England | 257 Titles
Les Misérables (2012)
Country | UK, USA
Type | Motion Picture
Running Time | 158 Minutes
Aspect Ratio | 1.85:1
Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Chris Dickens, Melanie Oliver
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The Hour (2011)
Country | UK
Type | Television Series
Running Time | 60 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
| Cinematography by | Chris Seager, David Luther | Editing by | Gareth C. Scales, Xavier Russell, Nick Arthurs, Paul Machliss
Cameras | ARRIFLEX D-21 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Pride & Prejudice (2005)
Country | France, UK, USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | Joe Wright | Cinematography by | Roman Osin | Editing by | Paul Tothill
Lenses | Cooke S4 Lenses
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47 Ronin (2013)
Country | USA, UK, Japan, Hungary
Type | Motion Picture
Running Time | 128 Minutes
Aspect Ratio | 2.39:1
Directed by | Carl Rinsch | Cinematography by | John Mathieson | Editing by | Stuart Baird
Cameras | ARRI ALEXA Camera
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World War Z (2013)
Country | USA, UK, Malta
Type | Motion Picture
Running Time | 116 Minutes
Aspect Ratio | 2.39:1
Directed by | Marc Forster | Cinematography by | Ben Seresin, Robert Richardson | Editing by | Roger Barton, Matt Chesse
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The Phantom of the Opera (2004)
Country | UK, USA
Type | Motion Picture
Running Time | 143 Minutes
Aspect Ratio | 2.39:1
Directed by | Joel Schumacher | Cinematography by | John Mathieson | Editing by | Terry Rawlings
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The Duchess (2008)
Country | UK, Italy, France, USA
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.39:1
Directed by | Saul Dibb | Cinematography by | Gyula Pados | Editing by | Masahiro Hirakubo
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Cashback (2006)
Country | UK
Type | Motion Picture
Running Time | 102 Minutes
Aspect Ratio | 2.39:1
Directed by | Sean Ellis | Cinematography by | Angus Hudson | Editing by | Carlos Domeque, Scott Thomas
Cameras | Moviecam Compact Camera
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The New World (2005)
Country | USA, UK
Type | Motion Picture
Running Time | 135 Minutes
Aspect Ratio | 2.39:1
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
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Largo Winch II (2011)
Country | France, Belgium, Germany
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 2.39:1
Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet
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Bad Timing (1980)
Country | UK
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Directed by | Nicolas Roeg | Cinematography by | Anthony B. Richmond | Editing by | Tony Lawson
Cameras | Technovision Cameras
Lenses | Technovision Lenses
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Frankenweenie (2012)
Country | USA
Type | Motion Picture
Running Time | 87 Minutes
Aspect Ratio | 1.85:1
Directed by | Tim Burton | Cinematography by | Peter Sorg | Editing by | Chris Lebenzon, Mark Solomon
Cameras | Canon EOS-5D Mark II Camera
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Out of Africa (1985)
Country | USA, UK
Type | Motion Picture
Running Time | 161 Minutes
Aspect Ratio | 1.85:1
Directed by | Sydney Pollack | Cinematography by | David Watkin | Editing by | Pembroke J. Herring, Sheldon Kahn, Fredric Steinkamp, William Steinkamp
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
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In the Loop (2009)
Country | UK
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 1.85:1
Directed by | Armando Iannucci | Cinematography by | Jamie Cairney | Editing by | Anthony Boys, Billy Sneddon
Cameras | Sony HDW-F900 Camera
Lenses | Zeiss DigiPrime Lenses
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High Road to China (1983)
Country | USA, Yugoslavia, Hong Kong
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 1.85:1
Directed by | Brian G. Hutton | Cinematography by | Ronnie Taylor | Editing by | John Jympson
Cameras | Technovision Cameras
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Brazil (1985)
Country | UK, USA
Type | Motion Picture
Running Time | 132 Minutes
Aspect Ratio | 1.85:1
Directed by | Terry Gilliam | Cinematography by | Roger Pratt | Editing by | Julian Doyle
Cameras | J-D-C Camera
Lenses | Kinoptik Lenses, Zeiss Lenses
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Star Wars: Episode III – Revenge of the Sith (2005)
Country | USA
Type | Motion Picture
Running Time | 140 Minutes
Aspect Ratio | 2.39:1
3D Re-released in 2013
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Roger Barton, Ben Burtt
Cameras | Sony HDC-F950 Camera
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Star Wars: Episode I – The Phantom Menace (1999)
Country | USA
Type | Motion Picture
Running Time | 136 Minutes
3D Re-released in 2012
Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith
Lenses | Hawk C-Series Lenses
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Nine (2009)
Country | UK, USA
Type | Motion Picture
Running Time | 118 Minutes
Aspect Ratio | 2.39:1
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Claire Simpson, Wyatt Smith
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Willow (1988)
Country | USA
Type | Motion Picture
Running Time | 126 Minutes
Directed by | Ron Howard | Cinematography by | Adrian Biddle | Editing by | Daniel P. Hanley, Mike Hill, Richard Hiscott
Cameras | Panavision Panaflex Gold Camera
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