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24 fps Distribution | 604 Titles

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Avatar (2009)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 162 Minutes

Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin

Starring | Sam Worthington, Zoe Saldaña, Sigourney Weaver

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Badur Hogar (2019)

Motion Picture | 2D | 2.8K Project | Color | 1.85:1 | 101 Minutes

Directed by | Rodrigo Moscoso | Cinematography by | Gaspar Quique Silva | Editing by | Federico Casoni

Starring | Bárbara Lombardo, Javier Flores, Castulo Guerra

Cameras | ARRI AMIRA Camera

Lenses | Zeiss Standard Prime MKII 100 mm T2.1 Lens, Zeiss Standard Prime MKII 20 mm T2.1 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Standard Prime MKII 40 mm T2.1 Lens, Zeiss Standard Prime MKII 85 mm T2.1 Lens

Ojalá vivas tiempos interesantes (2017)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 110 Minutes

Directed by | Santiago Van Dam | Cinematography by | Gaspar Quique Silva | Editing by | Lourdes Miere

Starring | Benjamín Rojas, Emilia Attías, Mario Alarcón

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses | Nikon - Nikkor Lenses

The Beach (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 119 Minutes

Directed by | Danny Boyle | Cinematography by | Darius Khondji | Editing by | Masahiro Hirakubo

Starring | Leonardo DiCaprio, Tilda Swinton, Daniel York

Cameras | ARRIFLEX 235 Camera

Terminator: Dark Fate (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke

Starring | Linda Hamilton, Arnold Schwarzenegger, Mackenzie Davis, Natalia Reyes

Cameras | ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses | ARRI Rental Prime DNA Lenses, Cineovision Lenses

Blade Runner (1982)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings

Starring | Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos

Cameras | Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

The Terminator (1984)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 107 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt

Starring | Arnold Schwarzenegger, Linda Hamilton, Michael Biehn, Paul Winfield

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses | Zeiss Super Speed Lenses

Eike, Tudo ou Nada (2022)

Motion Picture | 2D | 6K Project | Color | 2.0:1 | 110 Minutes

Directed by | Dida Andrade, Andradina Azevedo | Cinematography by | Andradina Azevedo | Editing by | Maria Rezende

Starring | Nelson Freitas, Thelmo Fernandes, Xando Graça

Cameras | Red Komodo Camera

Lenses | Zeiss Lenses

The Feather (2024)

Short Film | 2D | 4K Project | Color | 1.78:1 (16x9) | 5 Minutes

Directed by | James Newhook | Cinematography by | James Newhook | Editing by | James Newhook

Starring | Taylor Hann, Ryan Reid

Cameras | Blackmagic Pocket Cinema Camera 6K Pro

Lenses | Canon EF Series Lenses

Munich (2005)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 164 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Eric Bana, Daniel Craig, Marie-Josée Croze, Ciarán Hinds

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Jaws (1975)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 124 Minutes

Directed by | Steven Spielberg | Cinematography by | Bill Butler | Editing by | Verna Fields

Starring | Roy Scheider, Robert Shaw, Richard Dreyfuss, Lorraine Gary

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses

The Good, the Bad and the Ugly (1966)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 178 Minutes

Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Eugenio Alabiso, Nino Baragli

Starring | Clint Eastwood, Eli Wallach, Lee Van Cleef

Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera

Autumn Sonata (1978)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 99 Minutes

Directed by | Ingmar Bergman | Cinematography by | Sven Nykvist | Editing by | Sylvia Ingemarsson

Starring | Ingrid Bergman, Liv Ullmann, Lena Nyman, Halvar Björk

Cameras | ARRIFLEX 35 BL Camera

Lenses | Angenieux 20-120mm T2.9 Zoom Lens, Zeiss Standard Speed Prime Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Citizen Kane (1941)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 119 Minutes

Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise

Starring | Orson Welles, Joseph Cotten, Dorothy Comingore, Agnes Moorehead

Cameras | Mitchell BNC Camera

Lenses | Cooke Speed Panchro Lenses

The Dark Knight (2008)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 152 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine

Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

The Matrix (1999)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 136 Minutes

Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg

Starring | Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Até que a Vida nos Separe (2000)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | José Zaragoza | Cinematography by | Rodolfo Sánchez | Editing by | Mauro Alice

Starring | Murilo Benício, Alexandre Borges, Francisco Di Franco

Get on the Bus (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Spike Lee | Cinematography by | Elliot Davis | Editing by | Leander T. Sales

Starring | Ossie Davis, Charles S. Dutton, Andre Braugher, Richard Belzer

Cameras | Aaton XTR Camera, Krasnogorsk-3 Camera

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