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ARRI ALEXA Mini Camera | 153 Titles

ARRI ALEXA Mini Camera 4.47/5 15 Votes

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Logan (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 137 Minutes

Directed by | James Mangold | Cinematography by | John Mathieson | Editing by | Michael McCusker, Dirk Westervelt

Starring | Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

The Last Black Man in San Francisco (2019)

Motion Picture | 2D | Color | 121 Minutes

Directed by | Joe Talbot | Cinematography by | Adam Newport-Berra | Editing by | David Marks

Starring | Jimmie Fails, Jonathan Majors, Danny Glover, Tichina Arnold

Cameras | ARRI ALEXA Mini Camera

Altered Carbon (2018)

Television Series | 2D | 4K Project | Color | 2.0:1 | 60 Minutes

| Cinematography by | Corey Robson, Martin Ahlgren, Neville Kidd, Bernard Couture, P.J. Dillon | Editing by | Amy M. Fleming, Byron Smith, Erin Deck, Barry Alexander Brown, Jonathan Chibnall, Julian Clarke, Michael Ruscio, Geoff Ashenhurst, Stephen Philipson, Jay Prychidny

Starring | Chris Conner, Renée Elise Goldsberry, Joel Kinnaman, James Purefoy

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses | Canon Lenses, Cooke 5/i Lenses, Cooke S4/i Lenses, Hawk 150-450 mm T2.8 Lens, Zeiss Compact Prime Lenses

Ice (2016)

Television Series | 2D | Color | 1.78:1 (16x9) | 60 Minutes

The Intruder (2019)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Deon Taylor | Cinematography by | Daniel Pearl | Editing by | Melissa Kent

Starring | Dennis Quaid, Meagan Good, Michael Ealy, Joseph Sikora

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Zoom Lenses, Hawk MiniHawk Hybrid Anamorphic Lenses

Crown Vic (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 100 Minutes

Directed by | Joel Souza | Cinematography by | Thomas Scott Stanton | Editing by | David Andalman

Starring | Bridget Moynahan, Thomas Jane, David Krumholtz, Luke Kleintank

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

The Precipice Game (2016)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 90 Minutes

Directed by | Zao Wang | Cinematography by | Joewi Verhoeven | Editing by | Hua Tang, Jolin Zhu

Starring | Ruby Lin, Peter Ho, Kim Scar, Yuexi Gai

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera

Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Legends of the Hidden Temple: The Movie (2016)

Motion Picture, Television Movie | 2D | HD Project | Color | 65 Minutes

Directed by | Joe Menendez | Cinematography by | Tom Harting | Editing by | Damon Fecht

Starring | Isabela Merced, Colin Critchley, Jet Jurgensmeyer, Kirk Fogg

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera

Lenses | Panavision Lenses, Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens

Good Boys (2019)

Movie | 2D | Color | 2.39:1 | 89 Minutes

Directed by | Gene Stupnitsky | Cinematography by | Jonathan Furmanski | Editing by | Daniel Gabbe

Starring | Jacob Tremblay, Molly Gordon, Retta, Will Forte

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 180 mm T2.8 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Nine Lives (2016)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Karl Walter Lindenlaub | Editing by | David Zimmerman, Don Zimmerman

Starring | Kevin Spacey, Jennifer Garner, Robbie Amell, Cheryl Hines

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke S4/i Lenses, Zeiss Ultra Prime Lenses

Doctor Strange (2016)

Motion Picture | 3D | Color | 1.78:1 (16x9), 2.39:1 | 115 Minutes

Directed by | Scott Derrickson | Cinematography by | Ben Davis | Editing by | Sabrina Plisco, Wyatt Smith

Starring | Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Paterson (2016)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Affonso Gonçalves

Starring | Adam Driver, Golshifteh Farahani, Nellie, Rizwan Manji

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera

Snowden (2016)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Oliver Stone | Cinematography by | Anthony Dod Mantle | Editing by | Alex Marquez, Lee Percy

Starring | Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo, Zachary Quinto

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, Codex Action Cam

Lenses | Leitz Summicron-C Series Lenses

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