Eastman Kodak Film Mfg | 1293 Titles
The Game (1997)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | James Haygood
Lenses | Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens
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Rocky Balboa (2006)
Country | USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 1.85:1
Directed by | Sylvester Stallone | Cinematography by | Clark Mathis | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses | Zeiss Master Prime Lenses
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Twin Peaks (1990)
Country | USA
Type | Television Series
Running Time | 47 Minutes
Aspect Ratio | 1.33:1 (4x3)
| Cinematography by | Frank Byers, Ronald Víctor García | Editing by | Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney
Cameras | ARRIFLEX Camera, Panavision Panaflex Camera
Lenses | Panavision Lenses
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CSI: Miami (2002)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr. | Editing by | Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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Elf (2003)
Country | USA
Type | Motion Picture
Running Time | 97 Minutes
Aspect Ratio | 1.85:1
Directed by | Jon Favreau | Cinematography by | Greg Gardiner | Editing by | Dan Lebental
Cameras | Panavision Cameras
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Hulk (2003)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 1.85:1
Directed by | Ang Lee | Cinematography by | Frederick Elmes | Editing by | Tim Squyres
Cameras | ARRIFLEX 535 B Camera
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Don Quixote (1973)
Country | Australia
Type | Motion Picture
Running Time | 111 Minutes
Directed by | Robert Helpmann, Rudolf Nureyev | Cinematography by | Geoffrey Unsworth | Editing by | Anthony Buckley
Cameras | Mitchell BNC Camera
Lenses | Angenieux 24-240 f2.6 Zoom Lens
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La La Land (2016)
Country | USA, Hong Kong
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.55:1
Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross
Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens
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Anthropoid (2016)
Country | Czech Republic, UK, USA, France
Type | Motion Picture
Running Time | 120 Minutes
Aspect Ratio | 2.39:1
Directed by | Sean Ellis | Cinematography by | Sean Ellis | Editing by | Richard Mettler
Cameras | ARRIFLEX 416 Camera
Lenses | Hawk V-Lite 16 Lens
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Suicide Squad (2016)
Country | USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | John Gilroy
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Jason Bourne (2016)
Country | USA, China
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution, 6144x3160 - (1.94:1) Capture Resolution
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
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Two and a Half Men (2003)
Country | USA
Type | Television Episode, Television Series
Running Time | 22 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Steven V. Silver, Mark Davison, Tony Askins | Editing by | Joe Bella, Peter Chakos
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Lenses
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Arthur (2011)
Country | USA
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 1.85:1
Directed by | Jason Winer | Cinematography by | Uta Briesewitz | Editing by | Brent White
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Angels and Insects (1995)
Country | UK, USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 1.85:1
Directed by | Philip Haas | Cinematography by | Bernard Zitzermann | Editing by | Belinda Haasmodified:
The Portrait of a Lady (1996)
Country | UK, USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Jane Campion | Cinematography by | Stuart Dryburgh | Editing by | Veronika Jenetmodified:
Ulee’s Gold (1997)
Country | USA
Type | Motion Picture
Running Time | 113 Minutes
Aspect Ratio | 1.66:1
Directed by | Victor Nunez | Cinematography by | Virgil Mirano | Editing by | Victor Nunezmodified:
In & Out (1997)
Country | USA
Type | Motion Picture
Running Time | 90 Minutes
Aspect Ratio | 1.85:1
Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Daniel P. Hanley, John Jympson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Four Days in September (1997)
Country | Brazil, USA
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 1.85:1
Directed by | Bruno Barreto | Cinematography by | Félix Monti | Editing by | Isabelle Rathery
Cameras | ARRIFLEX 535 B Camera
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Beyond Silence (1996)
Country | Germany
Type | Motion Picture
Running Time | 109 Minutes
Aspect Ratio | 1.85:1
Directed by | Caroline Link | Cinematography by | Gernot Roll | Editing by | Patricia Rommelmodified:
Ayn Rand: A Sense of Life (1997)
Country | USA
Type | Documentary, Motion Picture
Running Time | 145 Minutes
Aspect Ratio | 1.85:1
Directed by | Michael Paxton | Cinematography by | Alik Sakharov | Editing by | Christopher Earl, Lauren A. Schaffer
Cameras | Panavision Panaflex Platinum Camera
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