Additional Visual Effects Editor: Framestore
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Additional Visual Effects Editor: Framestore CFC
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
First Assistant Editor
'Misfits' Episode #1.1 (2009)
Directed by: Tom Green
Cinematography by: Christopher Ross
Edited by: Crispin Green
First Assistant Editor
'Misfits' Episode #1.2 (2009)
Directed by: Tom Green
Cinematography by: Christopher Ross
Edited by: Crispin Green
First Assistant Editor
'Misfits' Episode #1.3 (2009)
Directed by: Tom Harper
Cinematography by: Christopher Ross
Edited by: David Head
First Assistant Editor
'Misfits' Episode #1.5 (2009)
First Assistant Editor / Assembly Editor - 6 Episodes, 2009
Misfits (2009)
Directed by: Tom Green, Jonathan van Tulleken, Tom Harper, Wayne Yip, China Moo-Young, Owen Harris, Alex Garcia Lopez, William Sinclair, Nirpal Bhogal, William McGregor, Dusan Lazarevic, Lewis Arnold, Lawrence Gough, Amanda Boyle
Cinematography by: Christopher Ross, Felix Wiedemann, Damian Bromley, David Raedeker, Adam Etherington, Tim Sidell, Simon Tindall, Jonathan Harvey, Sam Care
Edited by: Tom Hemmings, Andrew MacRitchie, Crispin Green, David Head, Robin Peters, Jake Roberts, Matthew Tabern, Robin Hill, Celia Haining, James Hughes, Richard Graham, Stephen Haren, Christopher Watson, Mark Eckersley, Kim Gaster
Cameras: Red One Camera
Additional Visual Effects Editor: Framestore CFC
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Additional Visual Effects Editor: Framestore CFC
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Additional Visual Effects Editor: Framestore CFC
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Additional Visual Effects Editor: Framestore CFC
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
First Assistant Editor
Dear Frankie (2004)
Directed by: Shona Auerbach
Cinematography by: Shona Auerbach
Edited by: Oral Norrie Ottey
Second Assistant Editor
A Christmas Carol: The Musical (2004)
Directed by: Arthur Allan Seidelman
Cinematography by: Hanania Baer
Edited by: Bert Glatstein
Additional Visual Effects Editor: Framestore CFC
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Additional Visual Effects Editor: Framestore CFC
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
First Assistant Editor
Dirty Filthy Love (2004)
Directed by: Adrian Shergold
Cinematography by: David Odd
Edited by: Tania Reddin
Production Runner - 2 Episodes, 2000
Arabian Nights (2000)
Directed by: Steve Barron
Cinematography by: Remi Adefarasin
Edited by: David Yardley
