Arek Komorowski

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Terminator: Dark Fate | ShotOnWhat?

Visual Effects Supervisor: Scanline VFX - Munich

Terminator: Dark Fate (2019)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime DNA Lenses, Cineovision Lenses

Editing System: Adobe Premiere Editing System

Black Panther | ShotOnWhat?

Associate Visual Effects Supervisor: Scanline VFX

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Spider-Man: Homecoming | ShotOnWhat?

Dfx Supervisor: Method Studios

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Captain America: Civil War | ShotOnWhat?

Dfx Supervisor: Method Studios

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Avengers: Age of Ultron | ShotOnWhat?

Compositing Supervisor: Method Studios

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

The Maze Runner | ShotOnWhat?

Compositing Supervisor

The Maze Runner (2014)

Directed by: Wes Ball

Cinematography by: Enrique Chediak

Edited by: Dan Zimmerman

Cameras: ARRI ALEXA Camera, Red Epic Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Night at the Museum: Secret of the Tomb | ShotOnWhat?

Compositing Supervisor

Night at the Museum: Secret of the Tomb (2014)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Dean Zimmerman

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo Zoom Lenses

Editing System: Avid Editing System

300: Rise of an Empire | ShotOnWhat?

Compositing Supervisor: MPC Vancouver

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Jack the Giant Slayer | ShotOnWhat?

Compositing Supervisor: MPC Va

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Lone Ranger | ShotOnWhat?

Compositing Supervisor: MPC Va

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Source Code | ShotOnWhat?

Lead Compositor: MPC

Source Code (2011)

Directed by: Duncan Jones

Cinematography by: Don Burgess

Edited by: Paul Hirsch

Cameras: Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Fast Five | ShotOnWhat?

Lead Compositor

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

Lead Compositor

Sherlock Holmes: A Game of Shadows (2011)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Sucker Punch | ShotOnWhat?

Lead Compositor

Sucker Punch (2011)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

Prince of Persia: The Sands of Time | ShotOnWhat?

Senior Compositor

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Shanghai | ShotOnWhat?

Digital Compositor

Shanghai (2010)

Directed by: Mikael Håfström

Cinematography by: Benoît Delhomme

Edited by: Peter Boyle, Kevin Tent

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Lead Compositor

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

Clash of the Titans | ShotOnWhat?

Digital Compositor: MPC

Clash of the Titans (2010)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: David Freeman, Vincent Tabaillon, Martin Walsh

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Digital Compositor

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Dorian Gray | ShotOnWhat?

Digital Compositor

Dorian Gray (2009)

Directed by: Oliver Parker

Cinematography by: Roger Pratt

Edited by: Guy Bensley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Digital Compositor

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

10,000 BC | ShotOnWhat?

Compositor: MPC

10,000 BC (2008)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Alexander Berner

Cameras: ARRI Cameras, Moviecam Cameras

Lenses: Angenieux Lenses, Zeiss Lenses

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Digital Compositor

The Chronicles of Narnia: Prince Caspian (2008)

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

Fred Claus | ShotOnWhat?

Digital Compositor

Fred Claus (2007)

Directed by: David Dobkin

Cinematography by: Remi Adefarasin

Edited by: Mark Livolsi

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Man cheng jin dai huang jin jia | ShotOnWhat?

Digital Compositor

Man cheng jin dai huang jin jia (2006)

Directed by: Yimou Zhang

Cinematography by: Xiaoding Zhao

Edited by: Long Cheng

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses, Optica Elite Lenses, Zeiss ARRI Macro Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

Kingdom of Heaven | ShotOnWhat?

Digital Artist

Kingdom of Heaven (2005)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Dody Dorn

Batman Begins | ShotOnWhat?

Digital Artist

Batman Begins (2005)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Corpse Bride | ShotOnWhat?

Digital Artist

Corpse Bride (2005)

Directed by: Tim Burton, Mike Johnson

Cinematography by: Pete Kozachik

Edited by: Chris Lebenzon, Jonathan Lucas

Cameras: ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

Charlie and the Chocolate Factory | ShotOnWhat?

Digital Artist

Charlie and the Chocolate Factory (2005)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Harry Potter and the Goblet of Fire | ShotOnWhat?

Matchmove And Rotoscoping: MPC

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

King Kong | ShotOnWhat?

Lead Rotoscope Artist

King Kong (2005)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: Jamie Selkirk

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

King Arthur | ShotOnWhat?

Digital Artist

King Arthur (2004)

Directed by: Antoine Fuqua

Cinematography by: Slawomir Idziak

Edited by: Conrad Buff IV, Jamie Pearson

Harry Potter and the Prisoner of Azkaban | ShotOnWhat?

Roto Artist: Cinesite

Harry Potter and the Prisoner of Azkaban (2004)

Directed by: Alfonso Cuarón

Cinematography by: Michael Seresin

Edited by: Steven Weisberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Showtime | ShotOnWhat?

Digital Artist

Showtime (2002)

Directed by: Tom Dey

Cinematography by: Thomas Kloss

Edited by: Billy Weber

The One | ShotOnWhat?

Digital Artist

The One (2001)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

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