Super 35 Camera Aperture | 819 Titles
Skull (2018)
107 Minutes
Capture Resolution | 2112x1728 - (1.22:1) Capture Resolution
Directed by | Yusron Fuadi | Editing by | Yusron Fuadi Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE
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The Patriot (2000)
165 Minutes
Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe Cameras | Panavision Cameras
Lenses | Panavision Lenses
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The X-Files (1993)
45 Minutes
| Cinematography by | Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth | Editing by | Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn Lenses | Panavision Lenses
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Paradise Now (2005)
91 Minutes
Directed by | Hany Abu-Assad | Cinematography by | Antoine Héberlé | Editing by | Sander Vos Cameras | Aaton 35-III Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Ultra Prime Lenses
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Mad Men (2007)
47 Minutes
| Cinematography by | Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen | Editing by | Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Raffertymodified:
Sahara (2005)
124 Minutes
Directed by | Breck Eisner | Cinematography by | Seamus McGarvey | Editing by | Andrew MacRitchiemodified:
Titus (1999)
162 Minutes
Directed by | Julie Taymor | Cinematography by | Luciano Tovoli | Editing by | Françoise Bonnot Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera
Lenses | Zeiss Lenses
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The Abyss (1989)
145 Minutes
Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith Cameras | ARRIFLEX 35 BL Camera, Panavision System 65 Camera
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Friends (1994)
22 Minutes
| Cinematography by | Mikel Neiers, Nick McLean, Richard Hissong, Ken Lamkin, Reid Haessig | Editing by | Stephen Prime, David Helfand, Andy Zall, Jay Scherberth, Kenny Tintorri, Marnie Bermingham, Todd Felker Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
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I Viceré (2007)
120 Minutes
Directed by | Roberto Faenza | Cinematography by | Maurizio Calvesi | Editing by | Massimo Fiocchi Cameras | Moviecam Compact Camera
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The Lord of the Rings: The Two Towers (2002)
179 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses
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The Lord of the Rings: The Fellowship of the Ring (2001)
178 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert Lenses | Zeiss Ultra Prime Lenses
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The Lord of the Rings: The Return of the King (2003) 
201 Minutes
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
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Unstoppable (2010)
98 Minutes
Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
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Under solen (1998)
130 Minutes
Directed by | Colin Nutley | Cinematography by | Jens Fischer | Editing by | Perry Schaffer Cameras | Aaton 35-III Camera, Moviecam Compact Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
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Enchanted (2007)
107 Minutes
Directed by | Kevin Lima | Cinematography by | Don Burgess | Editing by | Gregory Perler, Stephen A. Rotter Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
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Missed Connection (2017)
12 Minutes
Capture Resolution | 3840x2160 - (1.78:1) Capture Resolution
Directed by | Paul Abbaszadeh, Tyler Norman | Cinematography by | Paul Abbaszadeh | Editing by | Paul Abbaszadeh Cameras | Sony NEX-FS700 Camera
Lenses | Nikon - Nikkor Lenses, Samyang Lenses
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A Good Reason (2018)
6 Minutes
Directed by | August Holt Markwardt | Cinematography by | David J. Schweitzer | Editing by | August Holt Markwardt Cameras | Aaton Penelope Camera
Lenses | Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
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A Quiet Place (2018)
90 Minutes
Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
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Live Free or Die Hard (2007)
128 Minutes
Directed by | Len Wiseman | Cinematography by | Simon Duggan | Editing by | Nicolas De Toth Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
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