Video Cassette (VHS) | 673 Titles
Woodstock (1970)
Directed by | Michael Wadleigh | Cinematography by | Malcolm Hart, Don Lenzer, Michael Margetts, David Myers, Richard Pearce, Michael Wadleigh, Alfred Wertheimer | Editing by | Jere Huggins, Thelma Schoonmaker, Martin Scorsese, Michael Wadleigh, Stanley Warnow, Yeu-Bun Yee
Cameras | Éclair NPR Camera
The Big Red One (1980)
Directed by | Samuel Fuller | Cinematography by | Adam Greenberg | Editing by | Bryan McKenzie, Morton Tubor
Cameras | ARRIFLEX Camera
Austin Powers: The Spy Who Shagged Me (1999)
Directed by | Jay Roach | Cinematography by | Ueli Steiger | Editing by | Debra Neil-Fisher, Jon Poll
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Mean Girls (2004)
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Wendy Greene Bricmont
Cameras | Panavision Cameras
Friends (1994)
| Cinematography by | Mikel Neiers, Nick McLean, Richard Hissong, Ken Lamkin, Reid Haessig | Editing by | Stephen Prime, David Helfand, Andy Zall, Jay Scherberth, Kenny Tintorri, Marnie Bermingham, Todd Felker
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Starship Troopers (1997)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Caroline Ross
Lenses | Zeiss Lenses
The Passion of the Christ (2004)
Directed by | Mel Gibson | Cinematography by | Caleb Deschanel | Editing by | Steve Mirkovich, John Wright
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Goonies (1985)
Directed by | Richard Donner | Cinematography by | Nick McLean | Editing by | Michael Kahn, Steven Spielberg
Cameras | ARRIFLEX 35 III Camera
Die Hard (1988)
Directed by | John McTiernan | Cinematography by | Jan de Bont | Editing by | John F. Link, Frank J. Urioste
Cameras | Panavision Panaflex Gold Camera
Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Amélie (2001)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Zeiss Ultra Prime Lenses
Sunset Blvd. (1950)
Directed by | Billy Wilder | Cinematography by | John F. Seitz | Editing by | Arthur P. Schmidt
Cameras | Mitchell BNC Camera
Falling Down (1993)
Directed by | Joel Schumacher | Cinematography by | Andrzej Bartkowiak | Editing by | Paul Hirsch
Cameras | Panavision Panaflex Platinum Camera
Raging Bull (1980)
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Thelma Schoonmaker
Cameras | ARRIFLEX 35 BL Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
The Prisoner (1967)
| Cinematography by | Brendan J. Stafford | Editing by | Lee Doig, Geoffrey Foot, Eric Boyd-Perkins, John S. Smith, Noreen Ackland, Spencer Reeve
Cameras | Mitchell BNC Camera
Body Melt (1993)
Directed by | Philip Brophy | Cinematography by | Ray Argall | Editing by | Bill Murphy
Cameras | ARRIFLEX 16SR2 Camera
Requiem for a Dream (2000)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz
Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Law & Order (1990)
| Cinematography by | Constantine Makris, William Klayer, John Beymer, David S. Tuttman, Christopher Misiano, Richard Dobbs, Manuel Billeter, Ernest R. Dickerson, John Thomas, Peter Reniers, Michael F. Barrow, Craig DiBona, Geoffrey Erb, Alec Hirschfeld | Editing by | Michael Schweitzer, Chris Brookshire, Neil Felder, David Post, Monty DeGraff, Toni Morgan, Michael Kewley, Billy Fox, David Siegel, Mark Newman, Leon Ortiz-Gil, Drake Silliman, Randy Jon Morgan, Kevin Krasny, Laurie Grotstein, Micky Blythe, Kurt Courtland, Michael D. Ornstein, Scott Vickrey, Leslie Gaulin, Janice Hampton, Philip Carr Neel, Arthur W. Forney, Devon Greene, Douglas Ibold, Jim Stewart, Edward R. Abroms, Adam Wolfe, Eric A. Sears, John Refoua, John A. Keris
Lenses | Angenieux Optimo Zoom Lenses, Panavision Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Zeiss Ultra Prime Lenses
Shine (1996)
Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
One True Thing (1998)
Directed by | Carl Franklin | Cinematography by | Declan Quinn | Editing by | Carole Kravetz Aykanian
Cameras | Moviecam Compact Camera, Panavision Cameras
Lenses | Panavision Lenses
My Best Friend’s Wedding (1997)
Directed by | P.J. Hogan | Cinematography by | László Kovács | Editing by | Garth Craven, Lisa Fruchtman
Cameras | Panavision Panaflex Camera
