Visual Effects Supervisor
The Hustle (2019)
Directed by: Chris Addison
Cinematography by: Michael Coulter
Edited by: Anthony Boys
2d Supervisor: Double Negative
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Avid Editing System
Compositing Sequence Supervisor: Visual Effects: Double Negative
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Lead Compositor/lead Cg Lighting/lead Effects Artist/lead Animator: Double Negative
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Compositing Sequence Supervisor: Visual Effects: Double Negative
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Digital Compositor: Double Negative
Total Recall (2012)
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Digital Compositor: The Senate VFX
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
2d Lead: The Senate VFX
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Visual Effects Supervisor: The Senate VFX
'Downton Abbey' Episode #2.1 (2011)
Directed by: Ashley Pearce
Cinematography by: Gavin Struthers
Edited by: John Wilson
Visual Effects Supervisor: The Senate VFX
'Downton Abbey' Episode #2.5 (2011)
Directed by: Brian Kelly
Cinematography by: David Marsh
Edited by: Steve Singleton
Visual Effects Supervisor
'Sherlock' The Great Game (2010)
Directed by: Paul McGuigan
Cinematography by: Steve Lawes
Edited by: Charlie Phillips
Visual Effects Supervisor - 2 Episodes, 2010
Sherlock (2010)
Directed by: Paul McGuigan, Nick Hurran, Coky Giedroyc, Euros Lyn, Toby Haynes, Jeremy Lovering, Colm McCarthy, Douglas Mackinnon, Benjamin Caron, Rachel Talalay
Cinematography by: Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther
Edited by: Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses: Cooke S4 Lenses, Zeiss Super Speed Lenses
Visual Effects Supervisor
'Sherlock' A Study in Pink (2010)
Directed by: Paul McGuigan
Cinematography by: Steve Lawes
Edited by: Charlie Phillips
Visual Effects Supervisor: The Senate VFX - 2 Episodes, 2011
Downton Abbey (2010)
Directed by: Brian Percival, David Evans, Philip John, Andy Goddard, Catherine Morshead, Minkie Spiro, Brian Kelly, Michael Engler, Ben Bolt, Ashley Pearce, James Strong, Jeremy Webb, Edward Hall, Jon East
Cinematography by: Nigel Willoughby, Graham Frake, Gavin Struthers, David Katznelson, David Marsh, Adam Gillham, David Raedeker, Michael McDonough
Edited by: Al Morrow, John Wilson, Paul Garrick, Justin Krish, Alex Mackie, Nick McPhee, Mike Jones, Steve Singleton, Alex Kalmakrian
Cameras: ARRI ALEXA Camera, ARRIFLEX D-21 Camera
Digital Compositor: The Mill
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Compositor
'Doctor Who' The Big Bang (2010)
Directed by: Toby Haynes
Cinematography by: Stephan Pehrsson
Edited by: Matthew Newman
Digital Compositor: Mill TV
Skellig: The Owl Man (2009)
Directed by: Annabel Jankel
Cinematography by: Steve Lawes
Edited by: Peter Christelis
Cameras: ARRIFLEX D-21 Camera
Digital Compositor: Mill TV - 2 Episodes, 2008
Merlin (2008)
Directed by: Jeremy Webb, Alice Troughton, David Moore, Justin Molotnikov, Ashley Way, Ed Fraiman, James Hawes, Metin Hüseyin, Alex Pillai, Stuart Orme, Declan O'Dwyer
Cinematography by: Dale McCready, Ashley Rowe, Sam McCurdy, Geoffrey Wharton, Peter Greenhalgh, Jim O'Donnell
Edited by: Simon Reglar, Elen Pierce Lewis, Jeremy Strachan, Fiona Colbeck, Tom White, Mark Eckersley, Crispin Green, Mark Thornton, Bjorn Johnson, Andrew McClelland, Jackie Ophir, Belinda Cottrell, Tim Marchant, Annie Kocur, William Webb
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Digital Compositor: Mill TV
'Merlin' Le Morte d'Arthur (2008)
Directed by: David Moore
Cinematography by: Dale McCready
Edited by: Elen Pierce Lewis
Digital Compositor: Mill TV
'Merlin' To Kill the King (2008)
Directed by: Stuart Orme
Cinematography by: Jim O'Donnell
Edited by: Andrew McClelland
Digital Compositor / Visual Effects: Double Negative
Inkheart (2008)
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Lead 2D Artist: Double Negative
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
2D Artist
'Doctor Who' Midnight (2008)
Directed by: Alice Troughton
Cinematography by: Ernest Vincze
Edited by: Philip Kloss
Compositor: Double Negative
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
2D Artist
'Doctor Who' The Next Doctor (2008)
Directed by: Andy Goddard
Cinematography by: Ernest Vincze
Edited by: Richard Cox
Compositor: Double Negative
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Digital Compositor: Double Negative
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Digital Compositor - Segment "Don't" Double Negative"
Grindhouse (2007)
Lead Digital Compositor
Jekyll + Hyde (2006)
Directed by: Nick Stillwell
Cinematography by: Philip Robertson
Edited by: David Barrett
Digital Compositor: MPC
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Digital Compositor: Double Negative
Flyboys (2006)
Directed by: Tony Bill
Cinematography by: Henry Braham
Visual Effects: Double Negative
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
2D Artist / Compositor - 3 Episodes, 2008-2010
Doctor Who (2005)
Directed by: Graeme Harper, Euros Lyn, Douglas Mackinnon, James Strong, Rachel Talalay, Charlie Palmer, James Hawes, Joe Ahearne, Toby Haynes, Nick Hurran, Saul Metzstein, Jamie Magnus Stone, Hettie Macdonald, Richard Clark, Julian Simpson, Daniel Nettheim, Edward Bazalgette, Jamie Childs, Keith Boak, Colin Teague, Adam Smith, Paul Wilmshurst, Lawrence Gough, Wayne Yip, Alice Troughton, Jonny Campbell, Andrew Gunn, Catherine Morshead, Ashley Way, Farren Blackburn, Steve Hughes, Jeremy Webb, Jamie Payne, Stephen Woolfenden, Paul Murphy, Ben Wheatley, Justin Molotnikov, Daniel O'Hara, Bill Anderson, Sallie Aprahamian, Jennifer Perrott, Mark Tonderai, Lee Haven Jones, Nida Manzoor, Emma Sullivan, Brian Grant, Dan Zeff, Andy Goddard, Peter Hoar, Richard Senior, Neill Gorton, John Hayes, Mat King, Colm McCarthy, Sheree Folkson
Cinematography by: Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg
Edited by: William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Editing System: Apple Final Cut Pro 7
Compositor: Clear Films
Tristram Shandy: A Cock and Bull Story (2005)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Edited by: Peter Christelis
Cameras: Sony HDC-750 Camera
Digital Compositor
Kingdom of Heaven (2005)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Digital Compositor
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Digital Compositor
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Digital Compositor
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Digital Compositor: Cinesite
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Digital Artist: Cinesite
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Artist
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Digital I/O: Cinesite Europe
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Production Support: Cinesite Europe
Die Another Day (2002)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
