Digital Intermediate Finishing Process | 1728 Titles
Een Rivier om te Bevriezen (2023)
Directed by | Luca Larsen | Cinematography by | Isabella Klauwers | Editing by | Keno Aladjuz
Cameras | Red Komodo Camera
Lenses | Zeiss Compact Prime CP.2 Lenses
Divergence (2007)
Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead
Lenses | ARRI / Fujinon Lenses
Beau Is Afraid (2023)
Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston
Cameras | Sony CineAlta VENICE Camera
Eventual (2023)
Northern Lights (2016)
Directed by | Nicholas Connor | Cinematography by | Marco Fanton | Editing by | Nicholas Connor, Amy Pfeil
Cameras | Blackmagic Cinema Camera
Episodes (2011)
| Cinematography by | Rob Kitzmann | Editing by | Nigel Williams, Gary Evans
Cameras | ARRI ALEXA Camera
30 Minutes or Less (2011)
Joyful Noise (2012)
Directed by | Todd Graff | Cinematography by | David Boyd | Editing by | Kathryn Himoff
Lenses | Panavision Primo Anamorphic Lenses
Pokémon Detective Pikachu (2019)
Directed by | Rob Letterman | Cinematography by | John Mathieson | Editing by | Mark Sanger, James Thomas
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Mid90s (2018)
Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy
Cameras | ARRIFLEX 416 Camera
Requiem for a Dream (2000)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Jay Rabinowitz
Cameras | Bell & Howell Eyemo Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panastar Camera, Sony Betacam (Unknown) Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Mirai (2018)
Seeking Justice (2011)
Directed by | Roger Donaldson | Cinematography by | David Tattersall | Editing by | Jay Cassidy
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
True Detective (2014)
| Cinematography by | Nigel Bluck, Adam Arkapaw, Germain McMicking, Florian Hoffmeister | Editing by | Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
A Beautiful Day in the Neighborhood (2019)
Bombshell (2019)
Directed by | Jay Roach | Cinematography by | Barry Ackroyd | Editing by | Jon Poll
Cameras | ARRI ALEXA Mini Camera
A Very Long Engagement (2004)
Directed by | Jean-Pierre Jeunet | Cinematography by | Bruno Delbonnel | Editing by | Hervé Schneid
Lenses | Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens
Flipped (2010)
Directed by | Rob Reiner | Cinematography by | Thomas Del Ruth | Editing by | Robert Leighton
Cameras | Panavision Panaflex Millennium Camera
Avengers: Endgame (2019)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera
Big Miracle (2012)
Directed by | Ken Kwapis | Cinematography by | John Bailey | Editing by | Cara Silverman
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera