinematography by: Brian Tufano

Edited by: John Wilson

Cameras: Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Lenses

Hotel Splendide | ShotOnWhat?

Re-recording Mixer

Hotel Splendide (2000)

Directed by: Terence Gross

Cinematography by: Gyula Pados

Edited by: Michael Ellis

Topsy-Turvy | ShotOnWhat?

Re-recording Mixer

Topsy-Turvy (1999)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Robin Sales

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

Ravenous | ShotOnWhat?

Re-recording Mixer

Ravenous (1999)

Directed by: Antonia Bird

Cinematography by: Anthony B. Richmond

Edited by: Neil Farrell

Fear and Loathing in Las Vegas | ShotOnWhat?

Adr Recordist: UK

Fear and Loathing in Las Vegas (1998)

Directed by: Terry Gilliam

Cinematography by: Nicola Pecorini

Edited by: Lesley Walker

Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Standard Speed Prime Lenses

The Avengers | ShotOnWhat?

Re-recording Mixer

The Avengers (1998)

Directed by: Jeremiah S. Chechik

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Bent | ShotOnWhat?

Adr Mixer

Bent (1997)

Directed by: Sean Mathias

Cinematography by: Giorgos Arvanitis

Edited by: Isabelle Lorente

The Borrowers | ShotOnWhat?

Adr Recordist

The Borrowers (1997)

Directed by: Peter Hewitt

Cinematography by: Trevor Brooker, John Fenner

Edited by: David Freeman

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