England | 260 Titles
Blade Runner (1982)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings
Cameras | Panavision Panaflex Gold Camera
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Chitty Chitty Bang Bang (1968)
Country | UK, USA
Type | Motion Picture
Running Time | 144 Minutes
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley
Cameras | Super Panavision-70 Camera
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Mary Poppins Returns (2018)
Country | USA, UK
Type | Motion Picture
Running Time | 130 Minutes
Aspect Ratio | 2.39:1
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Wyatt Smith
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
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The End of the Affair (1999)
Country | UK, USA
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 1.85:1
Directed by | Neil Jordan | Cinematography by | Roger Pratt | Editing by | Tony Lawson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Doctor Who (2005)
Country | UK, Canada
Type | Television Series
Running Time | 45 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Balazs Bolygo, Graham Frake, Tony Slater Ling, Dale McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Sam Heasman, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg | Editing by | William Oswald, Mike Jones, John Richards, Jamie Pearson, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Joel Skinner, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Becky Trotman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway
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Gladiator (2000)
Country | USA, UK, Malta, Morocco
Type | Motion Picture
Running Time | 155 Minutes
Aspect Ratio | 2.39:1
Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia
Cameras | Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens
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Guardians of the Galaxy (2014)
Country | USA
Type | Motion Picture
Running Time | 121 Minutes
Directed by | James Gunn | Cinematography by | Ben Davis | Editing by | Fred Raskin, Hughes Winborne, Craig Wood
Cameras | ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens
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Treasures of the Copper Scroll (2007)
Country | USA
Type | Direct to Video, Documentary
Running Time | 50 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Jim Long | Cinematography by | Yossi Cohen, Carol M. Long, Jim Long | Editing by | Jim Long
Cameras | Sony Cameras, Sony HDW-F900 Camera
Lenses | Fujinon Lenses, Sony Lenses
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Fantastic Beasts and Where to Find Them (2016)
Country | UK, USA
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 2.39:1
Directed by | David Yates | Cinematography by | Philippe Rousselot | Editing by | Mark Day
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
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Raymond’s 5 (2017)
Country | UK
Type | Motion Picture
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | James Hastings | Cinematography by | Francis Cousins
Cameras | Red Raven Camera
Lenses | Canon Lenses
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Florence Foster Jenkins (2016)
Country | UK, France
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 2.39:1
Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Valerio Bonelli
Cameras | ARRI ALEXA XT Camera
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Capsule (2015)
Country | UK
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 5120x2134 - (2.40:1) Capture Resolution
Directed by | Andrew Martin | Cinematography by | Felix Forrest | Editing by | Jan Hillman
Lenses | Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens, Cooke miniS4/i Lenses, Red Pro Zoom 17-50 mm T2.9 Lens, Red Pro Zoom Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Tokina Lenses
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Jason Bourne (2016)
Country | USA, China
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution, 6144x3160 - (1.94:1) Capture Resolution
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
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Mackenna’s Gold (1969)
Country | USA
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.35:1
Directed by | J. Lee Thompson | Cinematography by | Joseph MacDonald | Editing by | Bill Lenny
Cameras | Super Panavision-70 Camera
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Lord Jim (1965)
Country | UK, USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.20:1
Directed by | Richard Brooks | Cinematography by | Freddie Young | Editing by | Alan Osbiston
Cameras | Super Panavision-70 Camera
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Angels and Insects (1995)
Country | UK, USA
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 1.85:1
Directed by | Philip Haas | Cinematography by | Bernard Zitzermann | Editing by | Belinda Haasmodified:
The Portrait of a Lady (1996)
Country | UK, USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Jane Campion | Cinematography by | Stuart Dryburgh | Editing by | Veronika Jenetmodified:
Secrets & Lies (1996)
Country | UK, France
Type | Motion Picture
Running Time | 136 Minutes
Aspect Ratio | 1.85:1
Directed by | Mike Leigh | Cinematography by | Dick Pope | Editing by | Jon Gregory
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Mrs Brown (1997)
Country | UK, Ireland, USA
Type | Motion Picture
Running Time | 101 Minutes
Aspect Ratio | 1.85:1
Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | Robin Salesmodified:
Knights of the Roundtable: King Arthur (2017)
Country | USA, UK
Type | Motion Picture
Running Time | 126 Minutes
Aspect Ratio | 2.39:1
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Camera
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