Joe Zimmerman

| USA

Directed by: Tamra Davis

Cinematography by: Joe 'Jody' Williams

Edited by: Ishai Setton

Music Preparation

Avengers: Infinity War (2018)

| USA

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Lenses: Angenieux Lenses, Leica Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses

Music Librarian

'Empire' Pride (2018)

| USA

Directed by: Clement Virgo

Cinematography by: Joe 'Jody' Williams

Music Preparation: Joann Kane Music Service

Christopher Robin (2018)

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

| UK, USA

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Music Librarian

'Empire' What Is Done (2018)

| USA

Directed by: Jussie Smollett

Cinematography by: Joe 'Jody' Williams

Music Librarian

First Man (2018)

| USA, Japan

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus, ARRIFLEX 435 Camera, Imax MSM 9802 Camera

Lenses: Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses, Zeiss Lenses

Music Librarian

'Empire' Pay for Their Presumptions (2018)

| USA

Directed by: John Krokidas

Cinematography by: Joe 'Jody' Williams

Edited by: Eli Nilsen

Music Librarian

'Empire' The Depth of Grief (2018)

| USA

Directed by: Elizabeth Allen Rosenbaum

Cinematography by: Joe 'Jody' Williams

Edited by: Eli Nilsen

Music Preparation

Mary Poppins Returns (2018)

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

| USA, UK

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Music Librarian

'Empire' Steal from the Thief (2018)

| USA

Directed by: Sanaa Hamri

Cinematography by: Joe 'Jody' Williams

Edited by: Ishai Setton

Music Librarian

'Empire' Love All, Trust a Few (2018)

| USA

Directed by: Mario Van Peebles

Cinematography by: Joe 'Jody' Williams

Edited by: Ishai Setton

Music Librarian

A Quiet Place (2018)

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Anamorphic Portrait Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

| USA

Directed by: John Krasinski

Cinematography by: Charlotte Bruus Christensen

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Music Librarian

'Empire' Civil Hands Unclean (2017)

| USA

Directed by: Howard Deutch

Music Librarian

'Empire' Play On (2017)

| USA

Directed by: Benny Boom

Edited by: Raúl Dávalos, Ishai Setton

Music Librarian

'Empire' Toil and Trouble, Part 2 (2017)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Eli Nilsen

Music Librarian

'Empire' Love Is a Smoke (2017)

| USA

Directed by: Tricia Brock

Edited by: David Greenspan

Music Librarian

'Empire' Sound & Fury (2017)

| USA

Directed by: Craig Brewer

Edited by: Ishai Setton

Music Librarian

'Empire' Toil and Trouble, Part 1 (2017)

| USA

Directed by: Craig Brewer

Edited by: David Greenspan, Ishai Setton

Music Librarian

'Empire' My Naked Villainy (2017)

| USA

Directed by: Cherien Dabis

Edited by: Ishai Setton, Stefanie Visser

Music Preparation

Logan (2017)

| USA

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Music Librarian

'Empire' Absent Child (2017)

| USA

Directed by: Millicent Shelton

Edited by: Ishai Setton

Music Librarian

'Empire' Strange Bedfellows (2017)

| USA

Directed by: Bille Woodruff

Edited by: Eli Nilsen

Music Librarian

Ghostbusters (2016)

| USA, Australia

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Music Preparation

Southside with You (2016)

| USA

Directed by: Richard Tanne

Cinematography by: Patrick Scola

Edited by: Evan Schiff

Music Preparation

The Jungle Book (2016)

| UK, USA

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Music Librarian

'Empire' Time Shall Unfold (2016)

| USA

Directed by: Cherien Dabis

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Music Librarian

'Empire' Chimes at Midnight (2016)

| USA

Directed by: Sanaa Hamri

Edited by: Eli Nilsen

Music Librarian

La La Land (2016)

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

| USA, Hong Kong

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Music Librarian

'Empire' Past Is Prologue (2016)

| USA

Directed by: Sanaa Hamri

Edited by: Raúl Dávalos

Music Librarian

'Empire' One Before Another (2016)

| USA

Directed by: Mario Van Peebles

Edited by: Raúl Dávalos

Music Librarian

'Empire' Death Will Have His Day (2016)

| USA

Directed by: Danny Strong

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Music Librarian

Hail, Caesar! (2016)

| UK, Japan, USA

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Music Preparation

Why Him? (2016)

| USA, Cambodia

Directed by: John Hamburg

Cinematography by: Kris Kachikis

Edited by: William Kerr

Music Preparation

X-Men: Apocalypse (2016)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leica Summilux-C Series Lenses

Music Librarian

'Empire' More Than Kin (2016)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold, Ishai Setton

Music Librarian

'Empire' What We May Be (2016)

| USA

Directed by: Kevin Bray

Edited by: Ishai Setton

Music Librarian

How to Be Single (2016)

| USA

Directed by: Christian Ditter

Cinematography by: Christian Rein

Edited by: Tia Nolan

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Music Librarian

The Secret Life of Pets (2016)

| Japan, USA, France

Directed by: Chris Renaud, Yarrow Cheney

Edited by: Ken Schretzmann

Music Librarian

'Empire' Light in Darkness (2016)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Ishai Setton

Music Librarian

'Empire' What Remains Is Bestial (2016)

| USA

Directed by: Millicent Shelton

Edited by: Eli Nilsen

Music Librarian

'Empire' A Rose by Any Other Name (2016)

| USA

Directed by: Michael Engler

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Music Librarian

The Finest Hours (2016)

| USA

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leica Summilux-C Series Lenses

Music Preparation

Fantastic Beasts and Where to Find Them (2016)

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| UK, USA

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Music Preparation

The Huntsman: Winter's War (2016)

| USA, China

Directed by: Cedric Nicolas-Troyan

Cinematography by: Phedon Papamichael

Edited by: Conrad Buff IV

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Music Librarian

'Empire' The Lyon Who Cried Wolf (2016)

| USA

Directed by: Millicent Shelton

Cinematography by: Paul M. Sommers

Edited by: Matt Barber

Music Librarian

'Empire' The Unkindest Cut (2016)

| USA

Directed by: Dennie Gordon

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Music Preparation

Ice Age: Collision Course (2016)

| USA

Directed by: Mike Thurmeier, Galen T. Chu

Cinematography by: Renato Falcão

Edited by: Erin Crackel, James Palumbo

Music Preparation

Florence Foster Jenkins (2016)

| UK, France

Directed by: Stephen Frears

Cinematography by: Danny Cohen

Edited by: Valerio Bonelli

Cameras: ARRI ALEXA XT Camera

Music Librarian

'Empire' Sin That Amends (2016)

Miniseries, Television Series

| USA

Directed by: Craig Brewer

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Music Librarian - 3 Episodes, 2016

11.22.63 (2016)

| USA

Directed by: James Strong, Frederick E.O. Toye, John David Coles, James Franco, James Kent, Kevin Macdonald

Cinematography by: Adam Suschitzky, David Katznelson

Edited by: Sue Blainey, Michael R. Fox, Plummy Tucker, Dorian Harris

Cameras: Red Epic Dragon Camera

Music Librarian

'Empire' The Tameness of a Wolf (2016)

| USA

Directed by: Paris Barclay

Cinematography by: Paul M. Sommers

Edited by: Matt Barber

Music Librarian

'Empire' A Furnace for Your Foe (2016)

| USA

Directed by: Sanaa Hamri

Edited by: Eli Nilsen

Music Preparation

Zoolander 2 (2016)

| USA, Italy

Directed by: Ben Stiller

Cinematography by: Dan Mindel

Edited by: Greg Hayden

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Music Preparation

Collateral Beauty (2016)

| USA

Directed by: David Frankel

Cinematography by: Maryse Alberti

Edited by: Andrew Marcus

Cameras: ARRI ALEXA XT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Music Librarian

'Empire' Rise by Sin (2016)

| USA

Directed by: Paul McCrane

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos, Ishai Setton

Music Librarian

'Empire' Cupid Kills (2016)

| USA

Directed by: Hanelle M. Culpepper

Edited by: Ishai Setton

Music Librarian

'Empire' Fires of Heaven (2015)

| USA

Directed by: Craig Brewer

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Music Librarian

'Empire' Game On (2015)

Music Preparation

The Intern (2015)

| USA

Directed by: Nancy Meyers

Cinematography by: Stephen Goldblatt

Edited by: Robert Leighton

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Librarian

'Empire' The Lyon's Roar (2015)

| USA

Directed by: Danny Strong

Cinematography by: Sidney Sidell

Edited by: Joe Leonard

Music Preparation

The Gunman (2015)

| USA, Spain, UK, France

Directed by: Pierre Morel

Cinematography by: Flavio Martínez Labiano

Edited by: Frédéric Thoraval

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Music Preparation

The SpongeBob Movie: Sponge Out of Water (2015)

| USA, South Korea, Australia

Directed by: Paul Tibbitt, Mike Mitchell

Cinematography by: Phil Meheux

Edited by: David Ian Salter

Cameras: ARRI ALEXA Camera

Music Librarian

'Empire' True Love Never (2015)

| USA

Directed by: Sylvain White

Cinematography by: Paul M. Sommers

Edited by: Joe Leonard

Music Preparation

The Walk (2015)

| USA

Directed by: Robert Zemeckis

Cinematography by: Dariusz Wolski

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Dragon Camera

Music Librarian / Music Preparation

'Empire' Who I Am (2015)

| USA

Directed by: Debbie Allen

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Music Librarian / Music Preparation

'Empire' Dangerous Bonds (2015)

| USA

Directed by: John Singleton

Cinematography by: Sidney Sidell

Edited by: Joe Leonard

Music Librarian / Music Preparation - 55 Episodes, 2015-2018

Empire (2015)

Television Series

| USA

Cinematography by: Paul M. Sommers, Joe 'Jody' Williams, Sidney Sidell, Andrew Dunn

Edited by: Ishai Setton, Eli Nilsen, Raúl Dávalos, Zack Arnold, Joe Leonard, Lauren A. Schaffer, Stefanie Visser, Evonne Moritz, James Stanton, Matt Barber, David Greenspan, Sharidan Williams-Sotelo

Cameras: ARRI ALEXA Camera, Digital Bolex D16

Music Librarian

'Empire' Poor Yorick (2015)

| USA

Directed by: Danny Strong

Cinematography by: Paul M. Sommers

Edited by: Joe Leonard, James Stanton

Music Preparation

Crimson Peak (2015)

| Canada, USA

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Music Librarian

'Empire' Unto the Breach (2015)

| USA

Directed by: Anthony Hemingway

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Music Librarian / Music Preparation

'Empire' The Outspoken King (2015)

| USA

Directed by: Lee Daniels

Cinematography by: Sidney Sidell

Edited by: Joe Leonard

Music Librarian

'Empire' My Bad Parts (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Music Preparation

Trumbo (2015)

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Librarian

'Empire' The Devils Are Here (2015)

| USA

Directed by: Lee Daniels

Cinematography by: Paul M. Sommers

Edited by: Joe Leonard

Music Librarian / Music Preparation

'Empire' Out, Damned Spot (2015)

| USA

Directed by: Michael Engler

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Music Preparation

Focus (2015)

| USA, Argentina

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Jan Kovac

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Editing System: Final Cut Pro Editing System

Music Librarian

'Empire' Be True (2015)

| USA

Directed by: Kevin Bray

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Music Librarian / Music Preparation

'Empire' Sins of the Father (2015)

| USA

Directed by: Rob Hardy

Cinematography by: Sidney Sidell

Edited by: Raúl Dávalos

Music Preparation

Spy (2015)

| USA, UK, France, Hungary, Germany

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Music Librarian / Music Preparation

'Empire' The Devil Quotes Scripture (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Sidney Sidell

Edited by: Zack Arnold

Music Preparation

Star Wars: Episode VII - The Force Awakens (2015)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens

| USA

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRI ALEXA Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Editing System: Avid Editing System

Music Librarian

'Empire' Sinned Against (2015)

| USA

Directed by: Paul McCrane

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Music Preparation

Creed (2015)

| USA

Directed by: Ryan Coogler

Cinematography by: Maryse Alberti

Edited by: Claudia Castello, Michael P. Shawver

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Editing System: Avid Editing System

Music Librarian

'Empire' Without a Country (2015)

| USA

Directed by: Dee Rees

Cinematography by: Paul M. Sommers

Edited by: Raúl Dávalos

Music Librarian

'Empire' Our Dancing Days (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Sidney Sidell

Edited by: Raúl Dávalos

Music Preparation

Get Hard (2015)

| USA

Directed by: Etan Cohen

Cinematography by: Tim Suhrstedt

Edited by: Michael L. Sale

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Music Librarian

Ted 2 (2015)

| USA

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony CineAlta F65 Camera

Music Librarian

'Empire' A High Hope for a Low Heaven (2015)

| USA

Directed by: Mario Van Peebles

Cinematography by: Paul M. Sommers

Edited by: Zack Arnold

Music Librarian

'Empire' Die but Once (2015)

| USA

Directed by: Mario Van Peebles

Cinematography by: Sidney Sidell

Edited by: Joe Leonard, James Stanton

Music Librarian / Music Preparation

'Empire' False Imposition (2015)

| USA

Directed by: Rosemary Rodriguez

Cinematography by: Sidney Sidell

Edited by: Raúl Dávalos, Sharidan Williams-Sotelo

Music Librarian

'Empire' Et Tu, Brute? (2015)

| USA

Directed by: Sanaa Hamri

Cinematography by: Paul M. Sommers

Music Preparation

The Grand Budapest Hotel (2014)

| USA, Germany

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Barney Pilling

Cameras: ARRICAM Studio (ST) Camera

Music Preparation

Seventh Son (2014)

| USA, UK, Canada, China

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Music Copyist / Music Preparation

Maleficent (2014)

| USA

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Music Preparation

The Book of Life (2014)

| USA

Directed by: Jorge R. Gutiérrez

Edited by: Ahren Shaw

Music Preparation

Edge of Tomorrow (2014)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

| USA, Canada

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Copyist / Music Librarian / Music Preparation

The Maze Runner (2014)

| USA, UK

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Preparation

How to Train Your Dragon 2 (2014)

| USA

Directed by: Dean DeBlois

Cinematography by: Gil Zimmerman

Edited by: John K. Carr

Music Preparation

22 Jump Street (2014)

| USA

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

Music Copyist / Music Preparation

The Hobbit: The Battle of the Five Armies (2014)

| New Zealand, USA

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Ultra Prime Lenses

Music Preparation

Let's Be Cops (2014)

| USA

Directed by: Luke Greenfield

Cinematography by: Daryn Okada

Edited by: Bill Pankow, Jonathan Schwartz

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Music Copyist

The Monuments Men (2014)

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens

| USA, Germany

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera

Editing System: Avid Editing System

Music Librarian

Rio 2 (2014)

| USA

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner, Randy Trager

Music Librarian

A Million Ways to Die in the West (2014)

| USA

Directed by: Seth MacFarlane

Cinematography by: Michael Barrett

Edited by: Jeff Freeman

Cameras: Sony PMW-F55 Camera

Editing System: Avid Editing System

Music Copyist / Music Preparation

Night at the Museum: Secret of the Tomb (2014)

| UK, USA

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

Music Preparation

Unbroken (2014)

| USA

Directed by: Angelina Jolie

Cinematography by: Roger Deakins

Edited by: William Goldenberg, Tim Squyres

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Music Librarian / Music Preparation

Godzilla (2014)

| USA, Japan

Directed by: Gareth Edwards

Cinematography by: Seamus McGarvey

Edited by: Bob Ducsay

Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses

Music Preparation

The Homesman (2014)

| USA, France

Directed by: Tommy Lee Jones

Cinematography by: Rodrigo Prieto

Edited by: Roberto Silvi

Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Zeiss Master Prime Lenses

Music Preparation

The Hunger Games: Mockingjay - Part 1 (2014)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Music Librarian

X-Men: Days of Future Past (2014)

| USA, UK, Canada

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leica Summilux-C Series Lenses

Music Preparation

Nightcrawler (2014)

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

| USA

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Music Preparation

The Fault in Our Stars (2014)

| USA

Directed by: Josh Boone

Cinematography by: Ben Richardson

Edited by: Robb Sullivan

Cameras: ARRI ALEXA XT Camera

Music Preparation

Get on Up (2014)

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

| UK, USA

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Music Copyist / Music Preparation

The Croods (2013)

| USA

Directed by: Kirk DeMicco, Chris Sanders

Cinematography by: Yong Duk Jhun

Edited by: Darren T. Holmes

Music Preparation

The Internship (2013)

| USA

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA Plus Camera

Music Copyist / Music Librarian / Music Preparation

Percy Jackson: Sea of Monsters (2013)

| USA

Directed by: Thor Freudenthal

Cinematography by: Shelly Johnson

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Music Copyist

The Hobbit: The Desolation of Smaug (2013)

| USA, New Zealand

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jabez Olssen

Cameras: GoPro HD Hero3 Camera, Red Epic Camera

Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Music Preparation

The Secret Life of Walter Mitty (2013)

| USA, UK

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Music Preparation

The Book Thief (2013)

| USA, Germany

Directed by: Brian Percival

Cinematography by: Florian Ballhaus

Edited by: John Wilson

Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses

Editing System: Avid Editing System

Music Preparation

RED 2 (2013)

| USA, France, Canada

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Music Copyist / Music Preparation

A Good Day to Die Hard (2013)

| USA, Russia

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Preparation

R.I.P.D. (2013)

| USA

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Music Preparation

The Hangover Part III (2013)

| USA

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Music Copyist

Jack the Giant Slayer (2013)

| USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Music Preparation

The Incredible Burt Wonderstone (2013)

| USA

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Lee Haxall

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Preparation

Monsters University (2013)

| USA

Directed by: Dan Scanlon

Edited by: Greg Snyder

Music Copyist

We're the Millers (2013)

| USA, UK

Directed by: Rawson Marshall Thurber

Cinematography by: Barry Peterson

Edited by: Michael L. Sale

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Music Preparation

42 (2013)

| USA

Directed by: Brian Helgeland

Cinematography by: Don Burgess

Edited by: Peter McNulty, Kevin Stitt

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Music Preparation

The Wolverine (2013)

| USA, UK

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Music Preparation

Frozen (2013)

| USA

Directed by: Chris Buck, Jennifer Lee

Edited by: Jeff Draheim

Music Librarian

After Earth (2013)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Cooke S4 Lenses

Music Preparation

The Avengers (2012)

| USA

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Music Librarian

The Lorax (2012)

| USA, France

Directed by: Chris Renaud, Kyle Balda

Edited by: Claire Dodgson, Steven Liu, Ken Schretzmann

Music Librarian

Argo (2012)

| USA, UK

Directed by: Ben Affleck

Cinematography by: Rodrigo Prieto

Edited by: William Goldenberg

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Music Preparation

Rise of the Guardians (2012)

| USA

Directed by: Peter Ramsey

Edited by: Joyce Arrastia

Music Copyist

Lincoln (2012)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Music Preparation

Moonrise Kingdom (2012)

| USA

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: Aaton A-Minima Camera, Aaton Xterà Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

Music Preparation

Hope Springs (2012)

| USA

Directed by: David Frankel

Cinematography by: Florian Ballhaus

Edited by: Steven Weisberg

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Leica Summilux-C Series Lenses, Zeiss Ultra Prime Lenses

Music Copyist / Music Preparation

Flight (2012)

| USA, United Arab Emirates

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Editing System: Avid Editing System

Music Librarian

The Dictator (2012)

| USA

Directed by: Larry Charles

Cinematography by: Lawrence Sher

Edited by: Greg Hayden, Eric Kissack

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark III Camera

Music Copyist / Music Librarian

Life of Pi (2012)

| USA, Taiwan, UK, Canada

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Music Preparation

Snow White and the Huntsman (2012)

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

| USA, UK

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Music Preparation

Parental Guidance (2012)

| USA

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Librarian

Moneyball (2011)

| USA

Directed by: Bennett Miller

Cinematography by: Wally Pfister

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Music Librarian

Tower Heist (2011)

| USA

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

Music Librarian

Crazy, Stupid, Love. (2011)

| USA

Directed by: Glenn Ficarra, John Requa

Cinematography by: Andrew Dunn

Edited by: Lee Haxall

Cameras: Panavision Panaflex Platinum Camera

Music Librarian

Too Big to Fail (2011)

Television Movie

| USA

Directed by: Curtis Hanson

Cinematography by: Kramer Morgenthau

Edited by: Plummy Tucker, Barbara Tulliver

Music Copyist

War Horse (2011)

| USA, India

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Music Librarian

Rio (2011)

| USA, Brazil

Directed by: Carlos Saldanha

Cinematography by: Renato Falcão

Edited by: Harry Hitner

Music Preparation

Red Riding Hood (2011)

| USA, Canada

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

Music Copyist / Music Preparation

Dolphin Tale (2011)

| Canada, USA

Directed by: Charles Martin Smith

Cinematography by: Karl Walter Lindenlaub

Edited by: Harvey Rosenstock

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Music Copyist

Hot Tub Time Machine (2010)

| USA

Directed by: Steve Pink

Cinematography by: Jack N. Green

Edited by: George Folsey Jr., James Thomas

Cameras: Panavision Cameras

Music Librarian

Knight and Day (2010)

| USA

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Music Copyist

Date Night (2010)

| USA

Directed by: Shawn Levy

Cinematography by: Dean Semler

Edited by: Dean Zimmerman

Cameras: Panavision Genesis Camera

Music Preparation

How to Train Your Dragon (2010)

| USA

Directed by: Dean DeBlois, Chris Sanders

Cinematography by: Gil Zimmerman

Edited by: Maryann Brandon, Darren T. Holmes

Music Preparation

Toy Story 3 (2010)

| USA

Directed by: Lee Unkrich

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Music Preparation

2012 (2009)

| USA

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Music Librarian

Bolt (2008)

| USA

Directed by: Byron Howard, Chris Williams

Cinematography by: Scott Beattie

Edited by: Tim Mertens

Music Librarian

Recount (2008)

Television Movie

| USA

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten

Music Librarian

The Curious Case of Benjamin Button (2008)

| USA

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Music Librarian

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Music Librarian

Spider-Man 3 (2007)

| USA

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Editing System: Avid Editing System

Music Librarian

Cars (2006)

| USA

Directed by: John Lasseter, Joe Ranft

Cinematography by: Jeremy Lasky

Edited by: Ken Schretzmann

Music Copyist

Dreamgirls (2006)

| USA

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Music Preparation

Happy Feet (2006)

| USA, Australia

Directed by: George Miller, Warren Coleman, Judy Morris

Cinematography by: David Peers

Edited by: Christian Gazal, Margaret Sixel

Editing System: Final Cut Pro Editing System

Music Preparation

Final Destination 3 (2006)

| USA, Germany

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: Chris G. Willingham

Music Preparation

X-Men: The Last Stand (2006)

| Canada, USA, UK

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Music Preparation

Serenity (2005)

| USA

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Music Preparation

Sky High (2005)

| USA

Directed by: Mike Mitchell

Cinematography by: Shelly Johnson

Edited by: Peter Amundson

Music Preparation

Star Wars: Episode III - Revenge of the Sith (2005)

| USA

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Roger Barton, Ben Burtt

Cameras: Sony HDC-F950 Camera

Lenses: Fujinon C Series Lenses, Fujinon E Series Lenses

Music Preparation

War of the Worlds (2005)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Music Preparation

King Kong (2005)

| New Zealand, USA, Germany

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Music Preparation

Hellboy (2004)

| USA

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson

Music Preparation

Harry Potter and the Prisoner of Azkaban (2004)

| UK, USA

Directed by: Alfonso Cuarón

Cinematography by: Michael Seresin

Edited by: Steven Weisberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Music Preparation

The Incredibles (2004)

| USA

Directed by: Brad Bird

Cinematography by: Andrew Jimenez, Patrick Lin, Janet Lucroy

Edited by: Stephen Schaffer

Music Preparation

Kill Bill: Vol. 2 (2004)

| USA

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Music Preparation

The Polar Express (2004)

| USA

Directed by: Robert Zemeckis

Cinematography by: Don Burgess, Robert Presley

Edited by: R. Orlando Duenas, Jeremiah O'Driscoll

Music Preparation

Shark Tale (2004)

| USA

Directed by: Bibo Bergeron, Vicky Jenson, Rob Letterman

Edited by: Nick Fletcher, Peter Lonsdale, John Venzon

Music Preparation

Final Destination 2 (2003)

| USA, Canada

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Eric A. Sears

Cameras: Panavision Cameras

Music Preparation

Holes (2003)

| USA

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

Music Preparation

Willard (2003)

| Canada, USA

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Music Preparation

Master and Commander: The Far Side of the World (2003)

| USA

Directed by: Peter Weir

Cinematography by: Russell Boyd

Edited by: Lee Smith

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Music Preparation

X2: X-Men United (2003)

| Canada, USA

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Music Preparation

The Cat in the Hat (2003)

| USA

Directed by: Bo Welch

Cinematography by: Emmanuel Lubezki

Edited by: Don Zimmerman

Music Preparation

The Last Samurai (2003)

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

| USA, New Zealand, Japan

Directed by: Edward Zwick

Cinematography by: John Toll

Edited by: Victor Du Bois, Steven Rosenblum

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Music Preparation

Signs (2002)

| USA

Directed by: M. Night Shyamalan

Cinematography by: Tak Fujimoto

Edited by: Barbara Tulliver

Music Preparation

Ice Age (2002)

| USA

Directed by: Chris Wedge, Carlos Saldanha

Edited by: John Carnochan

Music Preparation

Spy Kids 2: Island of Lost Dreams (2002)

| USA

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDW-F900 Camera

Music Preparation

Star Wars: Episode II - Attack of the Clones (2002)

| USA

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Music Preparation

Treasure Planet (2002)

| USA

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Michael Kelly

Music Preparation

Minority Report (2002)

| USA

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

Music Preparation

Harry Potter and the Chamber of Secrets (2002)

| UK, USA, Germany

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

Music Preparation

Monsters, Inc. (2001)

| USA

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

Music Preparation

Jay and Silent Bob Strike Back (2001)

| USA

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

Music Preparation

Spy Kids (2001)

| USA

Directed by: Robert Rodriguez

Cinematography by: Guillermo Navarro

Edited by: Robert Rodriguez

Music Preparation

Training Day (2001)

| USA

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Music Preparation

Harry Potter and the Sorcerer's Stone (2001)

| UK, USA

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Music Preparation

Final Destination (2000)

| USA

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Music Preparation

Chicken Run (2000)

| UK, USA, France

Directed by: Peter Lord, Nick Park

Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith

Edited by: Robert Francis, Tamsin Parry, Mark Solomon

Music Preparation

Star Wars: Episode I - The Phantom Menace (1999)

| USA

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Music Preparation

The Prince of Egypt (1998)

| USA

Directed by: Brenda Chapman, Steve Hickner, Simon Wells

Edited by: Nick Fletcher

Music Preparation

Space Jam (1996)

| USA

Directed by: Joe Pytka

Cinematography by: Michael Chapman

Edited by: Sheldon Kahn

Music Preparation

Mars Attacks! (1996)

| USA

Directed by: Tim Burton

Cinematography by: Peter Suschitzky

Edited by: Chris Lebenzon

Additional Music Crew / Music Librarian

Bed of Roses (1996)

| USA

Directed by: Michael Goldenberg

Cinematography by: Adam Kimmel

Edited by: Jane Kurson

Cameras: Panavision Cameras

Music Copyist

Jumanji (1995)

| USA

Directed by: Joe Johnston

Cinematography by: Thomas E. Ackerman

Edited by: Robert Dalva

Cameras: Panavision Cameras

Music Preparation

The Mask (1994)

| USA

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Arthur Coburn

Music Preparation

Airplane! (1980)