Re-recording Mixer
Coco (2017)
Re-recording Mixer
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Additional Re-recording Mixer
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Re-recording Mixer
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Re-recording Mixer
Sanjay's Super Team (2015)
Directed by: Sanjay Patel
Edited by: Kevin Rose-Williams
Re-recording Mixer
Krisha (2015)
Directed by: Trey Edward Shults
Cinematography by: Drew Daniels
Edited by: Trey Edward Shults
Cameras: Red Epic Camera, Red Scarlet Camera
Additional Sound Re-recording Mixer
The Lego Movie (2014)
Cameras: ARRI ALEXA Series Cameras
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Re-recording Mixer
Big Eyes (2014)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Re-recording Mixer
The Hobbit: The Battle of the Five Armies (2014)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Re-recording Mixer - 1 Episode, 2013
House of Cards (2013)
Directed by: James Foley, Robin Wright, John David Coles, Alik Sakharov, Carl Franklin, Agnieszka Holland, Tucker Gates, Tom Shankland, Allen Coulter, David Fincher, Charles McDougall, Joel Schumacher, John Dahl, Jakob Verbruggen, Roxann Dawson, Daniel Minahan, Michael Morris, Jodie Foster, Alex Graves, Kari Skogland, Ernest R. Dickerson, Louise Friedberg, Ami Canaan Mann, Stacie Passon, Thomas Schlamme
Cinematography by: David M. Dunlap, Igor Martinovic, Eigil Bryld, Peter Konczal, Martin Ahlgren, Tim Norman, Paul Elliott, Tim Ives
Re-recording Mixer
The Hobbit: The Desolation of Smaug (2013)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
'House of Cards' Chapter 13 (2013)
Directed by: Allen Coulter
Cinematography by: Tim Ives
Edited by: Sidney Wolinsky
Re-recording Mixer
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Re-recording Mixer
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Re-recording Mixer
The Master (2012)
Directed by: Paul Thomas Anderson
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
Frankenweenie (2012)
Directed by: Tim Burton
Cinematography by: Peter Sorg
Cameras: Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Additional Re-recording Mixer
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Re-recording Mixer
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
The Girl with the Dragon Tattoo (2011)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Re-recording Mixer
Toy Story 3 (2010)
Directed by: Lee Unkrich
Cinematography by: Jeremy Lasky
Edited by: Ken Schretzmann
Re-recording Mixer
The Social Network (2010)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Re-recording Mixer
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Re-recording Mixer
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
The Lovely Bones (2009)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Re-recording Mixer
Coraline (2009)
Directed by: Henry Selick
Cinematography by: Pete Kozachik
Editing System: Avid Editing System
Re-recording Mixer
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Re-recording Mixer
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
WALL·E (2008)
Directed by: Andrew Stanton
Cinematography by: Martin Rosenberg
Edited by: Stephen Schaffer
Re-recording Mixer
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Re-recording Mixer
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Re-recording Mixer
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Re-recording Mixer
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Supervising Sound Mixer
Stranger Than Fiction (2006)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Re-recording Mixer
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Re-recording Mixer
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Re-recording Mixer
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Re-recording Mixer
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Re-recording Mixer
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Re-recording Mixer
Million Dollar Baby (2004)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Cameras: Panavision Panaflex Platinum Camera
Sound Mixer
Brass Tacks (2004)
Directed by: Gavin Dougan
Cinematography by: Edwin Myers
Cameras: ARRIFLEX Camera
Supervising Sound Mixer
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Re-recording Mixer
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Re-recording Mixer
Wicker Park (2004)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Re-recording Mixer: English Version
Howl's Moving Castle (2004)
Directed by: Hayao Miyazaki
Cinematography by: Atsushi Okui
Edited by: Takeshi Seyama
Re-recording Mixer
Mystic River (2003)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
Drinking Rohan Soldier, Re-recording Mixer, Sound Designer
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Dialogue Mixer , Re-recording Mixer
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Re-recording Mixer
Punch-Drunk Love (2002)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Spy Kids 2: Island of Lost Dreams (2002)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Re-recording Mixer
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Re-recording Mixer, Sound Designer
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Re-recording Mixer
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Re-recording Mixer
The Mothman Prophecies (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Mixer: "Jungle Love"
Jay and Silent Bob Strike Back (2001)
Directed by: Kevin Smith
Cinematography by: Jamie Anderson
Re-recording Mixer
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Re-recording Mixer: Skywalker Sound
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Re-recording Mixer, Sound Designer
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
Space Cowboys (2000)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Office Space (1999)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Re-recording Mixer
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Re-recording Mixer, Score Mixer
Arlington Road (1999)
Directed by: Mark Pellington
Cinematography by: Bobby Bukowski
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Rerecording Mixer
Rushmore (1998)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: David Moritz
Re-recording Mixer
54 (1998)
Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Air Bud: Golden Receiver (1998)
Directed by: Richard Martin
Cinematography by: Mike Southon
Re-recording Mixer
The Newton Boys (1998)
Directed by: Richard Linklater
Cinematography by: Peter James
Edited by: Sandra Adair
Re-recording Mixer
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Re-recording Mixer
Masterminds (1997)
Directed by: Roger Christian
Cinematography by: Nic Morris
Edited by: Robin Russell
Re-recording Mixer
The Game (1997)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Re-recording Mixer
The Rainmaker (1997)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Re-recording Mixer
Female Perversions (1996)
Directed by: Susan Streitfeld
Cinematography by: Teresa Medina
Rerecording Mixer
Jack (1996)
Directed by: Francis Ford Coppola
Cinematography by: John Toll
Edited by: Barry Malkin
Cameras: Panavision Cameras
Re-recording Mixer: Skywalker Sound
Romeo + Juliet (1996)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Gold Camera
Editing System: Lightworks Editing System
Music Premix, Re-recording Mixer: Premixes
The English Patient (1996)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Re-recording Mixer
Slam Dunk Ernest (1995)
Directed by: John R. Cherry III
Cinematography by: David Geddes
Sound Effects Recordist , Sound Effects Rerecordist
Boys on the Side (1995)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Michael R. Miller
Cameras: Panavision Cameras
Re-recording Mixer
To Die For (1995)
Directed by: Gus Van Sant
Cinematography by: Eric Alan Edwards
Edited by: Curtiss Clayton
Foley Mixer / Re-recording Mixer
Three Wishes (1995)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Re-recording Mixer
Ed Wood (1994)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
Mrs. Parker and the Vicious Circle (1994)
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Suzy Elmiger
Re-recording Mixer
Squanto: A Warrior's Tale (1994)
Directed by: Xavier Koller
Cinematography by: Robbie Greenberg
Re-recording Mixer: US Version
Siu nin Wong Fei Hung chi: Tit ma lau (1993)
Directed by: Woo-Ping Yuen
Re-recording Mixer
Indian Summer (1993)
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Re-recording Mixer
Amityville: A New Generation (1993)
Directed by: John Murlowski
Cinematography by: Wally Pfister
Edited by: Rick Finney
Foley Mixer
The Secret Garden (1993)
Directed by: Agnieszka Holland
Cinematography by: Roger Deakins
Edited by: Isabelle Lorente
Cameras: Panavision Cameras
Re-recording Mixer
Twin Peaks: Fire Walk with Me (1992)
Directed by: David Lynch
Cinematography by: Ronald Víctor García
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Gold Camera
Foley Mixer
A Midnight Clear (1992)
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Don Brochu
Cameras: ARRIFLEX Camera
Foley Engineer
Baraka (1992)
Directed by: Ron Fricke
Cinematography by: Ron Fricke
Cameras: Todd-AO 65mm Camera
Lenses: Schneider Lenses
Re-recording Mixer
Rambling Rose (1991)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Foley Recordist
Eyes of an Angel (1991)
Directed by: Robert Harmon
Cinematography by: Theo van de Sande
Re-recording Mixer
Don't Tell Mom the Babysitter's Dead (1991)
Directed by: Stephen Herek
Cinematography by: Tim Suhrstedt
Edited by: Larry Bock
Foley Recordist
Cadillac Man (1990)
Directed by: Roger Donaldson
Cinematography by: David Gribble
Edited by: Richard Francis-Bruce
Additional Re-recording Mixer
Rampage (1987)
Directed by: William Friedkin
Cinematography by: Robert D. Yeoman
Edited by: Jere Huggins
Cameras: Panavision Cameras
