Musician: Drums And Percussion
American Fiction (2023)
Directed by: Cord Jefferson
Cinematography by: Cristina Dunlap
Edited by: Hilda Rasula
Cameras: ARRI ALEXA Mini LF Camera
Lenses: Tribe7 Blackwing7 Lenses
Musician
Indiana Jones and the Dial of Destiny (2023)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Percussion
Greyhound (2020)
Directed by: Aaron Schneider
Cinematography by: Shelly Johnson
Cameras: Panavision Millennium DXL Camera
Musician: Percussion
A Quiet Place (2018)
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Musician: Percussion
The Nun (2018)
Directed by: Corin Hardy
Cinematography by: Maxime Alexandre
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Musician
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Musician
Baywatch (2017)
Directed by: Seth Gordon
Cinematography by: Eric Steelberg
Edited by: Peter S. Elliot
Cameras: ARRI ALEXA XT Plus Camera
Featured Musician: Percussion
Only the Brave (2017)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Billy Fox
Cameras: Sony CineAlta F65 Camera
Musician
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Musician
Ride Along 2 (2016)
Directed by: Tim Story
Cinematography by: Mitchell Amundsen
Edited by: Peter S. Elliot
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Musician: Percussion
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Musician: Percussion
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Musician
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Musician: Percussion
Need for Speed (2014)
Directed by: Scott Waugh
Cinematography by: Shane Hurlbut
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Anamorphic Lenses, Canon CN-E 14.5-60 mm T2.6 Lens, Canon CN-E 15.5-47 mm T2.8 Lens, Canon CN-E 30-105 mm T2.8 Lens, Canon CN-E 30-300 mm T2.95 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens, Cooke S4/i Prime 12mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 180mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0, Leica Elmarit-R II 28 mm f2.0, Leica Super Angulon-R 21 mm f4.0, Leica Super-Elmarit-R 15 mm f2.8, Leitz Summicron-C 21 mm T2.0 Lens, Zeiss Distagon T* 15mm f2.8 ZE, Zeiss Distagon T* 18mm f3.5 ZE
Soloist: Percussion
Transformers: Age of Extinction (2014)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Musician
The Single Moms Club (2014)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Cameras: ARRI ALEXA Camera
Musician: Percussion
Xi you ji: Da nao tian gong (2014)
Directed by: Soi Cheang
Edited by: Ka-Fai Cheung
Cameras: Red One MX Camera
Musician
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Musician
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Musician: Percussion
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Musician: Percussion
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Featured Musician
Identity Thief (2013)
Directed by: Seth Gordon
Cinematography by: Javier Aguirresarobe
Edited by: Peter Teschner
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Musician: Percussion
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Musician: Percussion
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Musician: Percussion
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Musician
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Musician: Drums, Percussion
The Baytown Outlaws (2012)
Directed by: Barry Battles
Cinematography by: David McFarland
Edited by: Sean Valla
Cameras: Red One Camera
Musician
Trouble with the Curve (2012)
Directed by: Robert Lorenz
Cinematography by: Tom Stern
Cameras: Panavision Panaflex Platinum Camera
Musician
Diary of a Wimpy Kid: Dog Days (2012)
Directed by: David Bowers
Cinematography by: Anthony B. Richmond
Edited by: Troy Takaki
Musician
American Reunion (2012)
Cinematography by: Daryn Okada
Edited by: Jeff Betancourt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Musician
The Campaign (2012)
Directed by: Jay Roach
Cinematography by: Jim Denault
Cameras: ARRI ALEXA Camera
Musician
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Musician
Crooked Arrows (2012)
Directed by: Steve Rash
Cinematography by: Dan Stoloff
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Musician
Trade of Innocents (2012)
Directed by: Christopher M. Bessette
Cinematography by: Philip Hurn
Edited by: Diane Brunjes
Cameras: Red One MX Camera
Editing System: Final Cut Pro Editing System
Musician
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Musician
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
Musician: Percussion
The Big Year (2011)
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Musician
Diary of a Wimpy Kid: Rodrick Rules (2011)
Directed by: David Bowers
Cinematography by: Jack N. Green
Edited by: Troy Takaki
Cameras: Panavision Cameras
Musician
30 Minutes or Less (2011)
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Musician
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Musician: Percussion
Thin Ice (2011)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Musician: Percussion
The Last Lions (2011)
Directed by: Dereck Joubert
Cinematography by: Dereck Joubert
Edited by: Susan Scott
Musician: Percussion
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Musician: Percussion
Arthur (2011)
Directed by: Jason Winer
Cinematography by: Uta Briesewitz
Edited by: Brent White
Musician: Percussion
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Musician: Percussion
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Musician
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Musician: Percussion
Hot Tub Time Machine (2010)
Directed by: Steve Pink
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Musician: Percussion
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Musician: Percussion
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Musician: Percussion
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Musician: Percussion
The Town (2010)
Directed by: Ben Affleck
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Musician: Percussion
Step Up 3D (2010)
Directed by: Jon M. Chu
Cinematography by: Ken Seng
Edited by: Andrew Marcus
Cameras: Sony CineAlta F23 Camera
Musician: Percussion
Secretariat (2010)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Musician: Percussion
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Musician: Percussion
Dinner for Schmucks (2010)
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Musician: Percussion
The Uninvited (2009)
Cinematography by: Daniel Landin
Cameras: Panavision Cameras
Musician: Percussion
Coraline (2009)
Directed by: Henry Selick
Cinematography by: Pete Kozachik
Editing System: Avid Editing System
Musician: Percussion
Knowing (2009)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: Richard Learoyd
Cameras: Red One Camera
Musician: Percussion
The Pink Panther 2 (2009)
Directed by: Harald Zwart
Cinematography by: Denis Crossan
Edited by: Julia Wong
Cameras: Moviecam Compact Camera
Musician: Percussion
Confessions of a Shopaholic (2009)
Directed by: P.J. Hogan
Cinematography by: Jo Willems
Edited by: William Goldenberg
Cameras: Panavision Panaflex Platinum Camera
Musician: Percussion
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Musician: Percussion
What Happens in Vegas (2008)
Directed by: Tom Vaughan
Cinematography by: Matthew F. Leonetti
Edited by: Matt Friedman
Cameras: Panavision Cameras
Musician: Percussion
Meet the Browns (2008)
Directed by: Tyler Perry
Cinematography by: Sandi Sissel
Edited by: Maysie Hoy
Musician: Percussion
Pineapple Express (2008)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Musician: Percussion
Redbelt (2008)
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Musician: Percussion
Four Christmases (2008)
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Musician: Percussion
The Strangers (2008)
Directed by: Bryan Bertino
Cinematography by: Peter Sova
Edited by: Kevin Greutert
Cameras: Panavision Cameras
Musician: Percussion
College Road Trip (2008)
Directed by: Roger Kumble
Cinematography by: Theo van de Sande
Edited by: Roger Bondelli
Musician: Percussion
License to Wed (2007)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Musician: Percussion
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Musician: Percussion
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Musician: Percussion
The Comebacks (2007)
Directed by: Tom Brady
Cinematography by: Anthony B. Richmond
Edited by: Alan Edward Bell
Musician: Percussion
Wrong Turn 2: Dead End (2007)
Directed by: Joe Lynch
Cinematography by: Robin Loewen
Edited by: Ed Marx
Musician: Percussion
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Musician: Percussion
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Musician: Percussion
The Seeker: The Dark Is Rising (2007)
Directed by: David L. Cunningham
Cinematography by: Joel Ransom
Cameras: Panavision Cameras
Musician: Percussion
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Musician: Percussion
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Musician: Percussion
Garfield: A Tail of Two Kitties (2006)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Musician: Percussion
All the King's Men (2006)
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Musician: Percussion
Firewall (2006)
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Jim Page
Musician: Percussion
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Musician: Percussion
9/Tenths (2006)
Directed by: Bob Degus
Cinematography by: Nathan Wilson
Edited by: Logan Breit
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Musician: Percussion
Talladega Nights: The Ballad of Ricky Bobby (2006)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Musician: Percussion
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Musician: Percussion
A Lot Like Love (2005)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Susan Littenberg
Musician: Percussion
The 40-Year-Old Virgin (2005)
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Musician: Percussion
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Musician: Percussion
Sky High (2005)
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Musician: Percussion
Hide and Seek (2005)
Directed by: John Polson
Cinematography by: Dariusz Wolski
Edited by: Jeffrey Ford
Musician: Percussion
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Musician: Percussion
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Musician: Percussion
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Musician: Percussion
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Musician: Percussion
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Musician
Dawn of the Dead (2004)
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Musician: Percussion
Seed of Chucky (2004)
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Musician: Percussion
Anchorman: The Legend of Ron Burgundy (2004)
Directed by: Adam McKay
Cinematography by: Thomas E. Ackerman
Edited by: Brent White
Musician: Percussion
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Musician: Percussion
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Musician: Percussion
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Musician: Percussion
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Musician: Drums & Percussion
Shade (2003)
Directed by: Damian Nieman
Cinematography by: Anthony B. Richmond
Musician: Percussion
Jeepers Creepers 2 (2003)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Musician: Percussion
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Musician: Percussion
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Musician: Percussion
The Music Man (2003)
Directed by: Jeff Bleckner
Cinematography by: James Chressanthis
Musician: Percussion
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Musician: Percussion
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Musician: Percussion
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Musician: Percussion
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Musician: Percussion
The Country Bears (2002)
Directed by: Peter Hastings
Cinematography by: Mitchell Amundsen
Musician: Percussion
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Musician: Percussion
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Musician: Percussion
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Musician: Percussion
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Musician: Percussion
The Santa Clause 2 (2002)
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
Musician: Percussion
Spirit: Stallion of the Cimarron (2002)
Musician: Percussion
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Musician: Percussion
The Glass House (2001)
Directed by: Daniel Sackheim
Cinematography by: Alar Kivilo
Edited by: Howard E. Smith
Musician: Percussion
Jeepers Creepers (2001)
Directed by: Victor Salva
Cinematography by: Don E. FauntLeRoy
Edited by: Ed Marx
Percussion
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Musician: Percussion
Morgan's Ferry (2001)
Directed by: Sam Pillsbury
Cinematography by: Johnny E. Jensen
Edited by: Margaret Goodspeed
Musician: Percussion
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Musician: Percussion
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Musician: Percussion
Coyote Ugly (2000)
Directed by: David McNally
Cinematography by: Amir Mokri
Edited by: William Goldenberg
Musician: Percussion
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Musician: Percussion
Scream 3 (2000)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Musician: Percussion
Remember the Titans (2000)
Directed by: Boaz Yakin
Cinematography by: Philippe Rousselot
Edited by: Michael Tronick
Musician: Percussion
Wonder Boys (2000)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Musician: Percussion
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Musician: Percussion
The Minus Man (1999)
Directed by: Hampton Fancher
Cinematography by: Bobby Bukowski
Edited by: Todd C. Ramsay
Musician: Percussion
Stigmata (1999)
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball
Musician: Percussion
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Musician: Percussion
The Big Kahuna (1999)
Directed by: John Swanbeck
Cinematography by: Anastas N. Michos
Edited by: Peggy Davis
Cameras: Panavision Cameras
Musician: Percussion
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Musician: Percussion
Urban Legend (1998)
Directed by: Jamie Blanks
Cinematography by: James Chressanthis
Edited by: Jay Cassidy
Musician: Percussion
Break Up (1998)
Directed by: Paul Marcus
Cinematography by: Hubert Taczanowski
Edited by: Arthur Coburn
Musician: Percussion
Rounders (1998)
Directed by: John Dahl
Cinematography by: Jean-Yves Escoffier
Edited by: Scott Chestnut
Musician: Percussion
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
Musician: Percussion
Everything That Rises (1998)
Directed by: Dennis Quaid
Cinematography by: Jack Conroy
Edited by: Glenn Farr
Cameras: ARRI Cameras
Musician: Percussion
Scream 2 (1997)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Patrick Lussier
Musician: Percussion
Murder at 1600 (1997)
Directed by: Dwight H. Little
Cinematography by: Steven Bernstein
Musician: Percussion
The Craft (1996)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Jeff Freeman
Cameras: Moviecam Compact Camera
Lenses: Zeiss Lenses
Musician: Percussion
Set It Off (1996)
Directed by: F. Gary Gray
Cinematography by: Marc Reshovsky
Edited by: John Carter
Musician: Percussion
Species (1995)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Musician: Percussion
Strange Days (1995)
Directed by: Kathryn Bigelow
Cinematography by: Matthew F. Leonetti
Musician: Percussion
Virtuosity (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Musician: Percussion
The Sandlot (1993)
Directed by: David Mickey Evans
Cinematography by: Anthony B. Richmond
Edited by: Michael A. Stevenson
Musician: Percussion
Rapid Fire (1992)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: Gib Jaffe
Musician: Percussion
Gremlins 2: The New Batch (1990)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Kent Beyda
Musician: Percussion
Little Monsters (1989)
Directed by: Richard Greenberg
Cinematography by: Dick Bush
Edited by: Patrick McMahon
Musician: Percussion
One Crazy Summer (1986)
Directed by: Savage Steve Holland
Cinematography by: Isidore Mankofsky
Edited by: Alan Balsam
Cameras: Panavision Cameras
Musician: Percussion
Children of a Lesser God (1986)
Directed by: Randa Haines
Cinematography by: John Seale
Edited by: Lisa Fruchtman
