Super 35 Camera Aperture | 827 Titles
Ad Astra (2019)
Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen
Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera
Lenses | CamTec Lenses, Zeiss Master Prime Lenses
The Killing (2011)
| Cinematography by | Gregory Middleton, Peter Wunstorf, Brian Johnson | Editing by | Elizabeth Kling, Joel T. Pashby, Amy E. Duddleston, Sarah Boyd, Howard Leder, Philip Fowler
Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Criminal Minds (2005)
| Cinematography by | Greg St. Johns, Glenn Kershaw, Darcy Spires, Gary Tachell, Alex Nepomniaschy | Editing by | Jimmy Hill, Nina M. Gilberti, Hibah Schweitzer, Michael Schweitzer, Farrel Levy, Adam Wolfe, Jimmy Giritlian, Fred Peterson, Joel Rice, Tamara Luciano, Chris Peppe, Peter B. Ellis, Lisa Bromwell, Eli Nilsen, Dana B. Wilson, Randy Jon Morgan
Cameras | Panavision Panaflex Camera, Red Epic Camera, Red Epic Dragon Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Leica Summicron-C Series Lenses, Panavision Primo Anamorphic Lenses
American Pastime (2007)
Directed by | Desmond Nakano | Cinematography by | Matthew Williams | Editing by | Mark Yoshikawa
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
The American Mall (2008)
Directed by | Shawn Ku | Cinematography by | Matthew Williams | Editing by | Don Brochu
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
24 (2001)
| Cinematography by | Rodney Charters, Jeffrey C. Mygatt, Guy Skinner, Peter Levy | Editing by | David Latham, Scott Powell, Chris G. Willingham, Leon Ortiz-Gil, Casey O. Rohrs, Larry Davenport, Elisa Cohen, David B. Thompson
Cameras | Bell & Howell Eyemo Camera, JVC HD110 Camera, Panavision Cameras, Panavision Panaflex Millennium XL Camera, Sony DSR-PD150 Camera
8MM (1999)
Directed by | Joel Schumacher | Cinematography by | Robert Elswit | Editing by | Mark Stevens
Cameras | Beaulieu Cameras, Panavision Cameras
Lenses | Panavision Lenses
Shoplifters (2018)
Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda
Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leica Summicron-C Series Lenses, Zeiss Ultra Prime Lenses
High School Musical: The Musical – The Series (2019)
| Cinematography by | Matthew Williams, Larry Reibman | Editing by | Tod Modisett, Melissa Gearhart
Cameras | ARRI ALEXA Mini Camera
The Shining (1980)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy
Cameras | ARRIFLEX 35 BL Camera
Barry Lyndon (1975)
Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson
Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera
Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens
Skull (2018)
Directed by | Yusron Fuadi | Editing by | Yusron Fuadi
Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE
The Patriot (2000)
Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The X-Files (1993)
| Cinematography by | Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth | Editing by | Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses | Panavision Lenses
Paradise Now (2005)
Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos
Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses
Mad Men (2007)
| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Sahara (2005)
Titus (1999)
Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot
Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
The Abyss (1989)
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith
Cameras | ARRIFLEX 35 BL Camera, Panavision System 65 Camera
Friends (1994)
| Cinematography by | Mikel Neiers, Nick McLean, Richard Hissong, Ken Lamkin, Reid Haessig | Editing by | Stephen Prime, David Helfand, Andy Zall, Jay Scherberth, Kenny Tintorri, Marnie Bermingham, Todd Felker
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
