Lead Compositor And Designer
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Compositor: SPI
Alice in Wonderland (2010)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Digital Artist
The Chronicles of Narnia: Prince Caspian (2008)
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Digital Compositor
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Compositor: Double Negative
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Inferno Artist: Cinesite
The Hitchhiker's Guide to the Galaxy (2005)
Directed by: Garth Jennings
Cinematography by: Igor Jadue-Lillo
Edited by: Niven Howie
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Location Visual Effects Supervisor
Sahara (2005)
Directed by: Breck Eisner
Cinematography by: Seamus McGarvey
Edited by: Andrew MacRitchie
Digital Effects Artist
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Digital Effects Supervisor
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Compositor
Lara Croft Tomb Raider: The Cradle of Life (2003)
Directed by: Jan de Bont
Cinematography by: David Tattersall
Edited by: Michael Kahn
Digital Compositor: Cinesite
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Composite Designer: Cinesite
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Digital Effects Artist
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Digital Effects Supervisor
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects: Cinesite Europe
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
High Speed Compositing Artist: SPI
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor: SPI
The Ninth Gate (1999)
Directed by: Roman Polanski
Cinematography by: Darius Khondji
Edited by: Hervé de Luze
Digital Compositor: Digital Domain
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Lead Compositor: Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Lead Compositor
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Flame Artist
The Fifth Element (1997)
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Digital Effects Artist
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Digital Compositor: POP
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Digital Effects Artist
'The X-Files' Fire (1993)
Directed by: Larry Shaw
Cinematography by: John S. Bartley
Edited by: Heather MacDougall
Digital Effects Artist
'The X-Files' Eve (1993)
Directed by: Fred Gerber
Cinematography by: John S. Bartley
Edited by: Stephen Mark
Digital Effects Artist
'The X-Files' Fallen Angel (1993)
Directed by: Larry Shaw
Cinematography by: John S. Bartley
Edited by: James Coblentz
Digital Effects Artist
'The X-Files' Space (1993)
Directed by: William A. Graham
Cinematography by: John S. Bartley
Edited by: Heather MacDougall
Digital Effects Artist
'The X-Files' Ice (1993)
Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Stephen Mark
Digital Effects Artist
'The X-Files' Ghost in the Machine (1993)
Directed by: Jerrold Freedman
Cinematography by: John S. Bartley
Edited by: James Coblentz
Digital Effects Artist
'The X-Files' Shadows (1993)
Directed by: Michael Katleman
Cinematography by: John S. Bartley
Edited by: Heather MacDougall
Digital Effects Artist
'The X-Files' The Jersey Devil (1993)
Directed by: Joe Napolitano
Cinematography by: John S. Bartley
Edited by: Stephen Mark
Digital Effects Artist
'The X-Files' Conduit (1993)
Directed by: Daniel Sackheim
Cinematography by: John S. Bartley
Edited by: James Coblentz
Digital Effects Artist
'The X-Files' Squeeze (1993)
Directed by: Harry Longstreet
Cinematography by: John S. Bartley
Edited by: Heather MacDougall
Digital Effects Artist
'The X-Files' Deep Throat (1993)
Directed by: Daniel Sackheim
Cinematography by: John S. Bartley
Edited by: Stephen Mark
Digital Effects Artist
'The X-Files' Pilot (1993)
Directed by: Robert Mandel
Cinematography by: Thomas Del Ruth
Edited by: Stephen Mark
Digital Effects Artist - 12 Episodes, 1993
The X-Files (1993)
Directed by: Kim Manners, Rob Bowman, David Nutter, Chris Carter, R.W. Goodwin, Tony Wharmby, Michael W. Watkins, Daniel Sackheim, Michael Lange, James Wong, Jim Charleston, Cliff Bole, William A. Graham, Peter Markle, David Duchovny, Thomas J. Wright, Rod Hardy, Glen Morgan, Jerrold Freedman, Joe Napolitano, Larry Shaw, Tucker Gates, Vince Gilligan, Richard Compton, Frank Spotnitz, Darin Morgan, Fred Gerber, Michael Katleman, Harry Longstreet, Robert Mandel, Win Phelps, Stephen Surjik, James A. Contner, Nick Marck, Michael Vejar, James Whitmore Jr., Brett Dowler, Allen Coulter, Ralph Hemecker, Robert Lieberman, Bryan Spicer, Gillian Anderson, Paul Shapiro, Terrence O'Hara, Barry K. Thomas, Dwight H. Little, Michelle MacLaren, John Shiban, Carol Banker, Holly Dale, Kevin Hooks
Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth
Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses: Panavision Lenses
Digital Effects Artist
Warlock: The Armageddon (1993)
Directed by: Anthony Hickox
Cinematography by: Gerry Lively
