Alex Rouse

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"The Crown" Episode #6.1 | ShotOnWhat?

Wig Maker

'The Crown' Episode #6.1 (2023)

Television Episode

Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Wig Maker

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

"The Crown" Queen Victoria Syndrome | ShotOnWhat?

Wig Maker

'The Crown' Queen Victoria Syndrome (2022)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

"The Crown" The System | ShotOnWhat?

Wig Maker

'The Crown' The System (2022)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

Edited by: Celia Haining

"The Crown" Mou Mou | ShotOnWhat?

Wig Maker

'The Crown' Mou Mou (2022)

Television Episode

Directed by: Alex Gabassi

Cinematography by: Adriano Goldman

Edited by: Daniel Greenway

"The Crown" Annus Horribilis | ShotOnWhat?

Wig Maker

'The Crown' Annus Horribilis (2022)

Television Episode

Directed by: May el-Toukhy

Cinematography by: Rasmus Videbæk

Edited by: Mark Davis

"The Crown" The Way Ahead | ShotOnWhat?

Wig Maker

'The Crown' The Way Ahead (2022)

Television Episode

Directed by: May el-Toukhy

Cinematography by: Rasmus Videbæk

Edited by: Simon Brasse

"The Crown" Ipatiev House | ShotOnWhat?

Wig Maker

'The Crown' Ipatiev House (2022)

Television Episode

Directed by: Christian Schwochow

Cinematography by: Frank Lamm

Edited by: Simon Brasse

"The Crown" No Woman's Land | ShotOnWhat?

Wig Maker

'The Crown' No Woman's Land (2022)

Television Episode

Directed by: Erik Richter Strand

Cinematography by: Ben Wilson

Edited by: Stuart Gazzard

"The Crown" Gunpowder | ShotOnWhat?

Wig Maker

'The Crown' Gunpowder (2022)

Television Episode

Directed by: Erik Richter Strand

Cinematography by: Ben Wilson

Edited by: Amy Hounsell

"The Crown" Couple 31 | ShotOnWhat?

Wig Maker

'The Crown' Couple 31 (2022)

Television Episode

Directed by: Christian Schwochow

Cinematography by: Frank Lamm

Edited by: Celia Haining

"The Crown" Decommissioned | ShotOnWhat?

Wig Maker

'The Crown' Decommissioned (2022)

Television Episode

Directed by: Alex Gabassi

Cinematography by: Adriano Goldman

Edited by: Richard Graham

Mrs. Harris Goes to Paris | ShotOnWhat?

Wigmaker

Mrs. Harris Goes to Paris (2022)

Directed by: Anthony Fabian

Cinematography by: Felix Wiedemann

Edited by: Barney Pilling

Cameras: ARRI ALEXA LF Camera

The French Dispatch | ShotOnWhat?

Wigmaker

The French Dispatch (2021)

Movie

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: Andrew Weisblum

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Cooke S4/i Lenses

Come Away | ShotOnWhat?

Wigmaker

Come Away (2020)

Directed by: Brenda Chapman

Cinematography by: Jules O'Loughlin

Edited by: Dody Dorn

Wonder Woman 1984 | ShotOnWhat?

Wigmaker

Wonder Woman 1984 (2020)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Richard Pearson

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

"The Crown" Gold Stick | ShotOnWhat?

Wig Maker

'The Crown' Gold Stick (2020)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Frances Parker

"The Crown" The Balmoral Test | ShotOnWhat?

Wig Maker

'The Crown' The Balmoral Test (2020)

Television Episode

Directed by: Paul Whittington

Cinematography by: Adriano Goldman

Edited by: Simon Brasse

"The Crown" Fairytale | ShotOnWhat?

Wig Maker

'The Crown' Fairytale (2020)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

"The Crown" Favourites | ShotOnWhat?

Wig Maker

'The Crown' Favourites (2020)

Television Episode

Directed by: Paul Whittington

Cinematography by: Adriano Goldman

Edited by: Richard Graham

"The Crown" Fagan | ShotOnWhat?

Wig Maker

'The Crown' Fagan (2020)

Television Episode

Directed by: Paul Whittington

Cinematography by: Adriano Goldman

Edited by: Ben Yeates

"The Crown" Terra Nullius | ShotOnWhat?

Wig Maker

'The Crown' Terra Nullius (2020)

Television Episode

Directed by: Julian Jarrold

Cinematography by: Stuart Howell

Edited by: Lucia Zucchetti

"The Crown" The Hereditary Principle | ShotOnWhat?

Wig Maker

'The Crown' The Hereditary Principle (2020)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

Edited by: Morten Højbjerg

"The Crown" 48:1 | ShotOnWhat?

Wig Maker

'The Crown' 48:1 (2020)

Television Episode

Directed by: Julian Jarrold

Cinematography by: Stuart Howell

Edited by: Mark Davis

"The Crown" Avalanche | ShotOnWhat?

Wig Maker

'The Crown' Avalanche (2020)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

Edited by: Paulo Pandolpho

"The Crown" War | ShotOnWhat?

Wig Maker

'The Crown' War (2020)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Ben Wilson

Edited by: Celia Haining

"The Crown" Olding | ShotOnWhat?

Wig Maker / Wigmaker

'The Crown' Olding (2019)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

"The Crown" Margaretology | ShotOnWhat?

Wig Maker / Wigmaker

'The Crown' Margaretology (2019)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Tim Porter

"The Crown" Aberfan | ShotOnWhat?

Wig Maker / Wigmaker

'The Crown' Aberfan (2019)

Television Episode

Directed by: Benjamin Caron

Cinematography by: Adriano Goldman

Edited by: Yan Miles

"The Crown" Bubbikins | ShotOnWhat?

Wig Maker / Wigmaker

'The Crown' Bubbikins (2019)

Television Episode

Directed by: Benjamin Caron

Edited by: Frances Parker

"The Crown" Coup | ShotOnWhat?

Wig Maker / Wigmaker

'The Crown' Coup (2019)

Television Episode

Directed by: Christian Schwochow

Cinematography by: Frank Lamm

Edited by: Simon Brasse

"The Crown" Tywysog Cymru | ShotOnWhat?

Wig Maker / Wigmaker

'The Crown' Tywysog Cymru (2019)

Television Episode

Directed by: Christian Schwochow

Cinematography by: Frank Lamm

Edited by: Adam Bosman

"The Crown" Moondust | ShotOnWhat?

Wig Maker / Wigmaker

'The Crown' Moondust (2019)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Adriano Goldman

Edited by: Paulo Pandolpho

"The Crown" Dangling Man | ShotOnWhat?

Wig Maker / Wigmaker

'The Crown' Dangling Man (2019)

Television Episode

Directed by: Samuel Donovan

Cinematography by: Fabian Wagner

Edited by: Peggy Koretzky

"The Crown" Imbroglio | ShotOnWhat?

Wig Maker / Wigmaker

'The Crown' Imbroglio (2019)

Television Episode

Directed by: Samuel Donovan

Cinematography by: Fabian Wagner

Edited by: Daniel Greenway

"The Crown" Cri de Coeur | ShotOnWhat?

Wig Maker / Wigmaker

'The Crown' Cri de Coeur (2019)

Television Episode

Directed by: Jessica Hobbs

Cinematography by: Adriano Goldman

Edited by: Celia Haining

Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

Wigmaker

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Bohemian Rhapsody | ShotOnWhat?

Wigmaker

Bohemian Rhapsody (2018)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses: ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Editing System: Avid Editing System

Christopher Robin | ShotOnWhat?

Wigmaker

Christopher Robin (2018)

Directed by: Marc Forster

Cinematography by: Matthias Koenigswieser

Edited by: Matt Chesse

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Mary Queen of Scots | ShotOnWhat?

Wig Maker

Mary Queen of Scots (2018)

Directed by: Josie Rourke

Cinematography by: John Mathieson

Edited by: Chris Dickens

Cameras: Panavision Millennium DXL Camera, Red Epic Helium Camera

Ready Player One | ShotOnWhat?

Wigmaker

Ready Player One (2018)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Sarah Broshar, Michael Kahn

Cameras: ARRI ALEXA Plus Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses

Solo: A Star Wars Story | ShotOnWhat?

Wig Maker

Solo: A Star Wars Story (2018)

Directed by: Ron Howard

Cinematography by: Bradford Young

Edited by: Pietro Scalia

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

Mission: Impossible - Fallout | ShotOnWhat?

Wigmaker

Mission: Impossible - Fallout (2018)

Directed by: Christopher McQuarrie

Cinematography by: Rob Hardy

Edited by: Eddie Hamilton

Cameras: ARRIFLEX 235 Camera, Panavision Millennium DXL Camera, Panavision Panaflex Millennium XL2 Camera, Red Weapon Dragon Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Beauty and the Beast | ShotOnWhat?

Wig Maker

Beauty and the Beast (2017)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Thor: Ragnarok | ShotOnWhat?

Wigmaker

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Rogue One: A Star Wars Story | ShotOnWhat?

Wig Maker

Rogue One (2016)

Directed by: Gareth Edwards

Cinematography by: Greig Fraser

Edited by: John Gilroy, Colin Goudie, Jabez Olssen

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision APO Panatar Lenses

Editing System: Avid Editing System

The Legend of Tarzan | ShotOnWhat?

Wigmaker - 2016

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Assassin's Creed | ShotOnWhat?

Wigmaker

Assassin's Creed (2016)

Directed by: Justin Kurzel

Cinematography by: Adam Arkapaw

Edited by: Christopher Tellefsen

Cameras: ARRI ALEXA 65 Camera

Doctor Strange | ShotOnWhat?

Wigmaker

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Hair Stylist

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Collateral Beauty | ShotOnWhat?

Wigmaker

Collateral Beauty (2016)

Directed by: David Frankel

Cinematography by: Maryse Alberti

Edited by: Andrew Marcus

Cameras: ARRI ALEXA XT Plus Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

The Crown | ShotOnWhat?

Wigmaker - 10 Episodes, 2019

The Crown (2016)

Television Series

Directed by: Benjamin Caron, Philip Martin, Julian Jarrold, Stephen Daldry, Philippa Lowthorpe, Samuel Donovan, Jessica Hobbs, Christian Schwochow

Cinematography by: Adriano Goldman, Stuart Howell, Ole Bratt Birkeland, Frank Lamm, Fabian Wagner

Cameras: Sony CineAlta VENICE Camera, Sony PMW-F55 Camera

Lenses: Cooke Panchro/i Classic 135mm T2.8 Lens, Cooke Panchro/i Classic 21mm T2.2 Lens, Cooke Panchro/i Classic 27mm T2.2 Lens, Cooke Panchro/i Classic 65mm T2.4 Lens, Zeiss Super Speed Lenses

Star Wars: The Force Awakens | ShotOnWhat?

Child 44 | ShotOnWhat?

Wigmaker

Child 44 (2015)

Directed by: Daniel Espinosa

Cinematography by: Oliver Wood

Edited by: Pietro Scalia, Dylan Tichenor

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk Anamorphic Lenses

The Danish Girl | ShotOnWhat?

Wigmaker

The Danish Girl (2015)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Melanie Oliver

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Avengers: Age of Ultron | ShotOnWhat?

Wigmaker

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Spectre | ShotOnWhat?

The Man from U.N.C.L.E. | ShotOnWhat?

Wigmaker

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

The Martian | ShotOnWhat?

Wigmaker

The Martian (2015)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: GoPro (Woodman Labs) Cameras, Red Epic Dragon Camera, Red Scarlet Dragon Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Fujinon Premier ZK Cabrio PL Compact Lenses

Spotlight | ShotOnWhat?

Wigmaker

Spotlight (2015)

Directed by: Tom McCarthy

Cinematography by: Masanobu Takayanagi

Edited by: Tom McArdle

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

300: Rise of an Empire | ShotOnWhat?

Wigmaker

300: Rise of an Empire (2014)

Directed by: Noam Murro

Cinematography by: Simon Duggan

Edited by: David Brenner, Wyatt Smith

Cameras: Red Epic Camera

Lenses: Fujinon Alura Lenses, Zeiss Master Prime Lenses

Maleficent | ShotOnWhat?

Wigmaker

Maleficent (2014)

Directed by: Robert Stromberg

Cinematography by: Dean Semler

Edited by: Chris Lebenzon, Richard Pearson

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera

Sin City: A Dame to Kill For | ShotOnWhat?

Wigmaker

Sin City: A Dame to Kill For (2014)

Directed by: Frank Miller, Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: ARRI ALEXA M Camera

Lenses: Fujinon Premier Lenses

Editing System: Avid Editing System

Edge of Tomorrow | ShotOnWhat?

Wigmaker

Edge of Tomorrow (2014)

Directed by: Doug Liman

Cinematography by: Dion Beebe

Edited by: James Herbert, Laura Jennings

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Guardians of the Galaxy | ShotOnWhat?

Wigmaker

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Gone Girl | ShotOnWhat?

Wigmaker

Gone Girl (2014)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter

Cameras: Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Exodus: Gods and Kings | ShotOnWhat?

Wigmaker

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Fury | ShotOnWhat?

Wigmaker

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Riot Club | ShotOnWhat?

Wigmaker

The Riot Club (2014)

Directed by: Lone Scherfig

Cinematography by: Sebastian Blenkov

Edited by: Jake Roberts

The Theory of Everything | ShotOnWhat?

Wigmaker

The Theory of Everything (2014)

Directed by: James Marsh

Cinematography by: Benoît Delhomme

Edited by: Jinx Godfrey

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Paddington | ShotOnWhat?

Wigmaker

Paddington (2014)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Mark Everson

Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses

47 Ronin | ShotOnWhat?

Wig Maker

47 Ronin (2013)

Directed by: Carl Rinsch

Cinematography by: John Mathieson

Edited by: Stuart Baird

Cameras: ARRI ALEXA Camera

Editing System: Avid Editing System

Thor: The Dark World | ShotOnWhat?

Wigmaker

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Jack the Giant Slayer | ShotOnWhat?

Wig Maker

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Rush | ShotOnWhat?

Wigmaker

Rush (2013)

Directed by: Ron Howard

Cinematography by: Anthony Dod Mantle

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C300 Camera, GoPro HD Hero3 Camera, indieGS2K Camera, indiePOV Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Lenses, ARRI / Zeiss Lenses, Bausch & Lomb Lenses, Canon Lenses, Cooke Lenses, Cooke Speed Panchro Lenses, Kowa Lenses, Schneider Lenses, Zeiss Master Prime Lenses

Belle | ShotOnWhat?

Wig Supplier

Belle (2013)

Directed by: Amma Asante

Cinematography by: Ben Smithard

Edited by: Victoria Boydell, Pia Di Ciaula

Cameras: Sony CineAlta F65 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Invisible Woman | ShotOnWhat?

Wigmaker

The Invisible Woman (2013)

Directed by: Ralph Fiennes

Cinematography by: Rob Hardy

Edited by: Nicolas Gaster

Cameras: ARRIFLEX 35 IIIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Book Thief | ShotOnWhat?

Wigmaker

The Book Thief (2013)

Directed by: Brian Percival

Cinematography by: Florian Ballhaus

Edited by: John Wilson

Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Woman in Black | ShotOnWhat?

Wigmaker

The Woman in Black (2012)

Directed by: James Watkins

Cinematography by: Tim Maurice-Jones

Edited by: Jon Harris

Prometheus | ShotOnWhat?

Wigmaker

Prometheus (2012)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Pietro Scalia

Cameras: ARRI ALEXA Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

John Carter | ShotOnWhat?

Wigmaker , Wigs

John Carter (2012)

Directed by: Andrew Stanton

Cinematography by: Dan Mindel

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Apple Final Cut Pro 7

Dark Shadows | ShotOnWhat?

Wig Maker

Dark Shadows (2012)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: Chris Lebenzon

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Snow White and the Huntsman | ShotOnWhat?

Wigmaker

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Great Expectations | ShotOnWhat?

Wig Maker

Great Expectations (2012)

Directed by: Mike Newell

Cinematography by: John Mathieson

Edited by: Tariq Anwar

Cloud Atlas | ShotOnWhat?

Wig Maker

Cloud Atlas (2012)

Directed by: Tom Tykwer, Lana Wachowski, Lilly Wachowski

Cinematography by: Frank Griebe, John Toll

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Byzantium | ShotOnWhat?

Wigmaker

Byzantium (2012)

Directed by: Neil Jordan

Cinematography by: Sean Bobbitt

Edited by: Tony Lawson

Cameras: ARRI ALEXA Plus Camera

Lenses: Zeiss Master Prime Lenses

Life of Pi | ShotOnWhat?

Wigmaker

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Hitchcock | ShotOnWhat?

Wig Maker

Hitchcock (2012)

Directed by: Sacha Gervasi

Cinematography by: Jeff Cronenweth

Edited by: Pamela Martin

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Hyde Park on Hudson | ShotOnWhat?

Wig Maker

Hyde Park on Hudson (2012)

Directed by: Roger Michell

Cinematography by: Lol Crawley

Edited by: Nicolas Gaster

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 ES Camera, Silicon Imaging SI-2K Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo DP 16-42 mm T2.8 Lens, Cooke S4 Lenses

My Week with Marilyn | ShotOnWhat?

Wigmaker

My Week with Marilyn (2011)

Directed by: Simon Curtis

Cinematography by: Ben Smithard

Edited by: Adam Recht

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke 5/i Lenses, Cooke S4 Lenses

Harry Potter and the Deathly Hallows: Part 2 | ShotOnWhat?

Wigmaker

Harry Potter and the Deathly Hallows: Part 2 (2011)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Dream House | ShotOnWhat?

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Dream House (2011)

Directed by: Jim Sheridan

Cinematography by: Caleb Deschanel

Edited by: Glen Scantlebury, Barbara Tulliver

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

W.E. | ShotOnWhat?

Wigmaker

W.E. (2011)

Directed by: Madonna

Cinematography by: Hagen Bogdanski

Edited by: Danny Tull

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses: Zeiss Ultra Prime Lenses

Thor | ShotOnWhat?

Wigmaker

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Game of Thrones | ShotOnWhat?

Wigmaker - 7 Episodes, 2011

Game of Thrones (2011)

Television Series

Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman

Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson

Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles

Cameras: ARRI ALEXA Camera, ARRI ALEXA Mini Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Editing System: Avid Editing System

"Game of Thrones" Fire and Blood | ShotOnWhat?

Wigmaker

'Game of Thrones' Fire and Blood (2011)

Television Episode

Directed by: Alan Taylor

Cinematography by: Alik Sakharov

Edited by: Frances Parker

"Game of Thrones" Baelor | ShotOnWhat?

Wigmaker

'Game of Thrones' Baelor (2011)

Television Episode

Directed by: Alan Taylor

Cinematography by: Alik Sakharov

Edited by: Frances Parker

"Game of Thrones" The Pointy End | ShotOnWhat?

Wigmaker

'Game of Thrones' The Pointy End (2011)

Television Episode

Directed by: Daniel Minahan

Cinematography by: Matthew Jensen

Edited by: Martin Nicholson

"Game of Thrones" You Win or You Die | ShotOnWhat?

Wigmaker

'Game of Thrones' You Win or You Die (2011)

Television Episode

Directed by: Daniel Minahan

Cinematography by: Matthew Jensen

Edited by: Martin Nicholson

"Game of Thrones" A Golden Crown | ShotOnWhat?

Wigmaker

'Game of Thrones' A Golden Crown (2011)

Television Episode

Directed by: Daniel Minahan

Cinematography by: Matthew Jensen

Edited by: Martin Nicholson

"Game of Thrones" The Wolf and the Lion | ShotOnWhat?

Wigmaker

'Game of Thrones' The Wolf and the Lion (2011)

Television Episode

Directed by: Brian Kirk

Cinematography by: Marco Pontecorvo

Edited by: Frances Parker

"Game of Thrones" Cripples, Bastards, and Broken Things | ShotOnWhat?

Wigmaker

'Game of Thrones' Cripples, Bastards, and Broken Things (2011)

Television Episode

Directed by: Brian Kirk

Cinematography by: Marco Pontecorvo

Edited by: Frances Parker

Harry Potter and the Deathly Hallows: Part 1 | ShotOnWhat?

Wig Maker

Harry Potter and the Deathly Hallows: Part 1 (2010)

Directed by: David Yates

Cinematography by: Eduardo Serra

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Lenses

Salt | ShotOnWhat?

Wigmaker

Salt (2010)

Directed by: Phillip Noyce

Cinematography by: Robert Elswit

Edited by: Stuart Baird, John Gilroy

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

The Special Relationship | ShotOnWhat?

Wigmaker

The Special Relationship (2010)

Television Movie

Directed by: Richard Loncraine

Cinematography by: Barry Ackroyd

Edited by: Melanie Oliver

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Never Let Me Go | ShotOnWhat?

Wigmaker

Never Let Me Go (2010)

Directed by: Mark Romanek

Cinematography by: Adam Kimmel

Edited by: Barney Pilling

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Shanghai | ShotOnWhat?

Wigmaker

Shanghai (2010)

Directed by: Mikael Håfström

Cinematography by: Benoît Delhomme

Edited by: Peter Boyle, Kevin Tent

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Made in Dagenham | ShotOnWhat?

Wigmaker

Made in Dagenham (2010)

Directed by: Nigel Cole

Cinematography by: John de Borman

Edited by: Michael Parker

Alice in Wonderland | ShotOnWhat?

Wig Maker

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The King's Speech | ShotOnWhat?

Wigmaker

The King's Speech (2010)

Directed by: Tom Hooper

Cinematography by: Danny Cohen

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Robin Hood | ShotOnWhat?

Wigmaker

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Dorian Gray | ShotOnWhat?

Wigmaker

Dorian Gray (2009)

Directed by: Oliver Parker

Cinematography by: Roger Pratt

Edited by: Guy Bensley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Lenses, Cooke S4 Lenses

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Wigs

Harry Potter and the Half-Blood Prince (2009)

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Imaginarium of Doctor Parnassus | ShotOnWhat?

Wigmaker

The Imaginarium of Doctor Parnassus (2009)

Directed by: Terry Gilliam

Cinematography by: Nicola Pecorini

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Ultra Prime Lenses

The Young Victoria | ShotOnWhat?

Wigmaker

The Young Victoria (2009)

Directed by: Jean-Marc Vallée

Cinematography by: Hagen Bogdanski

Edited by: Jill Bilcock, Matt Garner

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Mamma Mia! | ShotOnWhat?

Wigmaker

Mamma Mia! (2008)

Directed by: Phyllida Lloyd

Cinematography by: Haris Zambarloukos

Edited by: Lesley Walker

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Valkyrie | ShotOnWhat?

Wig Maker

Valkyrie (2008)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Boy in the Striped Pajamas | ShotOnWhat?

Wigmaker

The Boy in the Striped Pajamas (2008)

Directed by: Mark Herman

Cinematography by: Benoît Delhomme

Edited by: Michael Ellis

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Wigmaker

The Chronicles of Narnia: Prince Caspian (2008)

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

Quantum of Solace | ShotOnWhat?

Wigmaker

Quantum of Solace (2008)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse, Richard Pearson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Miss Pettigrew Lives for a Day | ShotOnWhat?

Wigmaker

Miss Pettigrew Lives for a Day (2008)

Directed by: Bharat Nalluri

Cinematography by: John de Borman

Edited by: Barney Pilling

Cameras: Panavision Cameras

St. Trinian's | ShotOnWhat?

Wigmaker

St. Trinian's (2007)

Directed by: Oliver Parker, Barnaby Thompson

Cinematography by: Gavin Finney

Edited by: Alex Mackie

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Harry Potter and the Order of the Phoenix | ShotOnWhat?

Wigmaker

Harry Potter and the Order of the Phoenix (2007)

Directed by: David Yates

Cinematography by: Slawomir Idziak

Edited by: Mark Day

Cameras: ARRI Cameras

Bandidas | ShotOnWhat?

Wigs

Bandidas (2006)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Thierry Arbogast

Edited by: Frédéric Thoraval

Harry Potter and the Goblet of Fire | ShotOnWhat?

Wig Maker

Harry Potter and the Goblet of Fire (2005)

Directed by: Mike Newell

Cinematography by: Roger Pratt

Edited by: Mick Audsley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses

Harry Potter and the Prisoner of Azkaban | ShotOnWhat?

Wig Maker

Harry Potter and the Prisoner of Azkaban (2004)

Directed by: Alfonso Cuarón

Cinematography by: Michael Seresin

Edited by: Steven Weisberg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses: Cooke S4 Lenses

Editing System: Avid Editing System

Harry Potter and the Chamber of Secrets | ShotOnWhat?

Wig Maker

Harry Potter and the Chamber of Secrets (2002)

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

Harry Potter and the Sorcerer's Stone | ShotOnWhat?

Wigmaker

Harry Potter and the Sorcerer's Stone (2001)

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

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