Visual Effects: Image Engine
'Game of Thrones' The Long Night (2019)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visual Effects Executive Producer: Image Engine
Kin (2018)
Cinematography by: Larkin Seiple
Edited by: Mark Day
Cameras: ARRI ALEXA Mini Camera
Visual Effects Executive Producer: Image Engine
The Meg (2018)
Directed by: Jon Turteltaub
Cinematography by: Tom Stern
Finance Director , Visual Effects Executive Producer: Image Engine
Skyscraper (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Visual Effects Executive Producer: Image Engine
Tully (2018)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Stefan Grube
Cameras: ARRI ALEXA Mini Camera
Visual Effects Executive Producer: Image Engine
Thor: Ragnarok (2017)
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Visual Effects Executive Producer: Image Engine
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Visual Effects Executive Producer: Image Engine
Death Note (2017)
Directed by: Adam Wingard
Cinematography by: David Tattersall
Edited by: Louis Cioffi
Cameras: Panasonic VariCam 35, Panasonic VariCam Camera
Visual Effects Executive Producer: Image Engine
'Game of Thrones' The Spoils of War (2017)
Directed by: Matt Shakman
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Visual Effects Executive Producer: Image Engine
'Game of Thrones' Eastwatch (2017)
Directed by: Matt Shakman
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Visual Effects Executive Producer: Image Engine
'Game of Thrones' The Dragon and the Wolf (2017)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Visual Effects Executive Producer: Image Engine
Kingsglaive: Final Fantasy XV (2016)
Directed by: Takeshi Nozue
Visual Effects: Image Engine
'Game of Thrones' No One (2016)
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Katie Weiland
Visual Effects Executive Producer: Image Engine
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Visual Effects Executive Producer: Visual Effects
The Revenant (2015)
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer - Image Engine
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Visual Effects Executive Producer: Image Engine
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Visual Effects Executive Producer - Image Engine
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Visual Effects Executive Producer - Image Engine
'Game of Thrones' Mother's Mercy (2015)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Tim Porter
Visual Effects Executive Producer - Image Engine
'Game of Thrones' The Dance of Dragons (2015)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Visual Effects Executive Producer - Image Engine
'Game of Thrones' Hardhome (2015)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
Visual Effects Executive Producer: Image Engine
'Game of Thrones' Kill the Boy (2015)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Visual Effects Executive Producer - Image Engine
'Game of Thrones' Unbowed, Unbent, Unbroken (2015)
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Visual Effects Executive Producer - Image Engine
'Game of Thrones' The Gift (2015)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Crispin Green
Visual Effects Executive Producer: Image Engine
'Game of Thrones' Sons of the Harpy (2015)
Directed by: Mark Mylod
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Visual Effects Executive Producer: Image Engine
'Game of Thrones' The House of Black and White (2015)
Directed by: Michael Slovis
Cinematography by: David Franco
Edited by: Katie Weiland
Visual Effects Executive Producer: Image Engine
'Game of Thrones' High Sparrow (2015)
Directed by: Mark Mylod
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Visual Effects Executive Producer: Image Engine
'Game of Thrones' The Wars to Come (2015)
Directed by: Michael Slovis
Cinematography by: David Franco
Edited by: Katie Weiland
Visual Effects Executive Producer: Image Engine
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Visual Effects Executive Producer: Image Engine
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer: Image Engine
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Visual Effects Producer
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects Executive Producer: Image Engine
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Visual Effects Executive Producer: Image Engine
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Visual Effects Executive Producer: Image Engine
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Visual Effects Supervisor: Image Engine
Apollo 18 (2011)
Directed by: Gonzalo López-Gallego
Cinematography by: José David Montero
Edited by: Patrick Lussier
Cameras: ARRIFLEX 16SR Camera, Sony CineAlta F23 Camera
Lenses: Panavision Primo Digital Lenses
Visual Effects Executive Producer: Image Engine
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Visual Effects Executive Producer: Image Engine / Visual Effects Executive Producer / Visual Effects: Image Engine - 15 Episodes, 2015-2019
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Visual Effects Executive Producer: Image Engine
The Twilight Saga: Eclipse (2010)
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Visual Effects Executive Producer: Image Engine
District 9 (2009)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Edited by: Julian Clarke
Cameras: Phantom HD Gold Camera, Red One Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera, Sony PMW-EX3 Camera
Lenses: Angenieux Lenses, Cooke S4 Lenses
Editing System: Adobe Premiere Editing System
Visual Effects Executive Producer: Image Engine
Orphan (2009)
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Title Design Supervisor: Image Engine
The Butterfly Effect 3: Revelations (2009)
Directed by: Seth Grossman
Cinematography by: Dan Stoloff
Edited by: Ed Marx
Visual Effects Supervisor: Image Engine
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Visual Effects Executive Producer: Image Engine
Law Abiding Citizen (2009)
Directed by: F. Gary Gray
Cinematography by: Jonathan Sela
Edited by: Tariq Anwar
Lenses: Cooke S4 Lenses
Visual Effects Supervisor: Image Engine
New in Town (2009)
Directed by: Jonas Elmer
Cinematography by: Chris Seager
Edited by: Troy Takaki
Visual Effects Executive Producer: Image Engine
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Visual Effects Executive Producer: Image Engine
Snow Buddies (2008)
Directed by: Robert Vince
Cinematography by: Kamal Derkaoui
Edited by: Kelly Herron
Visual Effects Executive Producer: Image Engine
Lost Boys: The Tribe (2008)
Directed by: P.J. Pesce
Cinematography by: Barry Donlevy
Edited by: Amanda I. Kirpaul
Visual Effects Executive Producer: Image Engine
Mr. Magorium's Wonder Emporium (2007)
Directed by: Zach Helm
Cinematography by: Roman Osin
Visual Effects Supervisor: Image Engine Design Inc.
White Noise 2: The Light (2007)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Visual Effects Executive Producer: Image Engine
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Visual Effects Executive Producer: Image Engine
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Digital Compositor / Lighting Artist: MPC
Kingdom of Heaven (2005)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Lighter: Rhythm & Hues
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Color And Lighting Technical Director: MPC
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Color And Lighting Technical Director: ESC Entertainment
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
