Camera Operator: "b" Camera, Main Unit
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Camera Operator: Dailies
The Two Faces of January (2014)
Directed by: Hossein Amini
Cinematography by: Marcel Zyskind
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Hawk C-Series Lenses
Cinematographer
'Misfits' Episode #5.5 (2013)
Directed by: Lawrence Gough
Cinematography by: Simon Tindall
Edited by: Stephen Haren
Cinematographer
'Misfits' Episode #5.4 (2013)
Directed by: Lawrence Gough
Cinematography by: Simon Tindall
Edited by: Stephen Haren
C Camera Operator: Dailies
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
First Assistant Camera: "a" Camera
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Director Of Photography: Second Unit
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
Focus Puller: "a" Camera
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
B Camera Focus Puller
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
First Assistant Camera: "a" Camera
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Camera Operator: "b" Camera / Director Of Photography: Second Unit
Four Lions (2010)
Directed by: Christopher Morris
Cinematography by: Lol Crawley
Edited by: Billy Sneddon
Cameras: Sony HDW-F900 Camera
A Camera Focus Puller: Pick Ups
London Boulevard (2010)
Directed by: William Monahan
Cinematography by: Chris Menges
Editing System: Avid Editing System
Focus Puller: Second Unit, Scotland
Centurion (2010)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Chris Gill
Editing System: Lightworks Editing System
First Assistant Camera
Bright Star (2009)
Directed by: Jane Campion
Cinematography by: Greig Fraser
Edited by: Alexandre de Franceschi
Lenses: Cooke S4 Lenses, Optica Elite Lenses
Cinematographer - 2 Episodes, 2013
Misfits (2009)
Directed by: Tom Green, Jonathan van Tulleken, Tom Harper, Wayne Yip, China Moo-Young, Owen Harris, Alex Garcia Lopez, William Sinclair, Nirpal Bhogal, William McGregor, Dusan Lazarevic, Lewis Arnold, Lawrence Gough, Amanda Boyle
Cinematography by: Christopher Ross, Felix Wiedemann, Damian Bromley, David Raedeker, Adam Etherington, Tim Sidell, Simon Tindall, Jonathan Harvey, Sam Care
Edited by: Tom Hemmings, Andrew MacRitchie, Crispin Green, David Head, Robin Peters, Jake Roberts, Matthew Tabern, Robin Hill, Celia Haining, James Hughes, Richard Graham, Stephen Haren, Christopher Watson, Mark Eckersley, Kim Gaster
Cameras: Red One Camera
Camera Assistant
Mammoth (2009)
Directed by: Lukas Moodysson
Cinematography by: Marcel Zyskind
Edited by: Michal Leszczylowski
Focus Puller: UK
The Boys Are Back (2009)
Directed by: Scott Hicks
Cinematography by: Greig Fraser
Edited by: Scott Gray
Additional Photographer: UK / First Assistant Camera
A Summer in Genoa (2008)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Cameras: Sony HDW-750 Camera, Sony HVR-V1(P/E) Camera
First Assistant Camera
Mister Lonely (2007)
Directed by: Harmony Korine
Cinematography by: Marcel Zyskind
B Camera Operator
The Queen (2006)
Directed by: Stephen Frears
Cinematography by: Affonso Beato
Edited by: Lucia Zucchetti
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Focus Puller
Millions (2004)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Assistant Camera
28 Days Later... (2002)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Chris Gill
Cameras: ARRI Cameras, Canon XL1 Camera
Editing System: Lightworks Editing System
