Eastman Kodak Film Mfg | 1463 Titles
Oppenheimer (2023) 
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame
Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses
Citizen Kane (1941)
Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise
Cameras | Mitchell BNC Camera
Lenses | Cooke Speed Panchro Lenses
The Matrix Revolutions (2003)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg
Cameras | Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Inception (2010)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses | Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
The Matrix Reloaded (2003)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Insomnia (2002)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Batman Begins (2005)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Dark Knight (2008)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
The Prestige (2006)
Following (1998)
Directed by | Christopher Nolan | Cinematography by | Christopher Nolan | Editing by | Gareth Heal, Christopher Nolan
Cameras | ARRIFLEX 16BL Camera
The Dark Knight Rises (2012)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Matrix (1999)
Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras
Killers of the Flower Moon (2023)
Directed by | Martin Scorsese | Cinematography by | Rodrigo Prieto | Editing by | Thelma Schoonmaker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Memento (2000)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn
Cameras | Panavision Panaflex Gold II Camera
Até que a Vida nos Separe (2000)
The Castle (1997)
Directed by | Rob Sitch | Cinematography by | Miriana Marusic | Editing by | Wayne Hyett
Cameras | ARRIFLEX 16SR2 Camera
Waking Ned Devine (1998)
Directed by | Kirk Jones | Cinematography by | Henry Braham | Editing by | Alan Strachan
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
Star Wars: Episode VI – Return of the Jedi (1983)
Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas
Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Twin Peaks (1990)
| Cinematography by | Frank Byers, Ronald Víctor García | Editing by | Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney
Lenses | Panavision Lenses
Chasing Amy (1997)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Zeiss Super Speed Lenses
