Director Of Photography: Second Unit, Reshoots
The Predator (2018)
Directed by: Shane Black
Cinematography by: Larry Fong
Edited by: Harry B. Miller III
Director Of Photography: Second Unit
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Director Of Photography: Second Unit
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Director Of Photography: Second Unit
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Director Of Photography: Second Unit
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Director Of Photography: Second Unit
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Director Of Photography
Think Like a Man (2012)
Directed by: Tim Story
Cinematography by: Larry Blanford
Edited by: Peter S. Elliot
Cameras: Red Epic Camera
Director Of Photography: Second Unit, Los Angeles
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Aerial Director Of Photography: San Francisco / Director Of Photography: Action Unit, Golden Gate
Rise of the Planet of the Apes (2011)
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Director Of Photography: India
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Director Of Photography: Second Unit
The A-Team (2010)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Director Of Photography: Second Unit, Canada
X-Men Origins: Wolverine (2009)
Directed by: Gavin Hood
Cinematography by: Donald McAlpine
Editing System: Final Cut Pro Editing System
Director Of Photography: Second Unit
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Director Of Photography: Second Unit
The Kingdom (2007)
Directed by: Peter Berg
Cinematography by: Mauro Fiore
Director Of Photography
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Director Of Photography: Second Unit, Second Unit Director
Smokin' Aces (2006)
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Edited by: Robert Frazen
Director Of Photography: Second Unit
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Camera Operator: Wescam Camera / Director Of Photography: Second Unit
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Director Of Photography: Second Unit
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Aerial Director Of Photography
Tears of the Sun (2003)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Director Of Photography: Second Unit
Paycheck (2003)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Director Of Photography: Lake Tahoe, Director: Lake Tahoe
xXx (2002)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Director Of Photography: Aerial Photography / Director Of Photography: Blue Screen
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Aerial Director Of Photography
Under Suspicion (2000)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: John Smith
Aerial Director Of Photography: Second Unit / Wescam Operator
Lost Souls (2000)
Directed by: Janusz Kaminski
Cinematography by: Mauro Fiore
Aerial Director Of Photography: New York
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Aerial Director Of Photography
The Jackal (1997)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Aerial Camera Operator: Aerial Plate Photography
Broken Arrow (1996)
Directed by: John Woo
Cinematography by: Peter Levy
Cameras: Panavision Cameras
Camera Operator: Wescam, Second Unit
Fly Away Home (1996)
Directed by: Carroll Ballard
Cinematography by: Caleb Deschanel
Edited by: Nicholas C. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Director Of Photography: Aerial Unit
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Director Of Photography: Second Unit
How to Make an American Quilt (1995)
Directed by: Jocelyn Moorhouse
Cinematography by: Janusz Kaminski
Edited by: Jill Bilcock
Cameras: Panavision Cameras
Aerial Camera Operator
Top Gun (1986)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
