London Musician: Double Bass
Mission: Impossible - Dead Reckoning Part One (2023)
Directed by: Christopher McQuarrie
Cinematography by: Fraser Taggart
Edited by: Eddie Hamilton
Musician: Double Bass
Sound of Freedom (2023)
Directed by: Alejandro Monteverde
Cinematography by: Gorka Gómez Andreu
Edited by: Brian Scofield
Cameras: ARRI ALEXA Camera
Musician: Double Bass
Nimona (2023)
Musician: Double Bass
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Musician: Double Bass - 9 Episodes, 2022
The Lord of the Rings: The Rings of Power (2022)
Lenses: ARRI Signature Prime Lenses
Musician: Double Bass
'Stranger Things' Chapter Nine: The Piggyback (2022)
Cinematography by: Caleb Heymann
Musician: Double Bass
'Stranger Things' Chapter Eight: Papa (2022)
Cinematography by: Caleb Heymann
Edited by: Katheryn Naranjo
Musician: Double Bass
'Stranger Things' Chapter Seven: The Massacre at Hawkins Lab (2022)
Cinematography by: Caleb Heymann
Musician: Double Bass
'Stranger Things' Chapter Six: The Dive (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Musician: Double Bass
'Stranger Things' Chapter Five: The Nina Project (2022)
Directed by: Nimród Antal
Cinematography by: Caleb Heymann
Musician: Double Bass
'Stranger Things' Chapter Three: The Monster and the Superhero (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Musician: Double Bass
'Stranger Things' Chapter Four: Dear Billy (2022)
Directed by: Shawn Levy
Cinematography by: Brett Jutkiewicz
Edited by: Dean Zimmerman
Musician: Double Bass
'Stranger Things' Chapter Two: Vecna's Curse (2022)
Cinematography by: Caleb Heymann
Musician: Double Bass
'Stranger Things' Chapter One: The Hellfire Club (2022)
Cinematography by: Caleb Heymann
Edited by: Dean Zimmerman
Musician: Double Bass
All Quiet on the Western Front (2022)
Directed by: Edward Berger
Cinematography by: James Friend
Edited by: Sven Budelmann
Musician: Double Bass
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Musician: Double Bass
Elvis (2022)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera
Musician: Double Bass
Glass Onion (2022)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Mini LF Camera
Musician: Double Bass
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Musician: Double Bass
The Matrix Resurrections (2021)
Directed by: Lana Wachowski
Edited by: Joseph Jett Sally
Cameras: Red Komodo Camera
Musician: Double Bass
Wonder Woman 1984 (2020)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Musician: Double Bass
The Art of Racing in the Rain (2019)
Directed by: Simon Curtis
Cinematography by: Ross Emery
Edited by: Adam Recht
Cameras: ARRI ALEXA SXT EV Cameras
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk Vantage One 120mm T1 Lens, Hawk Vantage One 17.5mm T1 Lens, Hawk Vantage One 21mm T1 Lens, Hawk Vantage One 25mm T1 Lens, Hawk Vantage One 32mm T1 Lens, Hawk Vantage One 40mm T1 Lens, Hawk Vantage One 50mm T1 Lens, Hawk Vantage One 65mm T1 Lens, Hawk Vantage One 90mm T1 Lens
Musician: Double Bass
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Musician: Double Bass
Ad Astra (2019)
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Musician: Double Bass
The Aeronauts (2019)
Directed by: Tom Harper
Cinematography by: George Steel
Edited by: Mark Eckersley
Cameras: Red Monstro 8K Camera
Musician: Double Bass
Cats (2019)
Directed by: Tom Hooper
Cinematography by: Christopher Ross
Edited by: Melanie Oliver
Cameras: ARRI ALEXA 65 Camera
Musician: Double Bass
'The Crown' Aberfan (2019)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Yan Miles
Musician: Double Bass
'The Crown' Cri de Coeur (2019)
Directed by: Jessica Hobbs
Cinematography by: Adriano Goldman
Edited by: Celia Haining
Musician: Double Bass
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Musician: Double Bass
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Musician: Double Bass
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Musician: Double Bass
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Musician: Double Bass
Mary Queen of Scots (2018)
Directed by: Josie Rourke
Cinematography by: John Mathieson
Edited by: Chris Dickens
Musician: Double Bass
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Musician: Double Bass
Red Sparrow (2018)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Musician: Double Bass
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Musician: Double Bass
The Spy Who Dumped Me (2018)
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Musician: Double Bass
American Animals (2018)
Directed by: Bart Layton
Cinematography by: Ole Bratt Birkeland
Musician: Double Bass
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Musician: Double Bass - 8 Episodes, 2017
The White Princess (2017)
Cinematography by: Chris Seager
Cameras: ARRI ALEXA Plus Camera
Musician: Double Bass
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Avid Editing System
Musician: Double Bass
Goodbye Christopher Robin (2017)
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Victoria Boydell
Musician: Double Bass
'The White Princess' Old Curses (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Musician: Double Bass
'The White Princess' Two Kings (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: Jamie Trevill
Musician: Double Bass
'The White Princess' English Blood on English Soil (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
Musician: Double Bass
'The White Princess' The Pretender (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
Musician: Double Bass
'The White Princess' Traitors (2017)
Directed by: Alex Kalymnios
Cinematography by: Chris Seager
Edited by: Anne Sopel
Musician: Double Bass
'The White Princess' Burgundy (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
Musician: Double Bass
'The White Princess' Hearts and Minds (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
Musician: Double Bass
'The White Princess' In Bed with the Enemy (2017)
Directed by: Jamie Payne
Cinematography by: Chris Seager
Edited by: St. John O'Rorke
Musician: Double Bass
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Musician: Double Bass
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Musician: Double Bass
Victoria & Abdul (2017)
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Melanie Oliver
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Musician: Double Bass
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Musician: Double Bass
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Musician: Double Bass
Only the Brave (2017)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Billy Fox
Cameras: Sony CineAlta F65 Camera
Musician: Double Bass
Julieta (2016)
Directed by: Pedro Almodóvar
Cinematography by: Jean-Claude Larrieu
Edited by: José Salcedo
Musician: Double Bass
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Musician: Double Bass
Allegiant (2016)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Musician: Double Bass
The Brothers Grimsby (2016)
Directed by: Louis Leterrier
Cinematography by: Oliver Wood
Musician: Double Bass
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Musician: Double Bass
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Musician: Double Bass
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Musician: Double Bass
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Musician: Double Bass
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Musician: Double Bass
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Musician: Double Bass - 9 Episodes, 2022
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Musician: Double Bass - 2 Episodes, 2019
The Crown (2016)
Directed by: Benjamin Caron, Philip Martin, Julian Jarrold, Stephen Daldry, Philippa Lowthorpe, Samuel Donovan, Jessica Hobbs, Christian Schwochow
Edited by: Yan Miles, Pia Di Ciaula, Úna Ní Dhonghaíle, Stuart Gazzard, Kristina Hetherington, Celia Haining, Tim Porter, Simon Brasse, Paulo Pandolpho, Frances Parker, Luke Dunkley, Mark Eckersley, Chris Barwell, Ben Lester, Alex Mackie, Adam Bosman, Daniel Greenway, Peggy Koretzky, Mark Davis, Richard Graham, Morten Højbjerg
Musician: Double Bass
Miss Sloane (2016)
Directed by: John Madden
Cinematography by: Sebastian Blenkov
Edited by: Alexander Berner
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke S4/i Lenses
Musician: Double Bass
The Hunger Games: Mockingjay - Part 2 (2015)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Musician: Double Bass
Le dernier loup (2015)
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Reynald Bertrand
Musician: Double Bass
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Musician: Double Bass
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Musician: Double Bass
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Musician: Double Bass
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Musician: Double Bass
Pan (2015)
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
Musician: Double Bass
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Musician: Double Bass
Youth (2015)
Directed by: Paolo Sorrentino
Cinematography by: Luca Bigazzi
Edited by: Cristiano Travaglioli
Cameras: Red Epic Dragon Camera
Lenses: Zeiss Ultra Prime Lenses
Musician: Double Bass
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Musician: Double Bass
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Musician: Double Bass
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Musician: Double Bass
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Musician: Double Bass
Dracula Untold (2014)
Directed by: Gary Shore
Cinematography by: John Schwartzman
Edited by: Richard Pearson
Musician: Double Bass
The Riot Club (2014)
Directed by: Lone Scherfig
Cinematography by: Sebastian Blenkov
Edited by: Jake Roberts
Musician: Double Bass
The Hobbit: The Battle of the Five Armies (2014)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Musician: Double Bass
The Theory of Everything (2014)
Directed by: James Marsh
Cinematography by: Benoît Delhomme
Edited by: Jinx Godfrey
Musician: Double Bass
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Musician: Double Bass
'Downton Abbey' Episode #4.1 (2013)
Directed by: David Evans
Cinematography by: Nigel Willoughby
Edited by: Al Morrow
Musician: Double Bass
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Musician: Double Bass
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Musician: Double Bass
The Mortal Instruments: City of Bones (2013)
Directed by: Harald Zwart
Cinematography by: Geir Hartly Andreassen
Edited by: Jacqueline Carmody
Musician: Double Bass
The Counselor (2013)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: Red Epic Camera
Musician: Double Bass
Des gens qui s'embrassent (2013)
Directed by: Danièle Thompson
Cinematography by: Jean-Marc Fabre
Edited by: Sylvie Landra
Cameras: ARRI ALEXA Plus Camera
Musician: Double Bass
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Musician: Double Bass
'Downton Abbey' The London Season (2013)
Directed by: Jon East
Cinematography by: Nigel Willoughby
Edited by: Al Morrow
Musician: Double Bass
'Downton Abbey' Episode #4.8 (2013)
Directed by: Edward Hall
Cinematography by: Nigel Willoughby
Edited by: Justin Krish
Musician: Double Bass
'Downton Abbey' Episode #4.7 (2013)
Directed by: Edward Hall
Cinematography by: Nigel Willoughby
Edited by: Paul Garrick
Musician: Double Bass
'Downton Abbey' Episode #4.6 (2013)
Directed by: Philip John
Cinematography by: Graham Frake
Edited by: Al Morrow
Musician: Double Bass
'Downton Abbey' Episode #4.5 (2013)
Directed by: Philip John
Cinematography by: Graham Frake
Edited by: Al Morrow
Musician: Double Bass
'Downton Abbey' Episode #4.4 (2013)
Directed by: Catherine Morshead
Cinematography by: Nigel Willoughby
Edited by: Justin Krish
Musician: Double Bass
'Downton Abbey' Episode #4.2 (2013)
Directed by: David Evans
Cinematography by: Nigel Willoughby
Edited by: Al Morrow
Musician: Double Bass
'Downton Abbey' Episode #4.3 (2013)
Directed by: Catherine Morshead
Cinematography by: Nigel Willoughby
Edited by: Justin Krish
Musician: Double Bass
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Musician: Double Bass
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Musician: Double Bass
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Musician: Double Bass
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Musician: Double Bass
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Musician: Double Bass
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Musician: Double Bass
ParaNorman (2012)
Cinematography by: Tristan Oliver
Edited by: Christopher Murrie
Cameras: Canon EOS-5D Mark II Camera
Musician: Double Bass
The Raven (2012)
Directed by: James McTeigue
Cinematography by: Danny Ruhlmann
Edited by: Niven Howie
Musician: Double Bass
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Musician: Double Bass
Madagascar 3: Europe's Most Wanted (2012)
Edited by: Nick Fletcher
Editing System: Avid Editing System
Musician: Double Bass
The Hobbit: An Unexpected Journey (2012)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Musician: Double Bass
For Greater Glory: The True Story of Cristiada (2012)
Directed by: Dean Wright
Cinematography by: Eduardo Martínez Solares
Cameras: ARRIFLEX 435 Camera
Lenses: Zeiss Lenses
Musician: Double Bass
Thérèse (2012)
Directed by: Claude Miller
Cinematography by: Gérard de Battista
Edited by: Véronique Lange
Cameras: ARRI ALEXA Camera
Musician: Double Bass
L'homme qui rit (2012)
Directed by: Jean-Pierre Améris
Cinematography by: Gérard Simon
Edited by: Philippe Bourgueil
Cameras: ARRI ALEXA Camera
Musician: Double Bass
'Downton Abbey' A Journey to the Highlands (2012)
Directed by: Andy Goddard
Cinematography by: Nigel Willoughby
Edited by: John Wilson
Musician: Double Bass
'Downton Abbey' Episode #3.8 (2012)
Directed by: David Evans
Cinematography by: Nigel Willoughby
Edited by: Al Morrow
Musician: Double Bass
'Downton Abbey' Episode #3.7 (2012)
Directed by: David Evans
Cinematography by: Nigel Willoughby
Edited by: Al Morrow
Musician: Double Bass
'Downton Abbey' Episode #3.6 (2012)
Directed by: Jeremy Webb
Cinematography by: Nigel Willoughby
Edited by: John Wilson
Musician: Double Bass
'Downton Abbey' Episode #3.5 (2012)
Directed by: Jeremy Webb
Cinematography by: Nigel Willoughby
Edited by: John Wilson
Musician: Double Bass
'Downton Abbey' Episode #3.3 (2012)
Directed by: Andy Goddard
Cinematography by: Nigel Willoughby
Edited by: Al Morrow
Musician: Double Bass
'Downton Abbey' Episode #3.4 (2012)
Directed by: Andy Goddard
Cinematography by: Nigel Willoughby
Edited by: Al Morrow
Musician: Double Bass
'Downton Abbey' Episode #3.2 (2012)
Directed by: Brian Percival
Cinematography by: Nigel Willoughby
Edited by: John Wilson
Musician: Double Bass
'Downton Abbey' Episode #3.1 (2012)
Directed by: Brian Percival
Cinematography by: Nigel Willoughby
Edited by: John Wilson
Musician: Double Bass
'Upstairs Downstairs' Somewhere Over the Rainbow (2012)
Directed by: Anthony Byrne
Cinematography by: John Conroy
Edited by: Isobel Stephenson
Musician: Double Bass
'Upstairs Downstairs' The Last Waltz (2012)
Directed by: Brendan Maher
Cinematography by: Peter Greenhalgh
Edited by: Paul Brown
Musician: Double Bass
'Upstairs Downstairs' A Perfect Specimen of Womanhood (2012)
Directed by: Anthony Byrne
Cinematography by: John Conroy
Edited by: Isobel Stephenson
Musician: Double Bass
'Upstairs Downstairs' All the Things You Are (2012)
Directed by: Brendan Maher
Cinematography by: Peter Greenhalgh
Edited by: Paul Brown
Musician: Double Bass
'Upstairs Downstairs' The Love That Pays the Price (2012)
Directed by: Marc Jobst
Cinematography by: Ian Moss
Edited by: Crispin Green
Musician: Double Bass
'Upstairs Downstairs' A Faraway Country About Which We Know Nothing (2012)
Directed by: Marc Jobst
Cinematography by: Ian Moss
Edited by: Crispin Green
Musician: Double Bass
Jane Eyre (2011)
Directed by: Cary Joji Fukunaga
Cinematography by: Adriano Goldman
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Musician: Double Bass
The Decoy Bride (2011)
Directed by: Sheree Folkson
Cinematography by: Nanu Segal
Edited by: Dan Farrell
Musician: Double Bass
Tinker Tailor Soldier Spy (2011)
Directed by: Tomas Alfredson
Cinematography by: Hoyte Van Hoytema
Edited by: Dino Jonsäter
Editing System: Avid Editing System
Musician: Double Bass
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Musician: Double Bass
Trishna (2011)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Edited by: Mags Arnold
Musician: Double Bass
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Musician: Double Bass
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Musician: Double Bass
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Musician: Double Bass
The Devil's Double (2011)
Directed by: Lee Tamahori
Cinematography by: Sam McCurdy
Edited by: Luis Carballar
Cameras: ARRIFLEX 435 Camera, Red One Camera
Musician: Double Bass
The Awakening (2011)
Directed by: Nick Murphy
Cinematography by: Eduard Grau
Edited by: Victoria Boydell
Editing System: Avid Editing System
Musician: Double Bass
'Downton Abbey' Christmas at Downton Abbey (2011)
Directed by: Brian Percival
Cinematography by: Nigel Willoughby
Edited by: John Wilson
Musician: Double Bass
'Downton Abbey' Episode #2.8 (2011)
Directed by: James Strong
Cinematography by: Gavin Struthers
Edited by: Mike Jones
Musician: Double Bass
'Downton Abbey' Episode #2.7 (2011)
Directed by: James Strong
Cinematography by: Gavin Struthers
Edited by: Mike Jones
Musician: Double Bass
'Downton Abbey' Episode #2.6 (2011)
Directed by: Andy Goddard
Cinematography by: Gavin Struthers
Edited by: John Wilson
Musician: Double Bass
'Downton Abbey' Episode #2.5 (2011)
Directed by: Brian Kelly
Cinematography by: David Marsh
Edited by: Steve Singleton
Musician: Double Bass
'Downton Abbey' Episode #2.4 (2011)
Directed by: Brian Kelly
Cinematography by: David Marsh
Edited by: Steve Singleton
Musician: Double Bass
'Downton Abbey' Episode #2.3 (2011)
Directed by: Andy Goddard
Cinematography by: Gavin Struthers
Edited by: John Wilson
Musician: Double Bass
'Downton Abbey' Episode #2.2 (2011)
Directed by: Ashley Pearce
Cinematography by: Gavin Struthers
Edited by: John Wilson
Musician: Double Bass
'Downton Abbey' Episode #2.1 (2011)
Directed by: Ashley Pearce
Cinematography by: Gavin Struthers
Edited by: John Wilson
Musician: Double Bass
The First Grader (2010)
Directed by: Justin Chadwick
Cinematography by: Rob Hardy
Edited by: Paul Knight
Musician: Double Bass
Leap Year (2010)
Directed by: Anand Tucker
Cinematography by: Newton Thomas Sigel
Edited by: Nick Moore
Musician: Double Bass
Scott Pilgrim vs. the World (2010)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Musician: Double Bass - 34 Episodes, 2010-2013
Downton Abbey (2010)
Directed by: Brian Percival, David Evans, Philip John, Andy Goddard, Catherine Morshead, Minkie Spiro, Brian Kelly, Michael Engler, Ben Bolt, Ashley Pearce, James Strong, Jeremy Webb, Edward Hall, Jon East
Cinematography by: Nigel Willoughby, Graham Frake, Gavin Struthers, David Katznelson, David Marsh, Adam Gillham, David Raedeker, Michael McDonough
Edited by: Al Morrow, John Wilson, Paul Garrick, Justin Krish, Alex Mackie, Nick McPhee, Mike Jones, Steve Singleton, Alex Kalmakrian
Cameras: ARRI ALEXA Camera, ARRIFLEX D-21 Camera
Musician: Double Bass
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Musician: Double Bass
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Musician: Double Bass
Burke and Hare (2010)
Directed by: John Landis
Cinematography by: John Mathieson
Edited by: Mark Everson
Musician: Double Bass
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Musician: Double Bass
Black Swan (2010)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses: Zeiss Ultra 16 Lenses
Editing System: Avid Editing System
Musician: Double Bass
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Musician: Double Bass
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Musician: Double Bass
Faster (2010)
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Musician: Double Bass
'Downton Abbey' Episode #1.6 (2010)
Directed by: Brian Percival
Cinematography by: David Katznelson
Edited by: John Wilson
Musician: Double Bass
'Downton Abbey' Episode #1.7 (2010)
Directed by: Brian Percival
Cinematography by: David Katznelson
Edited by: John Wilson
Musician: Double Bass
'Downton Abbey' Episode #1.5 (2010)
Directed by: Brian Kelly
Cinematography by: David Katznelson
Edited by: Alex Mackie
Musician: Double Bass
'Downton Abbey' Episode #1.4 (2010)
Directed by: Brian Kelly
Cinematography by: David Katznelson
Edited by: Alex Mackie
Musician: Double Bass
'Downton Abbey' Episode #1.3 (2010)
Directed by: Ben Bolt
Cinematography by: David Marsh
Edited by: Nick McPhee
Musician: Double Bass
'Downton Abbey' Episode #1.2 (2010)
Directed by: Ben Bolt
Cinematography by: David Marsh
Edited by: Nick McPhee
Musician: Double Bass
'Downton Abbey' Episode #1.1 (2010)
Directed by: Brian Percival
Cinematography by: David Katznelson
Edited by: John Wilson
Musician: Double Bass
'Upstairs Downstairs' The Cuckoo (2010)
Directed by: Saul Metzstein
Cinematography by: Adam Suschitzky
Edited by: Caroline Limmer
Musician: Double Bass
'Upstairs Downstairs' The Ladybird (2010)
Directed by: Euros Lyn
Cinematography by: Adam Suschitzky
Edited by: Úna Ní Dhonghaíle
Musician: Double Bass
'Upstairs Downstairs' The Fledgling (2010)
Directed by: Euros Lyn
Cinematography by: Adam Suschitzky
Edited by: Úna Ní Dhonghaíle
Musician: Double Bass
State of Play (2009)
Directed by: Kevin Macdonald
Cinematography by: Rodrigo Prieto
Edited by: Justine Wright
Musician: Double Bass
St Trinian's 2: The Legend of Fritton's Gold (2009)
Cinematography by: David Higgs
Edited by: Emma E. Hickox
Musician: Double Bass
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Musician: Double Bass
Agora (2009)
Directed by: Alejandro Amenábar
Cinematography by: Xavi Giménez
Edited by: Nacho Ruiz Capillas
Musician: Double Bass
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Musician: Double Bass
Che: Part Two (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Cameras: Red One Camera
Musician: Double Bass
Che: Part One (2008)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Musician: Double Bass
The Flock (2007)
Directed by: Andrew Lau Wai-Keung
Cinematography by: Enrique Chediak
Musician: Double Bass
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Musician: Double Bass
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Musician: Double Bass
Surf's Up (2007)
Musician: Double Bass
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Musician: Double Bass
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Musician: Double Bass
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Musician: Double Bass
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Musician: Double Bass
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Musician: Double Bass
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Musician: Double Bass
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Musician: Double Bass
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Musician: Double Bass
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Musician: Double Bass
The Messenger: The Story of Joan of Arc (1999)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Musician: Double Bass
The Thief and the Cobbler (1993)
Directed by: Richard Williams
Cinematography by: John Leatherbarrow
Edited by: Peter Bond
