Dolby Digital | 2307 Titles
Transformers: The Last Knight (2017)
Directed by | Michael Bay | Cinematography by | Jonathan Sela | Editing by | Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer
Lenses | ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Avatar (2009)
Directed by | James Cameron | Cinematography by | Mauro Fiore | Editing by | James Cameron, John Refoua, Stephen E. Rivkin
Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses
The Office (2005)
| Cinematography by | Matt Sohn, Randall Einhorn, Sarah Levy, Peter Smokler | Editing by | David Rogers, Claire Scanlon, Dean Holland, Rob Burnett, Stuart Bass, Rick Weis, Michael Zurer, Gary Levy, Josh Belson, Colin Johnson, Curtis Thurber, Kathryn Himoff, Richie Edelson, Grady Cooper
Cameras | Sony HDW-F900 Camera, Sony HDW-F900R Camera
Longlegs (2024)
Directed by | Osgood Perkins | Cinematography by | Andres Arochi | Editing by | Graham Fortin, Greg Ng
Lenses | ARRI Signature Prime Lenses, Cooke S4/i Lenses
Minority Report (2002)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Lenses | Panavision Lenses
True Lies (1994)
Directed by | James Cameron | Cinematography by | Russell Carpenter | Editing by | Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Maître du monde (2011)
Directed by | Enrico Alexander Giordano | Cinematography by | Daniel Brouwer | Editing by | Enrico Alexander Giordano
Starring | Boris Beynet
Cameras | Panasonic AG-HVX200 Camera
Lenses | Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens
The Favourite (2018)
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Raiders of the Lost Ark (1981)
Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas
Poor Things (2023)
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 765 Camera, Beaumont Vista Vision Camera
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Leitz Lenses, Nikon - Nikkor Lenses, Optex Super16 4 mm T2.0 Lens, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens, Zeiss Ultra 16 Lenses, Zeiss Zoom Lenses
The Killing of a Sacred Deer (2017)
Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis
Cameras | ARRICAM Lite (LT) Camera
Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
Kinds of Kindness (2024)
Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis
Lenses | Atlas Orion Anamorphic Series Lenses, Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
The Good, the Bad and the Ugly (1966)
Directed by | Sergio Leone | Cinematography by | Tonino Delli Colli | Editing by | Eugenio Alabiso, Nino Baragli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Girls (2012)
| Cinematography by | Tim Ives, Jody Lee Lipes, Matthew Santo, Hernan Otaño | Editing by | Shawn Paper, Paul Zucker, Myron Kerstein, Nat Sanders, Kate Hickey, Robert Frazen, Catherine Haight, Peter CabadaHagan, Joi McMillon
Cameras | ARRI ALEXA Camera
Once Upon a Time (2011)
| Cinematography by | Stephen Jackson, Tony Mirza, Steven Fierberg | Editing by | Geofrey Hildrew, Mark Goldman, Joe Talbot Hall, Scot J. Kelly, Richard Glazerman, Paul Mendoza, Jon Koslowsky, Kathryn Panian, Robert Lanford, Adam Lemnah, Chris Conlee, Adam K. Tiller, Jim Towne, Julie Monroe, Henk Van Eeghen, Luke Brown, Lindsay Armstrong
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Kynodontas (2009)
Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis
Cameras | Moviecam Compact MK2 Camera
Lenses | Optica Elite Lenses
Scandal (2012)
| Cinematography by | Oliver Bokelberg, Michael G. Wojciechowski, Daryn Okada, Steven G. Fracol, Andrew Lemon | Editing by | Gregory T. Evans, Matthew Ramsey, Christal Khatib, Kyle Bond, Matthew Pevic, Joe Mitacek, Karen Castañeda, Julia Grove, Dino DeLorenzo, Jonathan Pledger, David Greenspan, Jamin Bricker, Kurt Courtland
Cameras | ARRI ALEXA Camera, Digital Bolex D16
Lenses | Angenieux Optimo Zoom Lenses
Californication (2007)
| Cinematography by | Michael Weaver, Tim Bellen, Andy Graham, Peter Levy | Editing by | Shannon Mitchell, Kevin D. Ross, Todd Desrosiers, Michael D. Ornstein, Tony Solomons, Mark Manos, David Brixton, James A. Brewer, Ralph Yuan Wong
Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera
Lenses | Angenieux Optimo 45-120 mm T2.8 Lens
Interstellar (2014)
Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith
Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Forrest Gump (1994) 
Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Platinum Camera
