Evan Henke

13 Titles

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Editor

The Brothers Grimsby (2016)

| UK, Australia, USA

Directed by: Louis Leterrier

Cinematography by: Oliver Wood

Edited by: Jonathan Amos, Evan Henke, Debra Neil-Fisher, James Thomas

Cameras: ARRI ALEXA XT Camera, Panasonic Lumix DMC-GH2 Camera

Editor

Finding Carter (2015)

Television Series

| USA

Lenses: Leica Summilux-C Series Lenses

Editor

The Interview (2014)

| USA

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker, Evan Henke

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

First Assistant Editor

A Thousand Words (2012)

| USA

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Editor

Curfew (2012)

Motion Picture, Short Film

| USA

Directed by: Shawn Christensen

Cinematography by: Daniel Katz

Edited by: Shawn Christensen, Evan Henke

Cameras: Red One Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Assistant Editor

The Muppets (2011)

| USA

Directed by: James Bobin

Cinematography by: Don Burgess

Edited by: James Thomas

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Additional Editor

The Green Hornet (2011)

| USA

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

First Assistant Editor: Avid

Inglourious Basterds (2009)

| USA, Germany

Directed by: Quentin Tarantino, Eli Roth

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Assistant Editor (uncredited)

The Twilight Saga: New Moon (2009)

| USA

Directed by: Chris Weitz

Cinematography by: Javier Aguirresarobe

Edited by: Peter Lambert

Assistant Editor

Meet Dave (2008)

| USA

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Assistant Editor

Norbit (2007)

| USA

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Production Assistant

The Alamo (2004)

| USA

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Production Assistant

The Life of David Gale (2003)

| USA, Germany, UK

Directed by: Alan Parker

Cinematography by: Michael Seresin

Edited by: Gerry Hambling

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