Dialect Coach: Stacey Roca
'Mindhunter' Episode #2.6 (2019)
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Grant Surmi
Dialect Coach: Stacey Roca
'Mindhunter' Episode #2.5 (2019)
Directed by: Andrew Dominik
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Dialect Coach: Stacey Roca
'Mindhunter' Episode #2.4 (2019)
Directed by: Andrew Dominik
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Dialect Coach: Stacey Roca
'Mindhunter' Episode #2.3 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Dialect Coach: Stacey Roca
'Mindhunter' Episode #2.2 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Dialect Coach: Stacey Roca
'Mindhunter' Episode #2.1 (2019)
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Dialect Coach: Stacey Roca
'Mindhunter' Episode #2.7 (2019)
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Grant Surmi
Dialect Coach: Stacey Roca
'Mindhunter' Episode #2.8 (2019)
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Dialect Coach: Danielle Macdonald And Ashley Thomas
Skin (2018)
Directed by: Guy Nattiv
Cinematography by: Drew Daniels
Edited by: Yuval Orr
Dialect Coach: Stacey Roca - 11 Episodes, 2017-2019
Mindhunter (2017)
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Dialect Coach: Stacey Roca
'Mindhunter' Episode #1.4 (2017)
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Dialect Coach: Stacey Roca
'Mindhunter' Episode #1.6 (2017)
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Dialect Coach: Stacey Roca
'Mindhunter' Episode #1.7 (2017)
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Dialect Coach: Danielle Macdonald
'American Horror Story' Chapter 10 (2016)
Directed by: Bradley Buecker
Cinematography by: Gavin Kelly
Edited by: Justin Krohn
Singer: Soundtrack
La La Land (2016)
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Singer: Soundtrack
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Singer: Soundtrack
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Singer: Ensemble
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Dialect Coach: Danielle Macdonald - 1 Episode, 2016
American Horror Story (2011)
Directed by: Bradley Buecker, Alfonso Gomez-Rejon, Michael Uppendahl, Loni Peristere, Michael Goi, Gwyneth Horder-Payton, Jennifer Lynch, Ryan Murphy, Michael Lehmann, David Semel, Howard Deutch, Jeremy Podeswa, Michael Rymer, Angela Bassett, Miguel Arteta, Tim Hunter, John Scott, Craig Zisk, Anthony Hemingway, Nelson Cragg, Marita Grabiak, Elodie Keene, Alexis Ostrander, Barbara Brown, Rachel Goldberg, Liza Johnson, Maggie Kiley, Jennifer Arnold, Sheree Folkson, Sarah Paulson
Cinematography by: Michael Goi, Gavin Kelly, John B. Aronson, Tom Houghton, Nelson Cragg, Jesse M. Feldman, Christopher Baffa, Joaquin Sedillo, James Chressanthis, Chris Manley, James M. Sterba
Edited by: Fabienne Bouville, Adam Penn, Ken Ramos, Stewart Schill, Regis Kimble, Justin Krohn, Danielle Wang, Bradley Buecker, Adriaan van Zyl, Sean Aylward, Angela Jackson, Chris A. Peterson, Robert Komatsu, Micky Blythe, Kaja Fehr, Joe Leonard, John Petaja, Lizzy Calhoun, Shelly Westerman
Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Lenses, Panavision Lenses
Singer: Soundtrack
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Danny's Wife
A Summer in Genoa (2008)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Cameras: Sony HDW-750 Camera, Sony HVR-V1(P/E) Camera
Singer: Soundtrack
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Singer: Soundtrack
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Singer: Soundtrack
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Singer: Soundtrack
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Singer: Soundtrack
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Singer: Ensemble
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
