Visual Effects Bidding Producer
Kandahar (2023)
Directed by: Ric Roman Waugh
Cinematography by: MacGregor
Edited by: Colby Parker Jr.
Editing System: Avid Editing System
Head Of Production: Milk Visual Effects
In Fabric (2018)
Directed by: Peter Strickland
Cinematography by: Ari Wegner
Edited by: Mátyás Fekete
Cameras: ARRI ALEXA Mini Camera
Visual Effects Executive Producer: Milk Visual Effects
Annihilation (2018)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Barney Pilling
Head Of Production: Milk Visual Effects
'Sherlock' The Lying Detective (2017)
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Yan Miles
Head Of Production: Milk Visual Effects
'Sherlock' The Six Thatchers (2017)
Directed by: Rachel Talalay
Cinematography by: Stuart Biddlecombe
Edited by: William Oswald
Head Of Production: Milk Visual Effects
'Sherlock' The Final Problem (2017)
Directed by: Benjamin Caron
Cinematography by: David Luther
Edited by: Yan Miles
Head Of Production: Milk Visual Effects
Fantastic Beasts and Where to Find Them (2016)
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Head Of Production: Milk Visual Effects
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Head Of Production: Milk Visual Effects
'Sherlock' The Abominable Bride (2016)
Directed by: Douglas Mackinnon
Cinematography by: Suzie Lavelle
Edited by: Andrew McClelland
Head Of Production: Milk VFX
Free Fire (2016)
Directed by: Ben Wheatley
Cinematography by: Laurie Rose
Head Of Production: Milk Visual Effects
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Visual Effects Producer: Milk Visual Effects
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Visual Effects Producer: Bluebolt
Mandela: Long Walk to Freedom (2013)
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Visual Effects Producer: BlueBolt
Belle (2013)
Directed by: Amma Asante
Cinematography by: Ben Smithard
Cameras: Sony CineAlta F65 Camera
Visual Effects Producer: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Visual Effects Producer: Bluebolt
Cloud Atlas (2012)
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Visual Effects Producer: Bluebolt
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Visual Effects Associate Producer: Cinesite
X: First Class (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Production And Technical Support: Cinesite
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects Producer: Cinesite
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Head Of Production: Milk Visual Effects - 4 Episodes, 2016-2017
Sherlock (2010)
Directed by: Paul McGuigan, Nick Hurran, Coky Giedroyc, Euros Lyn, Toby Haynes, Jeremy Lovering, Colm McCarthy, Douglas Mackinnon, Benjamin Caron, Rachel Talalay
Cinematography by: Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther
Edited by: Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses: Cooke S4 Lenses, Zeiss Super Speed Lenses
Visual Effects Producer: Cinesite
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Visual Effects Producer: Cinesite
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Visual Effects Producer: Cinesite
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Visual Effects Producer: Cinesite
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Visual Effects Producer: Cinesite
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Visual Effects Producer: Cinesite
Miss Potter (2006)
Directed by: Chris Noonan
Cinematography by: Andrew Dunn
Edited by: Robin Sales
Visual Effects Producer: Cinesite
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Digital Effects Producer: Cinesite
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Visual Effects Line Producer: Cinesite
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Visual Effects Producer: Cinesite
Alfie (2004)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: Padraic McKinley
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Visual Effects Line Producer: Cinesite
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Scanning And Recording Editorial Coordinator
Gladiator (2000)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Production Coordinator: Cinesite
There's Only One Jimmy Grimble (2000)
Directed by: John Hay
Cinematography by: John de Borman
Edited by: Oral Norrie Ottey
Visual Effects Coordinator: Cinesite Europe
The World Is Not Enough (1999)
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Line-up & Vault: Cinesite Digital Studios
Entrapment (1999)
Directed by: Jon Amiel
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Scanning And Recording Editorial Coordinator
Animal Farm (1999)
Directed by: John Stephenson
Cinematography by: Mike Brewster
Edited by: Colin Green
Scanning And Recording Editorial Coordinator
The Talented Mr. Ripley (1999)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Cameras: Panavision Panaflex Platinum Camera
Lineup And Editorial: Cinesite
Lost in Space (1998)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Ray Lovejoy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Lineup & Editorial: Cinesite
The Avengers (1998)
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Scanning And Recording Editorial Coordinator: Cinesite
The Borrowers (1997)
Directed by: Peter Hewitt
Edited by: David Freeman
Scanning And Recording Editorial Coordinator
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Lineup & Editorial: Cinesite
The Saint (1997)
Directed by: Phillip Noyce
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: Panavision Panaflex Gold II Camera
Line-up And Editorial Coordinator
Tomorrow Never Dies (1997)
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Line-up And Editorial: Cinesite
Event Horizon (1997)
Directed by: Paul W.S. Anderson
Cinematography by: Adrian Biddle
Edited by: Martin Hunter
Cameras: Panavision Panaflex Platinum Camera
Lineup & Editorial: Cinesite
Smilla's Sense of Snow (1997)
Directed by: Bille August
Cinematography by: Jörgen Persson
Edited by: Janus Billeskov Jansen
Scanning And Recording Editorial Coordinator
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
