Digital Imaging Technician: Splinter Unit
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Aerial Camera Technician
Criminal (2016)
Directed by: Ariel Vromen
Cinematography by: Dana Gonzales
Edited by: Danny Rafic
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
First Assistant Camera: Aerial
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
First Assistant Camera: Aerial
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
First Assistant Camera: Aerial Austria
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
First Assistant Camera: Aerial UK
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
First Assistant Camera: Aerial Unit
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
First Assistant Camera: Aerial Unit
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
First Assistant Camera: Aerial Unit
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
First Assistant Camera: Aerial
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
First Assistant Camera: Aerial
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
First Assistant Camera: Aerial
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Camera Technician: Eclipse, Second Unit
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
First Assistant Camera: Aerial Unit
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
First Assistant Camera: Aerial Unit
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
First Assistant Camera: Aerial Unit
Thor: The Dark World (2013)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Aerial Technician
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
First Assistant Camera: Aerial Unit
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
First Assistant Camera: Aerial Unit
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
First Assistant Camera: Aerial Unit: Second Unit
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Focus Puller: Flying Pictures
War Horse (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
First Assistant Camera: Aerial Unit
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Aerial Camera Technician: Second Unit, Scotland, First Assistant Camera: Aerial Unit
Centurion (2010)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Chris Gill
Editing System: Lightworks Editing System
First Assistant Camera: Aerial Unit: Second Unit
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
First Assistant Camera: Aerial Unit, Second Unit
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Aerial Camera Technician
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
First Assistant Camera: Aerial Unit
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
First Assistant Camera: Aerial Unit
Amelia (2009)
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
First Assistant Camera: Aerial Unit
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
First Assistant Camera: Aerial Unit
Made of Honor (2008)
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
First Assistant Camera: Aerial Unit
Vantage Point (2008)
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
First Assistant Camera: Aerial
Body of Lies (2008)
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
First Assistant Camera: Aerial Unit
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
First Assistant Camera: Aerial Unit
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Camera Technician: Aerial Crew
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
First Assistant Camera: Aerial Unit
Babylon A.D. (2008)
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
First Assistant Camera: Aerial Unit
Doomsday (2008)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
First Assistant Camera: Aerial Unit
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
First Assistant Camera: Aerial Unit
Goal II: Living the Dream (2007)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Niven Howie
First Assistant Camera: Aerial Unit
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
First Assistant Camera: Aerial Unit
The Seeker: The Dark Is Rising (2007)
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
First Assistant Camera: Aerial Unit
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
First Assistant Camera: Aerial Unit
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
First Assistant Camera: Aerial Unit
The Omen (2006)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: Panavision Cameras
First Assistant Camera: Aerial Unit
Basic Instinct 2 (2006)
Directed by: Michael Caton-Jones
Cinematography by: Gyula Pados
First Assistant Camera: Aerial Unit
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
First Assistant Camera: Aerial Unit
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Assistant Camera: Aerial Unit
Eragon (2006)
Directed by: Stefen Fangmeier
Cinematography by: Hugh Johnson
First Assistant Camera: Aerial Unit
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
First Assistant Camera: Aerial Unit
Alex Rider: Operation Stormbreaker (2006)
Directed by: Geoffrey Sax
Cinematography by: Chris Seager
Edited by: Andrew MacRitchie
Cameras: ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, ARRI / Zeiss Lenses
First Assistant Camera: Wescam, Aerial Unit
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
First Assistant Camera: Aerial Unit
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
First Assistant Camera: Aerial Unit
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
First Assistant Camera: Aerial Unit
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
First Assistant Camera: Aerial Unit
Kingdom of Heaven (2005)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
First Assistant Camera: Aerial Unit
Layer Cake (2004)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
First Assistant Camera: Aerial Unit
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
First Assistant Camera: Aerial Unit
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
First Assistant Camera: Aerial Unit
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
First Assistant Camera: Special Unit
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
First Assistant Camera: Aerial Unit
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
First Assistant Camera: Aerial Unit
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Assistant Camera
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
First Assistant Camera: Aerial Unit
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
First Assistant Camera: Aerial Unit
Veronica Guerin (2003)
Directed by: Joel Schumacher
Cinematography by: Brendan Galvin
Edited by: David Gamble
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Camera: Aerial Unit
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Assistant Camera: Aerial Unit
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
First Assistant Camera: Aerial Unit
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
First Assistant Camera: Aerial Unit
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Wescam Operator: Assistant
Reign of Fire (2002)
Directed by: Rob Bowman
Cinematography by: Adrian Biddle
Cameras: Panavision Cameras
First Assistant Camera: Aerial Unit
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
First Assistant Camera: Aerial Unit
The Mummy Returns (2001)
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
First Assistant Camera: Aerial Unit
Enigma (2001)
Directed by: Michael Apted
Cinematography by: Seamus McGarvey
Edited by: Rick Shaine
Cameras: Panavision Panaflex Camera
First Assistant Camera: Aerial Unit
Proof of Life (2000)
Directed by: Taylor Hackford
Cinematography by: Slawomir Idziak
Assistant Camera: Second Unit
Longitude (2000)
Directed by: Charles Sturridge
Cinematography by: Peter Hannan
Edited by: Peter Coulson
Assistant Camera
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Post Production Assistant
Twelve Monkeys (1995)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Cameras: Moviecam Cameras
Lenses: Cooke Lenses