Celluloid | 2804 Titles
Taxi Driver (1976)
114 Minutes
Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
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The Patriot (2000)
165 Minutes
Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe Cameras | Panavision Cameras
Lenses | Panavision Lenses
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A Time to Kill (1996)
149 Minutes
Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp Cameras | Panavision Panaflex Platinum Camera
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A Beautiful Mind (2001) 
135 Minutes
Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
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Just Like Heaven (2005)
95 Minutes
Directed by | Mark Waters | Cinematography by | Daryn Okada | Editing by | Bruce Greenmodified:
The Simpsons (1989)
22 Minutes
| Editing by | Don Barrozo, Michael Bridge, Mark McJimsey, Lee Harting, Brian K. Roberts, Kurtis Kunsak, Ric Eisman, Jennifer Dolce, Tony Hayman, Ian Z. Schiffmodified:
Music of the Heart (1999)
124 Minutes
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Gregg Featherman, Patrick Lussier Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Schindler’s List (1993)
195 Minutes
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahnmodified:
The X-Files (1993)
45 Minutes
| Cinematography by | Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth | Editing by | Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn Lenses | Panavision Lenses
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Paradise Now (2005)
91 Minutes
Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses
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Friday the 13th Part VIII: Jason Takes Manhattan (1989)
100 Minutes
Directed by | Rob Hedden | Cinematography by | Bryan England | Editing by | Steve Mirkovich, Ted Pryor Cameras | Panavision Panaflex Camera
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Mad Men (2007)
47 Minutes
| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Raffertymodified:
Seinfeld (1989)
22 Minutes
| Cinematography by | Wayne Kennan, Charles W. Short, Jerry D. Good, Robert Berry, George La Fountaine Sr. | Editing by | Janet Ashikaga, Skip Collector, Bill Lowe, Robert Souders, Leland Gray, Eric Lea, David Rogers Lenses | Panavision Lenses
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Sahara (2005)
124 Minutes
Directed by | Breck Eisner | Cinematography by | Seamus McGarvey | Editing by | Andrew MacRitchiemodified:
Titus (1999)
162 Minutes
Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
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Amores Perros (2000)
154 Minutes
Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda Cameras | Moviecam Superlight Camera
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The Abyss (1989)
145 Minutes
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith Cameras | ARRIFLEX 35 BL Camera, Panavision System 65 Camera
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Friends (1994)
22 Minutes
| Cinematography by | Mikel Neiers, Nick McLean, Richard Hissong, Ken Lamkin, Reid Haessig | Editing by | Stephen Prime, David Helfand, Andy Zall, Jay Scherberth, Kenny Tintorri, Marnie Bermingham, Todd Felker Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
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Romeo + Juliet (1996)
120 Minutes
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock Cameras | Panavision Panaflex Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
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I Viceré (2007)
120 Minutes
Directed by | Roberto Faenza | Cinematography by | Maurizio Calvesi | Editing by | Massimo Fiocchi Cameras | Moviecam Compact Camera
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