Eastman Kodak Film Mfg | 1306 Titles
Spider-Man 3 (2007)
Country | USA
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
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Blade Runner (1982)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings
Cameras | Panavision Panaflex Gold Camera
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Lawrence of Arabia (1962)
Country | UK
Type | Motion Picture
Running Time | 216 Minutes
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates
Cameras | Super Panavision-70 Camera
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Citizen Kane (1941)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 1.37:1
Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise
Cameras | Mitchell BNC Camera
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Pulp Fiction (1994)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.39:1
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
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Munich (2005)
Country | France, Canada, USA
Type | Motion Picture
Running Time | 164 Minutes
Aspect Ratio | 2.39:1
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke Lenses
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Afterglow (1997)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 1.85:1
Directed by | Alan Rudolph | Cinematography by | Toyomichi Kurita | Editing by | Suzy Elmiger
Cameras | ARRIFLEX Camera
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Out of Sight (1998)
Country | USA
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 1.85:1
Directed by | Steven Soderbergh | Cinematography by | Elliot Davis | Editing by | Anne V. Coatesmodified:
Hatred of a Minute (2002)
Country | USA
Type | Motion Picture
Running Time | 83 Minutes
Aspect Ratio | 1.66:1, 1.78:1 (16x9)
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Michael Kallio | Cinematography by | George Lieber | Editing by | Paul Hart, Michael Kallio, John W. Walter
Cameras | ARRI Cameras
Lenses | ARRI Lenses
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The Expendables (2010)
Country | USA, Bulgaria
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 2.39:1
Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
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Lolita (1997)
Country | France, USA
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 1.85:1
Directed by | Adrian Lyne | Cinematography by | Howard Atherton | Editing by | David Brenner, Julie Monroe
Cameras | Panavision Panaflex Series Cameras
Lenses | Panavision Lenses
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End of Days (1999)
Country | USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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The Fast and the Furious (2001)
Country | USA, Germany
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | Rob Cohen | Cinematography by | Ericson Core | Editing by | Peter Honess
Lenses | Zeiss Ultra Prime Lenses
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Beloved (1998)
Country | USA
Type | Motion Picture
Running Time | 172 Minutes
Aspect Ratio | 1.85:1
Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Andy Keir, Carol Littleton
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Van Helsing (2004)
Country | USA, Czech Republic, Romania
Type | Motion Picture
Running Time | 131 Minutes
Aspect Ratio | 1.85:1
Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim May
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The Cable Guy (1996)
Country | USA
Type | Motion Picture
Running Time | 96 Minutes
Aspect Ratio | 2.39:1
Directed by | Ben Stiller | Cinematography by | Robert Brinkmann | Editing by | Steven Weisberg
Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera
Lenses | Zeiss Standard Speed Prime Lenses
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American Horror Story (2011)
Country | USA
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba | Editing by | Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman
Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Angenieux Lenses, Panavision Lenses
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True Blood (2008)
Country | USA
Type | Television Series
Running Time | 800 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz | Editing by | Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Lenses | Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo Zoom Lenses, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
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Jaws (1975)
Country | USA
Type | Motion Picture
Running Time | 124 Minutes
Aspect Ratio | 2.39:1
Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera
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High Plains Drifter (1973)
Country | USA
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 2.35 : 1
Directed by | Clint Eastwood | Cinematography by | Bruce Surtees | Editing by | Ferris Webster
Cameras | Panavision Cameras
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