Technicolor, London | 83 Titles
Inception (2010)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses | Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Batman Begins (2005)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The Dark Knight (2008)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
The Dark Knight Rises (2012)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Waking Ned Devine (1998)
Directed by | Kirk Jones | Cinematography by | Henry Braham | Editing by | Alan Strachan
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
Darkest Hour (2017)
Directed by | Joe Wright | Cinematography by | Bruno Delbonnel | Editing by | Valerio Bonelli
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
Lenses | Angenieux Lenses, Cooke S4/i Lenses
Never Say Never Again (1983)
Directed by | Irvin Kershner | Cinematography by | Douglas Slocombe | Editing by | Ian Crafford
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
The Lost City of Z (2016)
Directed by | James Gray | Cinematography by | Darius Khondji | Editing by | John Axelrad, Lee Haugen
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Advanced Camera
Lenses | Angenieux HR Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Anamorphic Flare Lenses, Panavision E Series Anamorphic Lenses
From Russia with Love (1963)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
Goldfinger (1964)
Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
Thunderball (1965)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Ernest Hosler
Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
You Only Live Twice (1967)
Directed by | Lewis Gilbert | Cinematography by | Freddie Young | Editing by | Thelma Connell
Cameras | Mitchell BNC Camera
The Man with the Golden Gun (1974)
Directed by | Guy Hamilton | Cinematography by | Ted Moore, Oswald Morris | Editing by | Raymond Poulton, John Shirley
Lenses | Panavision Super Speed Lenses
Moonraker (1979)
For Your Eyes Only (1981)
Directed by | John Glen | Cinematography by | Alan Hume | Editing by | John Grover
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
The Living Daylights (1987)
Directed by | John Glen | Cinematography by | Alec Mills | Editing by | Peter Davies, John Grover
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera
Diamonds Are Forever (1971)
Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, John W. Holmes
Cameras | ARRIFLEX 35 IIA Camera, Panavision Super PSR R-200
On Her Majesty’s Secret Service (1969)
Directed by | Peter R. Hunt | Cinematography by | Michael Reed | Editing by | John Glen
Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
Octopussy (1983)
Directed by | John Glen | Cinematography by | Alan Hume | Editing by | Peter Davies, Henry Richardson
Casino Royale (1967)
Directed by | Val Guest, Ken Hughes, John Huston, Joseph McGrath, Robert Parrish, Richard Talmadge | Cinematography by | Jack Hildyard | Editing by | Bill Lenny
Cameras | Panavision Cameras
Lenses | Panavision Lenses
