Video Cassette (VHS) | 651 Titles
Contact (1997)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
The Terminator (1984)
Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Mark Goldblatt
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses | Zeiss Lenses
Apocalypse Now (1979)
Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch
Lenses | Technovision Lenses, Todd-AO Lenses
Munich (2005)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
The Crucible (1996)
Directed by | Nicholas Hytner | Cinematography by | Andrew Dunn | Editing by | Tariq Anwar
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Velvet Goldmine (1998)
Directed by | Todd Haynes | Cinematography by | Maryse Alberti | Editing by | James Lyons
Cameras | Aaton Cameras, Panavision Panaflex Gold Camera
Topsy-Turvy (1999)
The Mirror Has Two Faces (1996)
Directed by | Barbra Streisand | Cinematography by | Andrzej Bartkowiak, Dante Spinotti | Editing by | Jeff Werner
Cameras | Panavision Panaflex Camera
Chinatown (1974)
Directed by | Roman Polanski | Cinematography by | John A. Alonzo, Stanley Cortez | Editing by | Sam O'Steen
Cameras | Panavision Cameras
8MM (1999)
Directed by | Joel Schumacher | Cinematography by | Robert Elswit | Editing by | Mark Stevens
Cameras | Beaulieu Cameras, Panavision Cameras
Lenses | Panavision Lenses
The Kid Stays in the Picture (2002)
Directed by | Nanette Burstein, Brett Morgen | Cinematography by | John Bailey | Editing by | Jun Diaz
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Shining (1980)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy
Cameras | ARRIFLEX 35 BL Camera
Eyes Wide Shut (1999)
Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Taxi Driver (1976)
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
The Patriot (2000)
Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe
Cameras | Panavision Cameras
Lenses | Panavision Lenses
A Time to Kill (1996)
Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp
Cameras | Panavision Panaflex Platinum Camera
A Beautiful Mind (2001)
Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Music of the Heart (1999)
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Gregg Featherman, Patrick Lussier
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Schindler’s List (1993)
Paradise Now (2005)
Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses
