Visual Effects Editor
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Visual Effects Editor
Paddington 2 (2017)
Directed by: Paul King
Cinematography by: Erik Wilson
Cameras: ARRI ALEXA Series Cameras
Visual Effects Editor
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Visual Effects Editor
Paddington (2014)
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Vfx Editor
Winter's Tale (2014)
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Visual Effects Editor: Framestore
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Editor
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Visual Effects Editor: Framestore
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Digital Compositor / Visual Effects Editor
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Editor: Framestore CFC
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Visual Effects Editor
Blood and Chocolate (2007)
Directed by: Katja von Garnier
Cinematography by: Brendan Galvin
Edited by: Emma E. Hickox
Visual Effects Editor: Framestore-CFC
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Visual Effects Editor: Framestore CFC
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Visual Effects Editor: Mill Film
Veronica Guerin (2003)
Directed by: Joel Schumacher
Cinematography by: Brendan Galvin
Edited by: David Gamble
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Editor: Mill Film
The Count of Monte Cristo (2002)
Directed by: Kevin Reynolds
Cinematography by: Andrew Dunn
Visual Effects Editor: Mill Film
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Visual Effects Editor: Mill Film
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Assistant Editor
The Loss of Sexual Innocence (1999)
Directed by: Mike Figgis
Cinematography by: Benoît Delhomme
Edited by: Matthew Wood
Cameras: Aaton XTR Prod Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
