Visual Effects Executive: MGM
House of Gucci (2021)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA Mini LF Camera
Visual Effects Executive: MGM
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Visual Effects Executive: MGM
Gretel & Hansel (2020)
Directed by: Oz Perkins
Cinematography by: Galo Olivares
Cameras: ARRI ALEXA Mini Camera
Visual Effects Executive: MGM
The Sun Is Also a Star (2019)
Directed by: Ry Russo-Young
Cinematography by: Autumn Durald Arkapaw
Edited by: Joe Landauer
Cameras: ARRI ALEXA Mini Camera
Visual Effects Executive: MGM
The Hustle (2019)
Directed by: Chris Addison
Cinematography by: Michael Coulter
Edited by: Anthony Boys
Visual Effects Executive: MGM
Overboard (2018)
Directed by: Rob Greenberg
Cinematography by: Michael Barrett
Edited by: Lee Haxall
Cameras: Sony PMW-F55 Camera
Visual Effects Executive: MGM
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Visual Effects Supervisor
Creed (2015)
Directed by: Ryan Coogler
Cinematography by: Maryse Alberti
Editing System: Avid Editing System
Visual Effects Producer / Visual Effects Supervisor
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Visual Effects Producer, Visual Graphics Design Supervisor
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Director
For Greater Glory: The True Story of Cristiada (2012)
Directed by: Dean Wright
Cinematography by: Eduardo Martínez Solares
Cameras: ARRIFLEX 435 Camera
Lenses: Zeiss Lenses
Second Unit Director: Additional Unit, Visual Effects Supervisor
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Second Unit Director: Czech Republic And Poland / Second Unit Director: Montana , Visual Effects Supervisor
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Second Unit Director, Visual Effects Producer
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Visual Effects Executive Producer
Kangaroo Jack (2003)
Directed by: David McNally
Cinematography by: Peter Menzies Jr.
Cameras: Panavision Cameras
Visual Effects Producer
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Visual Effects Executive Producer
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
Visual Effects Executive Producer
The Princess Diaries (2001)
Directed by: Garry Marshall
Cinematography by: Karl Walter Lindenlaub
Edited by: Bruce Green
Visual Effects Executive Producer
Bubble Boy (2001)
Directed by: Blair Hayes
Cinematography by: Jerzy Zielinski
Edited by: Pamela Martin
Visual Effects Executive Producer
Shanghai Noon (2000)
Directed by: Tom Dey
Cinematography by: Dan Mindel
Edited by: Richard Chew
Visual Effects Executive Producer
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer
Gone in 60 Seconds (2000)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Visual Effects Executive Producer
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Visual Effects Executive Producer
The Kid (2000)
Directed by: Jon Turteltaub
Cinematography by: Peter Menzies Jr.
Visual Effects Executive Producer
102 Dalmatians (2000)
Directed by: Kevin Lima
Edited by: Gregory Perler
Visual Effects Executive Producer
Bicentennial Man (1999)
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Visual Effects Executive Producer
The Sixth Sense (1999)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Visual Effects Executive Producer
Stigmata (1999)
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball
Visual Effects Executive Producer
Instinct (1999)
Directed by: Jon Turteltaub
Cinematography by: Philippe Rousselot
Edited by: Richard Francis-Bruce
Executive Production Manager: DQI
Inspector Gadget (1999)
Directed by: David Kellogg
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Visual Effects Producer: Digital Domain
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Visual Effects Executive Producer
Mighty Joe Young (1998)
Directed by: Ron Underwood
Edited by: Paul Hirsch
Visual Effects Production Manager: Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Production Office Coordinator
Scream (1996)
Directed by: Wes Craven
Cinematography by: Mark Irwin
Edited by: Patrick Lussier
Cameras: Moviecam Compact Camera
Lenses: Clairmont Anamorphic Lenses
Editing System: Lightworks Editing System
Post-production Coordinator, Production Coordinator
Speechless (1994)
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Production Coordinator
Next Door (1994)
Directed by: Tony Bill
Cinematography by: Thomas Del Ruth
Edited by: Axel Hubert
Production Coordinator
Sunstroke (1992)
Directed by: James Keach
Cinematography by: Ross A. Maehl
Edited by: Ed Rothkowitz
Production Coordinator
Wildflower (1991)
Directed by: Diane Keaton
Cinematography by: Janusz Kaminski
Edited by: Stephen E. Rivkin
Assistant Production Coordinator
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Assistant Production Coordinator
Heat Wave (1990)
Directed by: Kevin Hooks
Cinematography by: Mark Irwin
Edited by: Debra Neil-Fisher
Assistant To Line Producer
Revenge of the Nerds (1984)
Directed by: Jeff Kanew
Cinematography by: King Baggot
Edited by: Alan Balsam
Cameras: Panavision Cameras
