England | 362 Titles
Transformers: The Last Knight (2017)
Directed by | Michael Bay | Cinematography by | Jonathan Sela | Editing by | Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer
Lenses | ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
The 39 Steps (1935)
Directed by | Alfred Hitchcock | Cinematography by | Bernard Knowles | Editing by | Derek N. Twist
Cameras | Mitchell BNC Camera
Downhill (1927)
Directed by | Alfred Hitchcock | Cinematography by | Claude L. McDonnell | Editing by | T.L. Rich, Ivor Montagu
Blade Runner (1982)
Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings
Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses
The Favourite (2018)
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Dunkirk (2017)
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Inception (2010)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses | Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Mission: Impossible – Dead Reckoning Part One (2023)
Directed by | Christopher McQuarrie | Cinematography by | Fraser Taggart | Editing by | Eddie Hamilton
Lenses | Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses
Batman Begins (2005)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Dark Knight (2008)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Following (1998)
Directed by | Christopher Nolan | Cinematography by | Christopher Nolan | Editing by | Gareth Heal, Christopher Nolan
Cameras | ARRIFLEX 16BL Camera
The Dark Knight Rises (2012)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Victoria & Abdul (2017)
Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Melanie Oliver
Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera
Lenses | Angenieux Lenses, Zeiss Master Prime Lenses
Beauty and the Beast (2017)
Directed by | Bill Condon | Cinematography by | Tobias A. Schliessler | Editing by | Virginia Katz
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Leitz Summilux-C Series Lenses
All the Money in the World (2017)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Claire Simpson
Cameras | ARRI ALEXA XT Series Cameras
Lenses | Panavision Super Speed Lenses
Free Fire (2016)
In Fabric (2018)
Directed by | Peter Strickland | Cinematography by | Ari Wegner | Editing by | Mátyás Fekete
Cameras | ARRI ALEXA Mini Camera
La jungle est mon jardin (2022)
Directed by | Enrico Alexander Giordano
Cameras | Canon EOS-1D C Camera
Lenses | Cineovision Lenses, Leica R Series Lenses
Guardians of the Galaxy Vol. 3 (2023)
Directed by | James Gunn | Cinematography by | Henry Braham | Editing by | Greg D'Auria, Fred Raskin
Lenses | Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses
Goldfinger (1964)
Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
