Post-production Executive
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Post-production Executive
The Lucky One (2012)
Directed by: Scott Hicks
Cinematography by: Alar Kivilo
Edited by: Scott Gray
Post-production Executive
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Post Production Executive
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Post-production Executive
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Post Production Executive
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Post-production Executive
Cop Out (2010)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Post-production Executive: Warner Bros.
Edge of Darkness (2010)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Post-production Executive
Jonah Hex (2010)
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Post-production Executive
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Post-production Executive
The Dark Knight (2008)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Post Production Executive: Warner Bros.
Slumdog Millionaire (2008)
Cinematography by: Anthony Dod Mantle
Edited by: Chris Dickens
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Post-production Executive
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Post-production Executive
Rails & Ties (2007)
Directed by: Alison Eastwood
Cinematography by: Tom Stern
Edited by: Gary Roach
Post-production Executive
The Brave One (2007)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
Post-production Executive
No Reservations (2007)
Directed by: Scott Hicks
Cinematography by: Stuart Dryburgh
Edited by: Pip Karmel
Post-production Executive
Towelhead (2007)
Directed by: Alan Ball
Cinematography by: Newton Thomas Sigel
Edited by: Andy Keir
Post-production Executive
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by: Andrew Dominik
Cinematography by: Roger Deakins
Lenses: Cooke Lenses, Cooke S4 Lenses
Post-production Executive
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Post-production Executive
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Post-production Executive
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Post-production Executive
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Post-production Executive
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Post-production Executive
Happy Feet (2006)
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Post-production Executive
Rumor Has It... (2005)
Directed by: Rob Reiner
Cinematography by: Peter Deming
Edited by: Robert Leighton
Post-production Executive
House of Wax (2005)
Directed by: Jaume Collet-Serra
Cinematography by: Stephen F. Windon
Edited by: Joel Negron
Post-production Executive
Corpse Bride (2005)
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Post-production Executive
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Post-production Executive
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Post-production Executive
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Post-production Executive
Must Love Dogs (2005)
Directed by: Gary David Goldberg
Cinematography by: John Bailey
Cameras: Panavision Cameras
Post-production Executive
Syriana (2005)
Directed by: Stephen Gaghan
Cinematography by: Robert Elswit
Edited by: Tim Squyres
Post-production Executive
Ocean's Twelve (2004)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Post-production Executive
Taking Lives (2004)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
Post-production Executive
Harry Potter and the Prisoner of Azkaban (2004)
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Post-production Executive
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Post-production Executive
Starsky & Hutch (2004)
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Post-production Executive
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Post-production Executive
A Cinderella Story (2004)
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Post-production Executive
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Post-production Executive
Gods and Generals (2003)
Directed by: Ron Maxwell
Cinematography by: Kees Van Oostrum
Edited by: Corky Ehlers
Post-production Executive
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Post-production Executive
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Post-production Executive
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Post-production Executive
Matchstick Men (2003)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Post-production Executive
Kangaroo Jack (2003)
Directed by: David McNally
Cinematography by: Peter Menzies Jr.
Cameras: Panavision Cameras
Post-production Executive
Harry Potter and the Chamber of Secrets (2002)
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Post-production Executive
Divine Secrets of the Ya-Ya Sisterhood (2002)
Directed by: Callie Khouri
Cinematography by: John Bailey
Edited by: Andrew Marcus
Cameras: Panavision Panaflex Platinum Camera
Post-production Executive
Analyze That (2002)
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Post-production Executive
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Post-production Executive
A Walk to Remember (2002)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Post-production Executive
Showtime (2002)
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Post-production Executive
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Post-production Executive
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Post-production Executive
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Post-production Executive
Training Day (2001)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: Conrad Buff IV
Lenses: Hawk C-Series Lenses
Post-production Executive
See Spot Run (2001)
Directed by: John Whitesell
Cinematography by: John S. Bartley
Edited by: Cara Silverman
Post-production Executive
Harry Potter and the Sorcerer's Stone (2001)
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Post-production Executive
Ocean's Eleven (2001)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Editing System: Avid Editing System
Post-production Executive
Swordfish (2001)
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Edited by: Stephen E. Rivkin
Post-production Executive
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Post-production Executive
Red Planet (2000)
Directed by: Antony Hoffman
Cinematography by: Peter Suschitzky
Post-production Executive
The Dish (2000)
Directed by: Rob Sitch
Cinematography by: Graeme Wood
Edited by: Jill Bilcock
Post-production Executive
The Replacements (2000)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Post-production Executive
The Perfect Storm (2000)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Post-production Executive
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Post-production Executive
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Post-production Executive
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Post-production Executive
Analyze This (1999)
Directed by: Harold Ramis
Cinematography by: Stuart Dryburgh
Post-production Executive
The Iron Giant (1999)
Directed by: Brad Bird
Cinematography by: Steven Wilzbach
Edited by: Darren T. Holmes
Post-production Executive
Mickey Blue Eyes (1999)
Directed by: Kelly Makin
Cinematography by: Donald E. Thorin
Edited by: David Freeman
Post-production Executive
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Post-production Executive
Three Kings (1999)
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Post-production Executive
Fallen (1998)
Directed by: Gregory Hoblit
Cinematography by: Newton Thomas Sigel
Edited by: Lawrence Jordan
Post-production Executive
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Post-production Executive
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post-production Executive
Jack Frost (1998)
Directed by: Troy Miller
Cinematography by: László Kovács
Edited by: Lawrence Jordan
Post-production Executive
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Post-production Executive
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Post-production Executive
The Avengers (1998)
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Post-production Executive
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Post-production Executive
A Perfect Murder (1998)
Directed by: Andrew Davis
Cinematography by: Dariusz Wolski
Post-production Executive
U.S. Marshals (1998)
Directed by: Stuart Baird
Cinematography by: Andrzej Bartkowiak
Edited by: Terry Rawlings
Post-production Executive
Fathers' Day (1997)
Directed by: Ivan Reitman
Cinematography by: Stephen H. Burum
Post-production Accountant Manager
Selena (1997)
Directed by: Gregory Nava
Cinematography by: Edward Lachman
Edited by: Nancy Richardson
Post-production Executive
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Post-production Executive
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Post-production Executive
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Post-production Executive
Fire Down Below (1997)
Directed by: Félix Enríquez Alcalá
Cinematography by: Tom Houghton
Edited by: Robert A. Ferretti
Post-production Executive
Murder at 1600 (1997)
Directed by: Dwight H. Little
Cinematography by: Steven Bernstein
Post-production Accountant Manager
Rosewood (1997)
Directed by: John Singleton
Cinematography by: Johnny E. Jensen
Edited by: Bruce Cannon
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Post-production Executive
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Post-production Executive
Steel (1997)
Directed by: Kenneth Johnson
Cinematography by: Mark Irwin
Edited by: John F. Link
Post-production Accountant Manager
Vegas Vacation (1997)
Directed by: Stephen Kessler
Cinematography by: William A. Fraker
Edited by: Seth Flaum
Cameras: Panavision Cameras
Post-production Accountant Manager
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Post-production Accountant Manager
Space Jam (1996)
Directed by: Joe Pytka
Cinematography by: Michael Chapman
Edited by: Sheldon Kahn
Post-production Accountant Manager
The Glimmer Man (1996)
Directed by: John Gray
Cinematography by: Rick Bota
Edited by: Donn Cambern
Post-production Accountant Manager
Mars Attacks! (1996)
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
Post-production Accountant Manager
Tin Cup (1996)
Directed by: Ron Shelton
Cinematography by: Russell Boyd
Post-production Accountant
Executive Decision (1996)
Directed by: Stuart Baird
Cinematography by: Alex Thomson
Post-production Accountant Manager
A Time to Kill (1996)
Directed by: Joel Schumacher
Cinematography by: Peter Menzies Jr.
Edited by: William Steinkamp
Cameras: Panavision Panaflex Platinum Camera
Post-production Accountant Manager
My Fellow Americans (1996)
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Post-production Accountant Manager
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Post-production Accountant Manager
Michael Collins (1996)
Directed by: Neil Jordan
Cinematography by: Chris Menges
Post-production Accountant Manager
Heat (1995)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Post-production Accountant Manager
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Post-production Accountant
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Post-production Accountant Manager
Grumpier Old Men (1995)
Directed by: Howard Deutch
Cinematography by: Tak Fujimoto
Post-production Accountant Manager
Assassins (1995)
Directed by: Richard Donner
Cinematography by: Vilmos Zsigmond
Post-production Accountant
Just Cause (1995)
Directed by: Arne Glimcher
Cinematography by: Lajos Koltai
Post-production Accountant Manager
A Little Princess (1995)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Panaflex Platinum Camera
Post-production Accountant Manager
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Post-production Accountant Manager
Fair Game (1995)
Directed by: Andrew Sipes
Cinematography by: Richard Bowen
Cameras: Panavision Cameras
Post-production Accountant Manager
Disclosure (1994)
Directed by: Barry Levinson
Cinematography by: Tony Pierce-Roberts
Edited by: Stu Linder
Post-production Accountant
On Deadly Ground (1994)
Directed by: Steven Seagal
Cinematography by: Ric Waite
Post-production Accountant Manager
Interview with the Vampire: The Vampire Chronicles (1994)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera
Post-production Accountant Manager
Maverick (1994)
Directed by: Richard Donner
Cinematography by: Vilmos Zsigmond
Post-production Accountant
The Specialist (1994)
Directed by: Luis Llosa
Cinematography by: Jeffrey L. Kimball
Edited by: Jack Hofstra
Post-production Accountant Manager
Wyatt Earp (1994)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Carol Littleton
Post-production Accountant Manager
The Client (1994)
Directed by: Joel Schumacher
Cinematography by: Tony Pierce-Roberts
Edited by: Robert Brown
Post-production Accountant
The Pelican Brief (1993)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Editing System: Lightworks Editing System
Post-production Accountant Manager
Fearless (1993)
Directed by: Peter Weir
Cinematography by: Allen Daviau
Post-production Accountant
Dennis the Menace (1993)
Directed by: Nick Castle
Cinematography by: Thomas E. Ackerman
Edited by: Alan Heim
Post-production Accountant Manager
Falling Down (1993)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Platinum Camera
Post-production Accountant
The Fugitive (1993)
Directed by: Andrew Davis
Cinematography by: Michael Chapman
Post-production Accountant
Point of No Return (1993)
Directed by: John Badham
Cinematography by: Michael W. Watkins
Edited by: Frank Morriss
Post-production Accountant
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Post-production Accountant Manager
Free Willy (1993)
Directed by: Simon Wincer
Cinematography by: Robbie Greenberg
Edited by: O. Nicholas Brown
Post-production Accountant Manager
This Boy's Life (1993)
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Post-production Accountant
Wrestling Ernest Hemingway (1993)
Directed by: Randa Haines
Cinematography by: Lajos Koltai
Edited by: Paul Hirsch
Post-production Accountant
Body Snatchers (1993)
Directed by: Abel Ferrara
Cinematography by: Bojan Bazelli
Edited by: Anthony Redman
Post-production Accountant
The Secret Garden (1993)
Directed by: Agnieszka Holland
Cinematography by: Roger Deakins
Edited by: Isabelle Lorente
Cameras: Panavision Cameras
Post-production Accountant Manager
Batman Returns (1992)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Panaflex Gold II Camera
Post-production Accountant
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Post-production Accountant Manager
The Bodyguard (1992)
Directed by: Mick Jackson
Cinematography by: Andrew Dunn
Post-production Accountant Manager
Class Act (1992)
Directed by: Randall Miller
Cinematography by: Francis Kenny
Post-production Accountant
Pure Country (1992)
Directed by: Christopher Cain
Cinematography by: Richard Bowen
Edited by: Jack Hofstra
Post-production Accountant
Final Analysis (1992)
Directed by: Phil Joanou
Cinematography by: Jordan Cronenweth
Edited by: Thom Noble
Cameras: Panavision Panaflex Platinum Camera
Post-production Accountant
Under Siege (1992)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Post-production Accountant
The Last Boy Scout (1991)
Directed by: Tony Scott
Cinematography by: Ward Russell
Post-production Accountant
Nothing But Trouble (1991)
Directed by: Dan Aykroyd
Cinematography by: Dean Cundey
Post-production Accountant
Defending Your Life (1991)
Directed by: Albert Brooks
Cinematography by: Allen Daviau
Edited by: David Finfer
Post-production Accountant
Curly Sue (1991)
Directed by: John Hughes
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Post-production Accountant Manager
The Bonfire of the Vanities (1990)
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Post-production Accountant Manager
Goodfellas (1990)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Zeiss Lenses
Editing System: Lightworks Editing System
