England | 313 Titles
Emma (1996)
Directed by | Douglas McGrath | Cinematography by | Ian Wilson | Editing by | Lesley Walker
Cameras | Moviecam Compact Camera
St. Trinian’s (2007)
Directed by | Oliver Parker, Barnaby Thompson | Cinematography by | Gavin Finney | Editing by | Alex Mackie
Lenses | Cooke S4 Lenses
Mandy (2018)
Directed by | Panos Cosmatos | Cinematography by | Benjamin Loeb | Editing by | Brett W. Bachman, Paul Painter
Kick-Ass 2 (2013)
Avengers: Infinity War (2018)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Lenses | Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Phantom Thread (2017)
Directed by | Paul Thomas Anderson | Cinematography by | Paul Thomas Anderson | Editing by | Dylan Tichenor
Detainment (2018)
Ready Player One (2018)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses
Small City (2021)
Directed by | Georgie Curran, Adriano Vilanova | Cinematography by | Mike Simpson
Cameras | ARRI ALEXA Mini Camera, ARRI AMIRA Camera
Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens
Cotton Wool (2017)
Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil
Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera
Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens
Event Horizon (1997)
Directed by | Paul W.S. Anderson | Cinematography by | Adrian Biddle | Editing by | Martin Hunter
Cameras | Panavision Panaflex Platinum Camera
The Narrator (2018)
Directed by | Nicholas Connor | Cinematography by | Skye Fisher, Will Jensen | Editing by | Maddie Fletcher, Anand Nagra
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Lenses
Following (1998)
Directed by | Christopher Nolan | Cinematography by | Christopher Nolan | Editing by | Gareth Heal, Christopher Nolan
Cameras | ARRIFLEX 16BL Camera
American: The Bill Hicks Story (2009)
Directed by | Matt Harlock, Paul Thomas | Editing by | Matt Harlock, Paul Thomas
Cameras | Sony PMW-350 Camera
Lenses | Fujinon Lenses
Ravenstein (2020)
The Aeronauts (2019)
Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley
Cameras | Red Monstro 8K Camera
Batman (1989)
Directed by | Tim Burton | Cinematography by | Roger Pratt | Editing by | Ray Lovejoy
Cameras | Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera
Lenses | Panavision SL35-M 35 mm T1.9 Lens
Giri/Haji (2019)
| Cinematography by | Piers McGrail, David Odd | Editing by | Elen Pierce Lewis, Matthew Tabern, Dominic Strevens
Cameras | Sony CineAlta VENICE Camera
Killers Anonymous (2019)
Cats (2019)
Directed by | Tom Hooper | Cinematography by | Christopher Ross | Editing by | Melanie Oliver
Cameras | ARRI ALEXA 65 Camera