Music Editor
Bombshell (2019)
Directed by: Jay Roach
Cinematography by: Barry Ackroyd
Edited by: Jon Poll
Cameras: ARRI ALEXA Mini Camera
Music Editor
Destroyer (2018)
Directed by: Karyn Kusama
Cinematography by: Julie Kirkwood
Edited by: Plummy Tucker
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Lenses
Music Editor
Trumbo (2015)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Music Editor: Temp
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Music Editor - Temp Score
Good Kill (2014)
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Music Editor
The Pirates! Band of Misfits (2012)
Cinematography by: Frank Passingham
Edited by: Justin Krish
Cameras: Canon EOS-5D Mark II Camera
Music Editor
The Campaign (2012)
Directed by: Jay Roach
Cinematography by: Jim Denault
Cameras: ARRI ALEXA Camera
Music Editor
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Music Editor
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Composer: Additional Music / Music Editor
Dinner for Schmucks (2010)
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Music Editor
Year One (2009)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Cameras: Panavision Cameras
Temp Music Editor
Jennifer's Body (2009)
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Music Editor
Did You Hear About the Morgans? (2009)
Directed by: Marc Lawrence
Cinematography by: Florian Ballhaus
Edited by: Susan E. Morse
Cameras: ARRICAM Studio (ST) Camera
Lenses: Hawk V-Series Lenses
Music Editor
Marley & Me (2008)
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Music Editor
The Lookout (2007)
Directed by: Scott Frank
Cinematography by: Alar Kivilo
Edited by: Jill Savitt
Supervising Music Editor
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Music Editor
RV (2006)
Directed by: Barry Sonnenfeld
Cinematography by: Fred Murphy
Edited by: Kevin Tent
Music Editor
Dominion: Prequel to the Exorcist (2005)
Directed by: Paul Schrader
Cinematography by: Vittorio Storaro
Music Editor: Temp
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Supervising Music Editor
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Music Editor
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Music Editor
The Shipping News (2001)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Music Editor: Temp
What Planet Are You From? (2000)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Music Editor
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Music Editor
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Music Editor
Dancing at Lughnasa (1998)
Directed by: Pat O'Connor
Cinematography by: Kenneth MacMillan
Edited by: Humphrey Dixon
Music Editor
Twilight (1998)
Directed by: Robert Benton
Cinematography by: Piotr Sobocinski
Edited by: Carol Littleton
Cameras: Panavision Cameras
Music Editor
Picture Perfect (1997)
Directed by: Glenn Gordon Caron
Cinematography by: Paul Sarossy
Edited by: Robert M. Reitano
Additional Music Editor
The Mirror Has Two Faces (1996)
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
Music Editor
Apollo 13 (1995)
Directed by: Ron Howard
Cinematography by: Dean Cundey
Music Editor
The Quick and the Dead (1995)
Directed by: Sam Raimi
Cinematography by: Dante Spinotti
Edited by: Pietro Scalia
Music Editor
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
Music Editor
A Far Off Place (1993)
Directed by: Mikael Salomon
Cinematography by: Juan Ruiz Anchía
Edited by: Ray Lovejoy
Cameras: Panavision Panaflex Camera
Music Editor
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Music Editor
Honeymoon in Vegas (1992)
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Music Editor: Temp
Billy Bathgate (1991)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Music Editor
The Untouchables (1987)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold Camera
Music Editor
After Hours (1985)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
