Vfx Compositor: Fox UK Productions
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Visual Effects: Screen Scene VFX
'Game of Thrones' The Red Woman (2016)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Digital Compositor: Prime Focus World
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Digital Compositor: Prime Focus World
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Visual Effects Compositor: Molinare VFX
The Invisible Woman (2013)
Directed by: Ralph Fiennes
Cinematography by: Rob Hardy
Edited by: Nicolas Gaster
Editing System: Avid Editing System
Senior Digital Compositor: Molinare
Cockneys vs Zombies (2012)
Directed by: Matthias Hoene
Cinematography by: Daniel Bronks
Cameras: ARRI Cameras
Lenses: Bausch & Lomb Lenses
Digital Compositor: Prime Focus Film
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Lead Digital Compositor: Screen Scene / Vfx: Screen Scene / Visual Effects: Screen Scene / Visual Effects: Screen Scene VFX - 11 Episodes, 2011-2016
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Visual Effects: Screen Scene
'Game of Thrones' Winter Is Coming (2011)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: Oral Norrie Ottey
Lead Digital Compositor: Screen Scene
'Game of Thrones' Fire and Blood (2011)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Frances Parker
Lead Digital Compositor: Screen Scene
'Game of Thrones' Baelor (2011)
Directed by: Alan Taylor
Cinematography by: Alik Sakharov
Edited by: Frances Parker
Lead Digital Compositor: Screen Scene
'Game of Thrones' The Pointy End (2011)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Martin Nicholson
Lead Digital Compositor: Screen Scene
'Game of Thrones' You Win or You Die (2011)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Martin Nicholson
Lead Digital Compositor: Screen Scene
'Game of Thrones' A Golden Crown (2011)
Directed by: Daniel Minahan
Cinematography by: Matthew Jensen
Edited by: Martin Nicholson
Lead Digital Compositor: Screen Scene
'Game of Thrones' The Wolf and the Lion (2011)
Directed by: Brian Kirk
Cinematography by: Marco Pontecorvo
Edited by: Frances Parker
Lead Digital Compositor: Screen Scene
'Game of Thrones' Cripples, Bastards, and Broken Things (2011)
Directed by: Brian Kirk
Cinematography by: Marco Pontecorvo
Edited by: Frances Parker
Vfx: Screen Scene
'Game of Thrones' The Kingsroad (2011)
Directed by: Timothy Van Patten
Cinematography by: Alik Sakharov
Edited by: Oral Norrie Ottey
Vfx: Screen Scene
'Game of Thrones' Lord Snow (2011)
Directed by: Brian Kirk
Cinematography by: Marco Pontecorvo
Edited by: Frances Parker
Digital Compositor: Screen Scene
Albert Nobbs (2011)
Directed by: Rodrigo García
Cinematography by: Michael McDonough
Edited by: Steven Weisberg
Cameras: Red One MX Camera
Digital Compositor: Molinare
Ironclad (2011)
Directed by: Jonathan English
Cinematography by: David Eggby
Cameras: Panavision Genesis Camera
Lenses: Panavision Lenses
Digital Compositor: Framestore
Nanny McPhee Returns (2010)
Directed by: Susanna White
Cinematography by: Mike Eley
Edited by: Sim Evan-Jones
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Editing System: Avid Editing System
Digital Compositor: MPC Vancouver
The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Digital Compositor: Framestore
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Compositor: Double Negative
Miss Pettigrew Lives for a Day (2008)
Directed by: Bharat Nalluri
Cinematography by: John de Borman
Edited by: Barney Pilling
Cameras: Panavision Cameras
Digital Compositor: MPC
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Compositor: Photon VFX
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Compositor: Double Negative
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
Digital Compositor: Double Negative
The Edge of Love (2008)
Directed by: John Maybury
Cinematography by: Jonathan Freeman
Edited by: Emma E. Hickox
Digital Compositor: Double Negative
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Compositor: Double Negative
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Digital Compositor: Double Negative
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Digital Compositor: Peerless
Casino Royale (2006)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Compositor: Cinesite
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
2D Digital Artist: Cinesite
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Compositor: Cinesite
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Digital Compositor: Cinesite
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Digital Compositor: Previz
Feardotcom (2002)
Directed by: William Malone
Cinematography by: Christian Sebaldt
Edited by: Alan Strachan
