35mm Film Negative Width | 2523 Titles
Boyhood (2014)
Directed by | Richard Linklater | Cinematography by | Lee Daniel, Shane F. Kelly | Editing by | Sandra Adair
Rosewood (1997)
Directed by | John Singleton | Cinematography by | Johnny E. Jensen | Editing by | Bruce Cannon
Cameras | Panavision Panaflex Camera
Ad Astra (2019)
Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen
Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera
Lenses | CamTec Lenses, Zeiss Master Prime Lenses
The Crucible (1996)
Directed by | Nicholas Hytner | Cinematography by | Andrew Dunn | Editing by | Tariq Anwar
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Born on the Fourth of July (1989)
Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | David Brenner, Joe Hutshing
Cameras | Panavision Cameras, Panavision Panaflex Camera
Lenses | Panavision Lenses
Ocean’s Eleven (2001)
Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione
Cameras | Panavision Panaflex Millennium XL Camera
The Killing (2011)
| Cinematography by | Gregory Middleton, Peter Wunstorf, Brian Johnson | Editing by | Elizabeth Kling, Joel T. Pashby, Amy E. Duddleston, Sarah Boyd, Howard Leder, Philip Fowler
Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Velvet Goldmine (1998)
Directed by | Todd Haynes | Cinematography by | Maryse Alberti | Editing by | James Lyons
Cameras | Aaton Cameras, Panavision Panaflex Gold Camera
Topsy-Turvy (1999)
The Mirror Has Two Faces (1996)
Directed by | Barbra Streisand | Cinematography by | Andrzej Bartkowiak, Dante Spinotti | Editing by | Jeff Werner
Cameras | Panavision Panaflex Camera
Criminal Minds (2005)
| Cinematography by | Greg St. Johns, Glenn Kershaw, Darcy Spires, Gary Tachell, Alex Nepomniaschy | Editing by | Jimmy Hill, Nina M. Gilberti, Hibah Schweitzer, Michael Schweitzer, Farrel Levy, Adam Wolfe, Jimmy Giritlian, Fred Peterson, Joel Rice, Tamara Luciano, Chris Peppe, Peter B. Ellis, Lisa Bromwell, Eli Nilsen, Dana B. Wilson, Randy Jon Morgan
Cameras | Panavision Panaflex Camera, Red Epic Camera, Red Epic Dragon Camera, Sony CineAlta F35 Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Leica Summicron-C Series Lenses, Panavision Primo Anamorphic Lenses
Ready Player One (2018)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses, Panavision T Series Anamorphic Lenses
Face/Off (1997)
Directed by | John Woo | Cinematography by | Oliver Wood | Editing by | Steven Kemper, Christian Wagner
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Friendship’s Field (1995)
Directed by | Bruce Neibaur | Cinematography by | Matthew Williams
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Standard Speed Prime Lenses
American Pastime (2007)
Directed by | Desmond Nakano | Cinematography by | Matthew Williams | Editing by | Mark Yoshikawa
Cameras | Moviecam Compact Camera
Lenses | Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Bølgen (2015)
Directed by | Roar Uthaug | Cinematography by | John Christian Rosenlund | Editing by | Christian Siebenherz
Cameras | Red Epic Dragon Camera
King Kong (1933)
Directed by | Merian C. Cooper, Ernest B. Schoedsack | Cinematography by | Edward Linden, J.O. Taylor, Vernon L. Walker, Kenneth Peach | Editing by | Ted Cheesman
Cameras | Mitchell Standard Camera
The Dark Knight (2008)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | Beaumont Vista Vision Camera, Imax MKIII Reflex Camera, Imax MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
The American Mall (2008)
Directed by | Shawn Ku | Cinematography by | Matthew Williams | Editing by | Don Brochu
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Chinatown (1974)
Directed by | Roman Polanski | Cinematography by | John A. Alonzo, Stanley Cortez | Editing by | Sam O'Steen
Cameras | Panavision Cameras
