Super 35 Camera Aperture | 790 Titles
CSI: Miami (2002)
Country | USA
Type | Television Series
Running Time | 43 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Charles Mills, Ken Glassing, Eagle Egilsson, Darren Genet, Thomas Yatsko, Dermott Downs, Walt Lloyd, Michael D. O'Shea, Michael Barrett, Garett Griffin, Curtis Wehr, Robert M. Stevens, Joe Meade, Cynthia Pusheck, Donald E. Thorin Jr. | Editing by | Mark C. Baldwin, James Wilcox, John Refoua, Joshua Charson, Tom Costantino, Brian Ray, Edward R. Abroms, Jean Crupper, J. Benjamin Chulay, John M. Vitale, Juan Carlos Garza, Scott Lerner, Lawrence Jordan, Kevin Ward, Jim Page, Dana Devorzon, Christopher Cooke, Sara Mineo, Richmond Riedel
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Sony CineAlta F35 Camera
Lenses | Panavision Lenses
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El Último Suspiro (2017)
Country | Spain
Type | Motion Picture, Short Film
Running Time | 5 Minutes
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Joan Girbau Xalabarder | Cinematography by | Joan Girbau Xalabarder | Editing by | Xavi Morcillo
Cameras | Blackmagic Design Cameras, Canon Cameras
Lenses | Canon Lenses, Leica Lenses
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American Wedding (2003)
Country | USA, Germany
Type | Motion Picture
Running Time | 96 Minutes
Aspect Ratio | 2.39:1
Directed by | Jesse Dylan | Cinematography by | Lloyd Ahern II | Editing by | Stuart H. Pappé
Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Jason Bourne (2016)
Country | USA, China
Type | Motion Picture
Running Time | 123 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2880x2160 - (1.33:1) Capture Resolution, 4096x2160 - (1.90:1) Capture Resolution, 6144x3160 - (1.94:1) Capture Resolution
Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse
Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
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Two and a Half Men (2003)
Country | USA
Type | Television Episode, Television Series
Running Time | 22 Minutes
Aspect Ratio | 1.78:1 (16x9)
| Cinematography by | Steven V. Silver, Mark Davison, Tony Askins | Editing by | Joe Bella, Peter Chakos
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Lenses
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Trust (2010)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | David Schwimmer | Cinematography by | Andrzej Sekula | Editing by | Douglas Crise
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Abduction (2011)
Country | USA
Type | Motion Picture
Running Time | 106 Minutes
Aspect Ratio | 2.39:1
Directed by | John Singleton | Cinematography by | Peter Menzies Jr. | Editing by | Bruce Cannon
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
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Jezus van de Javastraat (2016)
Country | Netherlands
Type | Motion Picture
Running Time | 91 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | Bram van Splunteren | Cinematography by | Ties Versteegh | Editing by | Olivier Lambrechts
Cameras | Panasonic VariCam 35
Lenses | Zeiss Standard Prime MKII 180 mm T3.0 Lens, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Super Speeds Mk II 35 mm T1.3 Lens, Zeiss Super Speeds Mk II 50 mm T1.3 Lens, Zeiss Super Speeds Mk II 85 mm T1.3 Lens, Zeiss Super Speeds Mk II Lenses, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 35 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens, Zeiss Super Speeds Mk III 85 mm T1.3 Lens, Zeiss Super Speeds Mk III Lenses
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The Portrait of a Lady (1996)
Country | UK, USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Jane Campion | Cinematography by | Stuart Dryburgh | Editing by | Veronika Jenetmodified:
Viy (2014)
Country | Russia, Ukraine, Czech Republic
Type | Motion Picture
Running Time | 127 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 1440x1080 - (1.33:1) Capture Resolution
Directed by | Oleg Stepchenko | Cinematography by | Yaroslav Pilunskiy, Vladimír Smutný | Editing by | Petr Zelenov
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Parental Guidance (2012)
Country | USA
Type | Motion Picture
Running Time | 105 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | Andy Fickman | Cinematography by | Dean Semler | Editing by | Kent Beyda
Cameras | Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
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Mängelexemplar (2016)
Country | Germany
Type | Motion Picture
Running Time | 111 Minutes
Aspect Ratio | 2.39:1
Capture Resolution | 2048x1152 - (1.78:1) Capture Resolution
Directed by | Laura Lackmann | Cinematography by | Sten Mende | Editing by | Gergana Voigt
Cameras | ARRI ALEXA Plus Camera, Red Epic Dragon Camera
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The Father and the Bear (2016)
Country | USA
Type | Motion Picture
Running Time | 85 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Lenses | Zeiss Lenses, Zeiss ZE Prime Lenses
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Route 30 Three! (2014)
Country | USA
Type | Motion Picture
Running Time | 94 Minutes
Aspect Ratio | 1.78:1 (16x9)
Capture Resolution | 1920x1080 - (1.78:1) Capture Resolution
Directed by | John Putch | Cinematography by | Keith J. Duggan | Editing by | John Putch
Cameras | Sony PMW-F3 Camera
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The Prince of Egypt (1998)
Country | USA
Type | Motion Picture
Running Time | 99 Minutes
Aspect Ratio | 1.78:1 (16x9), 1.85:1
Directed by | Brenda Chapman, Steve Hickner, Simon Wells | Editing by | Nick Fletchermodified:
Hilary and Jackie (1998)
Country | UK
Type | Motion Picture
Running Time | 121 Minutes
Aspect Ratio | 2.39:1
Directed by | Anand Tucker | Cinematography by | David Johnson | Editing by | Martin Walshmodified:
Vatel (2000)
Country | France, UK, Belgium
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 2.39:1
Directed by | Roland Joffé | Cinematography by | Robert Fraisse | Editing by | Noëlle Boissonmodified:
The Sea Inside (2004)
Country | Spain, France, Italy
Type | Motion Picture
Running Time | 125 Minutes
Aspect Ratio | 2.39:1
Directed by | Alejandro Amenábar | Cinematography by | Javier Aguirresarobe | Editing by | Alejandro Amenábarmodified:
Hotel Rwanda (2004)
Country | UK, South Africa, Italy
Type | Motion Picture
Running Time | 121 Minutes
Aspect Ratio | 2.39:1
Directed by | Terry George | Cinematography by | Robert Fraisse | Editing by | Naomi Geraghtymodified:
12 (2007)
Country | Russia
Type | Motion Picture
Running Time | 159 Minutes
Aspect Ratio | 2.39:1
Directed by | Nikita Mikhalkov | Cinematography by | Vladislav Opelyants | Editing by | Enzo Meniconi, Andrey Zaytsevmodified:
