Directed By
Terminator: Dark Fate (2019)
| China, Spain, Hungary, USA
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA LF, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus, Canon EOS-C300 Mark II Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Angenieux Optimo 45-120mm T2.8 Lens, Angenieux Optimo Anamorphic 30-72mm A2S T4.0 Lens, Angenieux Optimo Anamorphic 44-440mm A2S T4.5 Lens, Angenieux Optimo Anamorphic 56-152mm A2S T4.0 Lens, ARRI / Zeiss Master Anamorphic Lenses, ARRI Rental Prime DNA Lenses, Cineovision Lenses, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 45-250mm T2.8 Lens, Zeiss Compact Prime CP.3 Lenses, Zeiss Master Prime Lenses, Zeiss Super Speeds Mk III Lenses, Zeiss Ultra Prime Lenses
Director
Deadpool (2016)
| USA
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Second Unit Director: Opening Sequence
Thor: The Dark World (2013)
| USA
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Title Sequence: Creative Director
The Girl with the Dragon Tattoo (2011)
| USA, Sweden, Norway
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Final Cut Pro Editing System, Sony Vegas Editing System
Creative Supervisor: Blur Studio
Scott Pilgrim vs. the World (2010)
| USA, UK, Canada, Japan
Directed by: Edgar Wright
Cinematography by: Bill Pope
Visual Effects
Hideaway (1995)
| USA
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
