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A Beautiful Day in the Neighborhood (2019)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3), 1.85:1 | 109 Minutes

Directed by | Marielle Heller | Cinematography by | Jody Lee Lipes | Editing by | Anne McCabe

Starring | Matthew Rhys, Tom Hanks, Chris Cooper

Cameras | ARRI ALEXA Mini Camera, ARRIFLEX 416 Camera, Ikegami Cameras, Ikegami HL-79EAL Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Zeiss Master Prime Lenses

Shine (1996)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel

Starring | Geoffrey Rush, Armin Mueller-Stahl, Justin Braine

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Canon Lenses, Cooke Varotal Lenses, Zeiss Standard Speed Prime Lenses

One True Thing (1998)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Carl Franklin | Cinematography by | Declan Quinn | Editing by | Carole Kravetz Aykanian

Starring | Meryl Streep, Renée Zellweger, William Hurt

Cameras | Moviecam Compact Camera, Panavision Cameras

Lenses | Panavision Lenses

A Very Long Engagement (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid

Starring | Audrey Tautou, Gaspard Ulliel, Jodie Foster

Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens

Before Sunset (2004)

Motion Picture | 2D | Color | 1.85:1 | 80 Minutes

Directed by | Richard Linklater | Cinematography by | Lee Daniel | Editing by | Sandra Adair

Starring | Ethan Hawke, Julie Delpy, Vernon Dobtcheff

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Oscar and Lucinda (1997)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Gillian Armstrong | Cinematography by | Geoffrey Simpson | Editing by | Nicholas Beauman

Starring | Ralph Fiennes, Cate Blanchett, Ciarán Hinds

Cameras | Panavision Panaflex Gold II Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

What Dreams May Come (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 113 Minutes

Directed by | Vincent Ward | Cinematography by | Eduardo Serra | Editing by | David Brenner, Maysie Hoy

Starring | Robin Williams, Cuba Gooding Jr., Annabella Sciorra

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Kid with a Bike (2011)

Motion Picture | 2D | 2K Project | Color | 87 Minutes

Directed by | Jean-Pierre Dardenne, Luc Dardenne | Cinematography by | Alain Marcoen | Editing by | Marie-Hélène Dozo

Starring | Thomas Doret, Cécile de France, Jérémie Renier

Cameras | ARRICAM Lite (LT) Camera

Big Miracle (2012)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Ken Kwapis | Cinematography by | John Bailey | Editing by | Cara Silverman

Starring | Drew Barrymore, John Krasinski, John Pingayak

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C360 350 mm T4.0 Lens, Panavision Primo Anamorphic Lenses

Beautiful Creatures (2013)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Richard LaGravenese | Cinematography by | Philippe Rousselot | Editing by | David Moritz

Starring | Alice Englert, Viola Davis, Emma Thompson

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Squid and the Whale (2005)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 81 Minutes

Directed by | Noah Baumbach | Cinematography by | Robert D. Yeoman | Editing by | Tim Streeto

Starring | Owen Kline, Jeff Daniels, Laura Linney

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Zeiss Super Speed Lenses

Emma (1996)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Douglas McGrath | Cinematography by | Ian Wilson | Editing by | Lesley Walker

Starring | Gwyneth Paltrow, James Cosmo, Greta Scacchi, Alan Cumming

Cameras | Moviecam Compact Camera

Spider-Man (2002)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Don Burgess | Editing by | Arthur Coburn, Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Willem Dafoe, James Franco

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Snake Eyes (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 98 Minutes

Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Bill Pankow

Starring | Nicolas Cage, Gary Sinise, John Heard

Cameras | Moviecam Compact Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens

Apollo 13 (1995)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.78:1 (16x9), 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Hanks, Bill Paxton, Kevin Bacon

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Spider-Man 2 (2004)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 127 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Alfred Molina, James Franco

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Euphoria (2019)

Television Series | 2D | 4K Project | Color | 55 Minutes

| Cinematography by | Marcell Rév, Drew Daniels, Adam Newport-Berra, André Chemetoff, Rina Yang | Editing by | Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro

Starring | Zendaya, Hunter Schafer, Jacob Elordi

Cameras | ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera

Manila in the Claws of Light (1975)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 125 Minutes

Directed by | Lino Brocka | Cinematography by | Mike De Leon, Clodualdo Del Mundo Jr. | Editing by | Ike Jarlego Jr., Edgardo Jarlego

Starring | Hilda Koronel, Bembol Roco, Lou Salvador Jr.

Cameras | ARRIFLEX 35 IIB Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Angenieux Lenses, ARRI Lenses

Mission: Impossible – Ghost Protocol (2011)

Motion Picture | 2D | Color | 1.44:1, 2.35:1 | 132 Minutes

Mission: Impossible – Ghost Protocol | ShotOnWhat?

Directed by | Brad Bird | Cinematography by | Robert Elswit | Editing by | Paul Hirsch

Starring | Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton

Cameras | ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

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