Celluloid | 2760 Titles
Til the End of the Day (2011)
Country | Canada
Type | Motion Picture
Running Time | 27 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Callen Diederichs | Cinematography by | Alain Astruc | Editing by | Jean-Sebastien Gauthier
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Zeiss Lenses
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Lord of War (2005)
Country | USA, Germany, France
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Andrew Niccol | Cinematography by | Amir Mokri | Editing by | Zach Staenberg
Cameras | Panavision Panaflex Platinum Camera
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Pinocchio (1940)
Country | USA
Type | Motion Picture
Running Time | 88 Minutes
Aspect Ratio | 1.37:1
Directed by | Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, Hamilton Luske, Bill Roberts, Ben Sharpsteen
Cameras | Bell & Howell 2709 Camera
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Spider-Man 3 (2007)
Country | USA
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
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Blade Runner (1982)
Country | USA
Type | Motion Picture
Running Time | 117 Minutes
Aspect Ratio | 2.39:1
Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings
Cameras | Panavision Panaflex Gold Camera
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Lawrence of Arabia (1962)
Country | UK
Type | Motion Picture
Running Time | 216 Minutes
Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Anne V. Coates
Cameras | Super Panavision-70 Camera
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The Texas Chain Saw Massacre (1974)
Country | USA
Type | Motion Picture
Running Time | 83 Minutes
Directed by | Tobe Hooper | Cinematography by | Daniel Pearl | Editing by | J. Larry Carroll, Sallye Richardson
Cameras | Bolex H16 RX5 Camera, Éclair NPR Camera
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Clerks (1994)
Country | USA
Type | Motion Picture
Running Time | 92 Minutes
Aspect Ratio | 1.85:1
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR Camera
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Chitty Chitty Bang Bang (1968)
Country | UK, USA
Type | Motion Picture
Running Time | 144 Minutes
Directed by | Ken Hughes | Cinematography by | Christopher Challis | Editing by | John Shirley
Cameras | Super Panavision-70 Camera
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Gomorrah (2008)
Country | Italy
Type | Motion Picture
Running Time | 137 Minutes
Aspect Ratio | 2.39:1
Directed by | Matteo Garrone | Cinematography by | Marco Onorato | Editing by | Marco Spoletini
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Ultra Prime Lenses
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The Birth of a Nation (1915)
Country | USA
Type | Motion Picture
Running Time | 195 Minutes
Aspect Ratio | 1.33:1 (4x3)
Directed by | D.W. Griffith | Cinematography by | G.W. Bitzer | Editing by | D.W. Griffith, Joseph Henabery, James Smith, Rose Smith, Raoul Walsh
Cameras | Pathé Cameras
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The People vs. Larry Flynt (1996)
Country | USA
Type | Motion Picture
Running Time | 129 Minutes
Aspect Ratio | 2.39:1
Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Citizen Kane (1941)
Country | USA
Type | Motion Picture
Running Time | 119 Minutes
Aspect Ratio | 1.37:1
Directed by | Orson Welles | Cinematography by | Gregg Toland | Editing by | Robert Wise
Cameras | Mitchell BNC Camera
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Pulp Fiction (1994)
Country | USA
Type | Motion Picture
Running Time | 154 Minutes
Aspect Ratio | 2.39:1
Directed by | Quentin Tarantino | Cinematography by | Andrzej Sekula | Editing by | Sally Menke
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
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Taxi Driver (1976)
Country | USA
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 1.85:1
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro
Cameras | ARRIFLEX 35 BL Camera
Lenses | ARRI / Zeiss Lenses
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Fantasia (1940)
Country | USA
Type | Motion Picture
Running Time | 125 Minutes
Aspect Ratio | 1.37:1
Directed by | James Algar, Samuel Armstrong, Ford Beebe Jr., Norman Ferguson, David Hand, Jim Handley, T. Hee, Wilfred Jackson, Hamilton Luske, Bill Roberts, Paul Satterfield, Ben Sharpsteen | Cinematography by | James Wong Howe
Cameras | Bell & Howell 2709 Camera
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The Window (2008)
Country | Argentina, Spain
Type | Motion Picture
Running Time | 85 Minutes
Aspect Ratio | 1.85:1
Directed by | Carlos Sorin | Cinematography by | Julián Apezteguia | Editing by | Mohamed Rajid
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Standard Speed Prime Lenses
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Beyond the Black Rainbow (2010)
Country | Canada
Type | Motion Picture
Running Time | 110 Minutes
Aspect Ratio | 2.39:1
Directed by | Panos Cosmatos | Cinematography by | Norm Li | Editing by | Nicholas T. Shepard
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Compact Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
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Chronicle of an Escape (2006)
Country | Argentina
Type | Motion Picture
Running Time | 103 Minutes
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Alberto Ponce
Cameras | ARRICAM Lite (LT) Camera
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Bolivia (1999)
Country | Argentina, Netherlands
Type | Motion Picture
Running Time | 75 Minutes
Aspect Ratio | 1.66:1
Directed by | Israel Adrián Caetano | Cinematography by | Julián Apezteguia | Editing by | Santiago Ricci, Lucas Scavino
Cameras | Éclair ACL II Camera
Lenses | Optar Illumina S16 Lenses
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