Compositor: Rocket Science VFX
Kin (2018)
Cinematography by: Larkin Seiple
Edited by: Mark Day
Cameras: ARRI ALEXA Mini Camera
Digital Compositor
'Vikings' The Last Ship (2016)
Directed by: Jeff Woolnough
Cinematography by: Owen McPolin
Edited by: Don Cassidy
Digital Artist: Spin VFX - 1 Episode, 2019
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Digital Compositor
'Penny Dreadful' The Blessed Dark (2016)
Directed by: Paco Cabezas
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Digital Compositor
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Compositor
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Digital Compositor
'Vikings' To the Gates! (2015)
Directed by: Kelly Makin
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Digital Compositor
'Vikings' Mercenary (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Compositor
'Vikings' The Wanderer (2015)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Tad Seaborn
Digital Compositor
'Vikings' Warrior's Fate (2015)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Compositing Sequence Lead
Crimson Peak (2015)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Edited by: Bernat Vilaplana
Cameras: ARRI ALEXA XT Camera
Digital Compositor
'Vikings' Brother's War (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Compositor
'Vikings' Treachery (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Compositor
'Vikings' Eye for an Eye (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Digital Compositor
'Vikings' Answers in Blood (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Compositor
'Vikings' Unforgiven (2014)
Directed by: Jeff Woolnough
Cinematography by: P.J. Dillon
Digital Compositor
'Vikings' Blood Eagle (2014)
Directed by: Kari Skogland
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Compositor
'Vikings' Boneless (2014)
Directed by: Kari Skogland
Cinematography by: P.J. Dillon
Digital Compositor
'Vikings' The Choice (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Digital Compositor
'Vikings' The Lord's Prayer (2014)
Directed by: Ken Girotti
Cinematography by: P.J. Dillon
Digital Compositor
'Vikings' Invasion (2014)
Directed by: Ciaran Donnelly
Cinematography by: P.J. Dillon
Digital Compositor - 1 Episode, 2016
Penny Dreadful (2014)
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Digital Compositor
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Digital Compositor
'Vikings' Burial of the Dead (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Digital Compositor - 24 Episodes, 2013-2016
Vikings (2013)
Directed by: Ciaran Donnelly, Ken Girotti, Steve Saint Leger, Jeff Woolnough, Daniel Grou, Helen Shaver, David Wellington, Johan Renck, David Frazee, Kari Skogland, Kelly Makin, Sarah Harding, Ben Bolt, Anthony Karkosza, Joshua Zimmerman, Karla Braun, Katheryn Winnick
Edited by: Aaron Marshall, Tad Seaborn, Don Cassidy, Dan Briceno, Michele Conroy, Christopher Donaldson
Lenses: Panavision Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Compositor
'Vikings' All Change (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Digital Compositor
'Vikings' Sacrifice (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Digital Compositor
'Vikings' A King's Ransom (2013)
Directed by: Ken Girotti
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Digital Compositor
'Vikings' Raid (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Digital Compositor
'Vikings' Trial (2013)
Directed by: Ciaran Donnelly
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Digital Compositor
'Vikings' Dispossessed (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Digital Compositor
'Vikings' Wrath of the Northmen (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Michele Conroy
Digital Compositor
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Digital Compositor: Mr. X
Mama (2013)
Directed by: Andy Muschietti
Cinematography by: Antonio Riestra
Edited by: Michele Conroy
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Digital Compositor
'Vikings' Rites of Passage (2013)
Directed by: Johan Renck
Cinematography by: John S. Bartley
Edited by: Aaron Marshall
Digital Compositor
Silent Hill: Revelation (2012)
Directed by: M.J. Bassett
Cinematography by: Maxime Alexandre
Edited by: Michele Conroy
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Compositor: Mr. X Inc.
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Digital Compositor: Mr. X Inc.
Cosmopolis (2012)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: ARRI ALEXA Camera
Compositor
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Digital Compositor
The Three Musketeers (2011)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Compositor: Rocket Science VFX
Take This Waltz (2011)
Directed by: Sarah Polley
Cinematography by: Luc Montpellier
Edited by: Christopher Donaldson
Compositor: Rocket Science VFX
Saw 3D: The Final Chapter (2010)
Directed by: Kevin Greutert
Cinematography by: Brian Gedge
Edited by: Andrew Coutts
Cameras: Silicon Imaging SI-2K Camera
Digital Compositor
Resident Evil: Afterlife (2010)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Stereoscopic Compositor
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Compositor: C.O.R.E. Digital Pictures Inc.
Suck (2009)
Directed by: Rob Stefaniuk
Cinematography by: D. Gregor Hagey
Edited by: Michele Conroy
Compositor: C.O.R.E. Digital Pictures
Splice (2009)
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy
Stereoscopic Compositor
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Stereoscopic Compositor
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
